JF Gallery Opens Call To Established, Mid-Career, And Emerging Artists In The United States For 8th Annual Juried Exhibit

JF Gallery is pleased to announce its 8th Annual Juried Art Exhibit, with juror Bruce Helander.  Applications are open to all Established, Mid Career, and Emerging artists in the United States. The Opening Reception will be held on June 29.  The Rickie Report shares the details here and urges artists to apply! The exhibit takes place June 28 – July 20, 2019.

 

3901 S. Dixie Hwy    West Palm Beach, FL

561-478-8281

 

 

JF Gallery  8th Annual Juried Art Exhibit

Open to all

Established, Mid Career and Emerging Artists

In the United States

 

Entry Deadline: 5/31/19

 

 

ARTIST RECEPTION / ART OPENING

June 29th      6 – 9  pm

Exhibit runs June 28 – July 20, 2019

 

 

 

  • Open to all Established, Mid Career and Emerging Artists in the United States.

  • Entries must have been completed within the past 2 years and not previously exhibited in JF Gallery.

  • Jury will be looking for technically competent work in all genres and Styles. 

  • Artist may submit one (1) to three (3) pieces of artwork.

  • JF Gallery takes a commission of 35% on all sold artwork during exhibit.

AWARDS:

Best in show: $500. The juror has the option of awarding Honorable Mention recognitions. Purchase awards and exhibition opportunities are some of the additional benefits possible for artists whose work is selected.

MEDIA & SPECIFICATIONS:

Work in 2D and 3D media is eligible.
2D work must be wired and ready for hanging.
Sculptures not to exceed 100 lbs in weight.
Artists of all mediums and genres are encouraged to apply. (Painting, Printmaking, Sculpture, Glass, Fiber, Functional, Digital, Photography, Installation, Mixed Media, New Genres)
MAXIMUM Outside to Outside Dimensions including any framing, are: 62 x 62

 

 

 

ACCEPTANCE:

Artists whose works are accepted will be notified via email or phone by June 7th 2019.
Accepted works may be withheld from exhibition at the Juror’s discretion. This option
is seldom exercised, however, in order to insure the quality of the exhibition it must
be maintained. Accepted works must remain on exhibit for the duration of the Exhibit NO EXCEPTIONS. Entry Fees are non-refundable.

 

DELIVERY & RETURN OF WORK:

Accepted works may be hand delivered or shipped PRE-PAID by June 24th. The Artist will assume payment for return shipment. Artists should insure their work during transit. Although all responsible care will be exercised, JF Gallery cannot be responsible for any loss or damage in shipping or while on exhibit. Sending an entry shall limply an agreement on the part of the sender to the conditions set forth in this prospectus.

JF Gallery is not responsible for artwork left unclaimed past pick up date of July 22nd.

PLEASE DO NOT CALL or COME INTO GALLERY

Any questions or concerns MUST be sent via email: info@jfgallery.com

IF ENTERING BY MAIL using prospectus from our website: Applications and cds submitted will not be returned
(You may send a prepaid envelope if you do wish to have CD sent back to you) does not apply if entering via cafe site
Make checks payable to: JF Gallery if entering by mail
How to save your image file if your entering by mail
(Example) LASTNAME_FIRSTINITIAL_TITLE.JPG

Bruce Helander ( photo courtesy of Robert Nelson)

JUROR:

Bruce Helander is an art critic, arts writer, curator and artist whose specialty is collage and assemblage. He has a master’s degree in painting from the prestigious Rhode Island School of Design, where he later became the Provost and Vice President for Academic Affairs of the college. He is a former White House fellow of the National Endowment for the Arts and has won the South Florida Cultural Consortium fellowship for professional achievement in the visual arts. He is one of two 2014 inductees to the Florida Artists Hall of Fame, Florida’s most prestigious arts and culture honor (the other is musician Tom Petty).

City Link magazine called Bruce Helander “Arguably the most recognized and successful collage artist in the country…” and Kenworth Moffett, the former director of the Museum of Art, Fort Lauderdale, said in Gold Coast magazine that “If there was a Pulitzer Prize for collage, Helander would surely win it.”

