” The Sacred Arts Tour” by the Tibetan Monks of Drepung Gomang Monastery Featured June 12 – 17th At Fish House Art Center

The Aya Fiber Studio at the Fish House Art Center is honored to be hosting the Drepung Monastery Monks Sacred Arts Tour June 12 – 17th. The Opening Ceremony takes place during the day on June 12th followed by a separate Evening Reception on the 12th at Marker 23 Gallery and Tattoo Studio.  The Monks will be creating a sand mandala in the Gallery from the 12th through the 17th.  There will be workshops at the Aya Fiber Studio during the week and a Cultural Pageant on the Saturday, June 16.  On Sunday, June 17, the mandala will be dismantled at a Closing Ceremony that will bless our local waters.  This will be an event that you will always remember!  The Rickie Report shares the details and some sneak peeks.

 

Fish House Art Center

4745 SE DeSoto Ave., Port Salerno (Stuart)

The Tibetan Monks

of

Drepung Gomang Monastery

 

June 12 – 17th

 

 

OPENING  CEREMONY:

TUESDAY, JUNE  12    12:30 PM

OPENING  RECEPTION:

TUESDAY, JUNE 12    6:00 PM

STOP BY AND SEE THE MANDALA BEING  CREATED!

 

WORKSHOPS  THROUGHOUT  THE  WEEK

CLOSING  CEREMONY:

SUNDAY, JUNE 17  1:30  PM

RSVP:  772.888.3827

 

 

Sacred Arts Tour

Sacred Arts Tour

 

The monks of Drepung Gomang are sharing the compassion and wisdom of Tibetan Buddhism, to demonstrate the artistic accomplishments of the people of Tibet, and to generate funds to insure the survival of the Tibetan culture. Drepung Gomang Monastery uses all donations and proceeds from the sale of Tibetan crafts and jewelry to house, feed, and educate everyone wishing to study at this monastic center of higher learning, including orphans and refugees fleeing Chinese-occupied Tibet. The monastery is working to establish a Food Foundation Fund, which will help the monastery provide a continuous food supply to the student monks in years to come. Please remember and embrace that they are refugees from Tibet. After this year-long tour, they cannot return to their own country…they have a monastery in India that they will return to.

 

 

Check out Photos:

 

 

 Stop by, Participate and Experience

 

Colored Sands

Colored Sands

 

At the Opening Ceremony, the monks will chant powerful prayers for peace, prosperity, and healing in traditional overtones—the chant master intoning a full chord of three notes. Their chants will be accompanied by delicate hand gestures, cymbals, drums, horns, and flutes.

Drawing The Lines

Drawing The Lines

 

 

What is a Mandala? 

The Mandala, Tibetan sand painting, is an ancient art form of Tibetan Buddhism. The mandala is a Sanskrit word meaning cosmogram or “world in harmony.” Mandalas are drawings in three-dimensional forms of sand. In Tibetan, this art is called dul-tson-kyilkhor which means “mandala of colored powders.”

 

Sand painting is an ancient Tibetan art form. The sand mandala is carefully constructed from dyed sand particles to represent the particular esoteric, textual traditions of Buddhism. It is a transient art form, thought to have originated in India and been transferred in the middle ages to Tibet. The sand mandala is constructed as vehicle to generate compassion, realize the impermanence of reality, and a social/cosmic healing of the environment.

 

Chanting and Preparation

Chanting and Preparation

 

In Tibetan Buddhism, a mandala is an imaginary palace that is contemplated during meditation. Each object in the palace has significance, representing some aspect of wisdom or reminding the meditator of some guiding principle. Various scriptural texts dictate the shapes, forms, and colors of the mandala. There are many different mandalas, each with different lessons to teach and blessings to confer. Most mandalas contain a host of deities, symbolic archetypes of the landscape of the mind.

 

Among the Tibetan arts, painting with colored sand ranks as one of the most unique and exquisite. Millions of grains of colored sand are painstakingly laid into place on a flat platform over a period of several days, forming an intricate diagram of the enlightened mind and the ideal world.  In ancient times, powdered precious and semi-precious gems were also used. When finished, to symbolize the impermanence of all that exists, the colored sands are swept up and poured into a nearby river or stream where the waters carry the healing energies throughout the world.

Using the colored sands

Using the colored sands

 

More About Mandalas

 

In general, all mandalas have outer, inner, and secret meaning. On the outer level they represent the world in its divine form; on the inner level, they represent a map by which the ordinary human mind is transformed into the enlightened mind; and on the secret level, they predict the primordially perfect balance of the subtle energies of the body and the clear light dimension of the mind. The creation of a sand painting is said to affect purification and healing on these three levels.

 

 

Creating the mandala

Creating the mandala

 

Every tantric system has its own mandala, and thus each one symbolizes an existential and spiritual approach. For example, that of Lord Avalokiteshvara symbolizes compassion as a central focus of the spiritual experience; that of Lord Manjushri takes wisdom as the central focus; and that of Vajrapani emphasizes the need for courage and strength in the quest for sacred knowledge. Medicine Buddha mandalas are created to generate powers of healing.

 

The creation of a sand mandala begins with an opening ceremony. Monks consecrate the site and call forth the forces of goodness through chanting mantras accompanied by flutes, drums and cymbals. The construction of the mandala begins with the drawing of the design on the base, or tek-pu. The artists measure out and draw the architectural lines using a straight-edged ruler, compass and ink pen.

 

Finishing the mandala

Finishing the mandala

 

The mandala is a formal geometric pattern showing the floor plan of a sacred mansion. Once the diagram is drawn, in the following days you see millions of grains of colored sand painstakingly laid into place. The sand, colored with vegetable dyes or opaque tempera, is poured onto the mandala platform with a narrow metal funnel called a “chakpur” which is scraped by another metal rod to cause sufficient vibration for the grains of sand to trickle out of its end. The two “chakpurs” are said to symbolize the union of wisdom and compassion. The mandalas are created whenever a need for healing of the environment and living beings is felt.

 

The monks consider our present age to be one of great need in this respect, and therefore are creating these mandalas where requested throughout their world tours. When finished, to symbolize the impermanence of all that exists, the colored sands are swept up and poured into a nearby river or stream where the waters carry healing energies throughout the world.

 

Culinary Evening

Culinary Evening with the Monks

 

 

For more information:

http://www.gomang.org/chenrezig.html

For information about Drepung Gomang Monastery and their North American tour is available on their website: www.drepunggomang.org and www.gomang.org

For a Description of the ceremonies and setting up the site where the Mandala will be created:
http://www.gomang.org/mandala.html

 

For more details about these events, classes, upcoming workshops:

 

Contact Suzanne Connors at: (336) 693-4606

or visit www.ayafiberstudio.com

or visit:

www.facebook.com/ayafiberstudio?fref=ts

 

Marker 23 Gallery & Tattoo Studio

www.facebook.com/Marker-23-Gallery-and-Tattoo-Studio-1811209452531568/

 

 

For coverage of your events, to place an advertisement, or speak to Rickie about appearing in The Rickie Report, contact:

Rickie Leiter, Publisher

Rickie@therickiereport.com   561-537-0291

17019 SW Sapri Way   Port St. Lucie, FL 34986

 

 

Aya Fiber Studio Dyehouse Shares August Offerings And Upcoming Specialty Workshops

Aya Fiber Studio Dyehouse’s Suzanne Connors has brought new classes and techniques to share with you! The Rickie Report shares the August Workshop Schedule, studio time and group visits. Indicate your interest in a future Felting Workshop. Sign up now for Kathy Hay’s Eco Print Workshop in October. NOTE TO FIBER ARTISTS/INSTRUCTORS: Suzanne is putting together the Fall and Winter Schedule. Contact Suzanne if you are interested in being an instructor. NOTE to Indigo Lovers – Aya Studios offers ready made tote bags, clothing, bedding and more! Click here for details.

 

 

 

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Aya Fiber Studio

Fish House Art Center

4745 SE Desoto Ave

Port Salerno, Florida 34997

STUDIO and BOUTIQUE OPEN: Tuesday- Saturday

and by appointment: 336-693-4606

 

Suzanne Connors tells The Rickie Report, “I can hardly believe summer is going by so fast, My 2 weeks at Arrowmont were wonderful and I learned so much new information! I’m putting together some really exciting workshops and I hope you will join us at The Dyehouse.”

 

Interested in a September Felting workshop with Robin Firth of Heartfelt Silks?  This would be held on Sat or Sunday, September 19th or 20th. Before committing I would like to see if there are enough people interested. Please email ayafiberstudio@gmail.com if you are interested or to let me know things you might be interested in.

 

 

Hand Dyed Mobius Shawl

Hand Dyed Mobius Shawl

 

Suzanne will be adding new workshops monthly! I have received some very exciting proposals from some of the best fiber artisans I know and I am excited to see what this season will bring. Eco- Printing , basketry, felting, dyeing with lichen; these are just a few! In order to help me with this could you take 3 minutes to fill out a survey? http://questionpro.com/t/ALh1lZSuW9

 

AUGUST WORKSHOPS

AYAFIBERMarblingonfabricworkshop

Marbling on Fabric
Monday  August 17, 2015
10:00- 3:00

 

ayafibershiboriscarf

Shibori Dyeing – Silk Scarf

Wednesday, August 20, 2015

10:00 -1:00

 

 

ayafiberstitchingworkshop

Intro To Shibori Stitching on Raw Silk

 August 23, 24, 2015

10:00 – 3:00

 

AYAFIBERSelectivedegummingworkshop

 

Select DeGumming on Raw Silk

Thursday, August 27  10:00 – 3:00

 

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Indigo Play Date!

Saturday, August 29, 2015

10:00 – 3:00

 

 

Come enjoy an early morning cup of coffee on the dock, gather and mingle with like minded fiber artists, learn new techniques. Call Suzanne at (336) 693-4606 for more information
In addition you can rent studio space by the hour, day, week or month to practice your new skills. Purchase a Studio Pass! It is a great opportunity to create in an intimate fully furnished waterfront studio environment in South Florida!

 

Eco

Eco-Printing Workshop With Kathy Hays

 

Eco-Printing workshop with Kathy Hays

October 16, 17, 18, 2015

Eco Printing is contact printing of plants onto fabric. In this 3 Day Eco Print workshop intensive you will learn about plants, fabrics, equipment, processes and bundling techniques. Silk and wool fabrics have an affinity for plants and create fantastic prints. This workshop is perfect for fiber artist, feltmakers, dyers and art quilters. No experience necessary, just a willingness to experiment and enjoy the bounties of nature. Some hand strength is needed to create bundles. This workshop is designed to learn essentials to carry printing at home.

 

AYAFIBERkathyHaysday1

 

  • Day 1 Introduction – A discussion about what is Eco printing, what type of fabrics necessary, the equipment, materials, solutions and processes that are used for successful prints. A demonstration of how to make a bundle is given and balance of the day students make bundles. An indigo vat will be available, some fabrics are dipped for printing on day 2

 

AYAFIBERkathyhaysday2

 

  • Day 2 First bundles are processed in the morning with results and discussion in afternoon of results. In the a.m. different bundling techniques are demonstrated and students allowed to explore those techniques. Those morning bundles will be processed in p.m. (if indigo vat available students may use their fabric from previous day)

 

AYAfiberKathyhaysday3

  • Day 3 Bundles will be opened from previous day and results discussed. (Fabrics from day 1 can be dipped into indigo vat .) Final bundling technique to produce high definition prints will be demonstrated. The balance of the day if finishing up all bundling processes and discussion of results.

 

$150 Deposit will hold your place in class; Balance of $300 due 1st day of class (cash/check) payable to Kathy Hays. Cancellation before 9/25/2015 will credit toward another workshop at Aya Fiber Dyehouse.

Materials List will be supplied September

LIMIT 10 persons

Weekly and monthly WORKSHOPS are available for all ages and all levels from absolute beginners to experienced craftspeople looking to hone their skills. Teachers and speakers include local artists as well as experienced “visiting artists” from the Fiber world!
Rent studio space by the hour, day, week or month to practice your new skills. It is a great opportunity to create in an intimate fully furnished waterfront studio environment in South Florida! Use onion skins and beets for natural dyes!

REGISTER TODAY: http://www.ayafiberstudio.com/indigo-workshops/

Studio equipped with:

sewing machines
serger
large cutting and work tables
irons/ironing boards
dress forms
wet area with sinks
dye equipment
drying rack and indoor lines
silk and batik frames
steamer
4 harness Leclerc floor loom
Tapestry Loom
Marbling equipment
Reference library
Computer and printer
Wi-fi also available

 

WHAT DO YOU WANT TO MAKE TODAY?

 

New Arashi Fabric

New Arashi Fabric

Suzanne explains to The Rickie Report, “What I love about fiber art is the surprise element – the mixture of the fabric, the dye and the resist create different combinations of results that are only revealed at the final step…the magic when the freshly dyed indigo comes out of the vat and turns from green to blue right before your eyes! It is always a surprise when I unwrap a freshly dyed piece of fabric! I currently specialize in Shibori and Batik. For me, these art forms are an excuse to use vibrant colors and simple shapes to produce designs, without having to worry too much about the details –just as in life, there are no “mistakes” with fiber, and everything is always subject to change. The imperfections are all part of the creative process. I’m always learning new techniques and experimenting so I can share them with my students. Every piece created is a unique one of a kind original!”

 

 

For more information please contact Suzanne Connors at:(336) 693-4606

or visit www.ayafiberstudio.com

or visit:

www.facebook.com/ayafiberstudio?fref=ts

 

 

For coverage of your events, to place an advertisement, or speak to Rickie about appearing in The Rickie Report, contact:

Rickie Leiter, Publisher

The Rickie Report

P.O.Box 33423

Palm Beach Gardens, FL 33420

Rickie@therickiereport.com

561-537-0291