His work is in over fifty museum collections, including the Metropolitan Museum of Art, Solomon R. Guggenheim Museum, Brooklyn Museum, Smithsonian, Art Institute of Chicago, Los Angeles County Museum of Art, San Francisco Museum of Modern Art, Whitney Museum of American Art and Museum of Contemporary Art (MOCA) in Los Angeles. The artist and his work has been the subject of 100 reviews and articles in numerous publications, including Art in America, ARTnews, and The Washington Post.

Helander is the former Editor-in-Chief of The Art Economist magazine and recently exhibited his work at Georgia Scherman Projects (Toronto), Corzine Fine Art (Los Angeles), Peter Marcelle Gallery (Bridgehampton, New York), Cornell Museum of Art (Delray Beach), and ArtHouse 429 (West Palm Beach). Most currently, his work was shown by Arcature Fine Art at Art Miami and Art Miami New York/Pier 94 and by Tansey Contemporary at Art Wynwood.  Helander is now focusing on a retrospective of his collages and paintings for the Coral Springs Museum of Art, scheduled for 2017, and his collages are included in “Open This End,” a five-year traveling museum show of works from the celebrated Blake Byrne collection in Los Angeles, currently at the Nasher Museum of Art.

For more information about this exhibition:

Facebook event link: https://www.facebook.com/events/276602349931204/

Apply: https://artist.callforentry.org/festivals_unique_info.php?ID=6486

JF Gallery
3901 S. Dixie Hwy    West Palm Beach,  FL
561-478-8281

www.decaso.com/shop/jfgallery

 

 

 

 

For coverage of your events, to place an advertisement, or speak to Rickie about appearing in The Rickie Report, contact:

Rickie Leiter, Publisher

Rickie@therickiereport.com   561-537-0291

17019 SW Sapri Way   Port St. Lucie, FL 34986

3 Artists Showcased At “Florida Roots” Exhibit At Courthouse Cultural Arts Center In Stuart, FL

Did you know the arts pack a punch with $27 million impact in Martin County, FL?  The ARTS really MATTER!!  Located in downtown Stuart, FL,  The Arts Council of Martin County offers a wide variety of experiences for the public and for artists.  Currently,  “Florida Roots”, an exhibit showcasing the artworks of  Diane Richmond Hall, Donald Neal, and Delford Terry is not to be missed!  It is available until January 27th, at the Courthouse Cultural Arts Center so make time to stop by!  The Rickie Report shares the details and some sneak peeks.

 

 

 

Courthouse Cultural Art Center

80 SE Ocean Blvd    Stuart, FL

772.287.6676           www.MartinArts.org

The Arts Council of Martin County  Presents:

“FLORIDA    ROOTS”

Exhibit is available NOW through January 27th

 

 

 

 

Diane Richmond Hall

 

 

Diane Richmond Hall shares that her first artistic piece was acknowledged at age 5 years and she has not stopped since!  Encouraged by family members and teachers, she is primarily self-taught.  At age 12 she began experimenting with oil paints.  Her late husband, Ellis (aka “Sweet”) was her biggest fan.  She says, ” He encouraged me and enabled me to study with professionals in a few workshops in DC, Boston, Sarasota and Scottsdale, to hone my skills. He was very involved with my art, making canvases and doing art shows with me. If it wasn’t for him, I would not be at the level I am today. I have a 40-minute portrait sketch from life that I did of him. After the sitting, I didn’t continue to develop the painting because it shows his essence, spirit and personality. I didn’t want to lose that. While not a fully developed piece, it is my nod to “Sweet”. It will be the first art show I have done without him in 40 years”.

 

“Sharon” by Diane Richmond Hall

 

 

Raised in Bell Glade, FL, the isolation of the location gave her the time and freedom to explore her artistic side without too many distractions that she may have had in a bigger city.  Diane works 24 – 30 hours a week at her artistry.  She tells us, ” I’ve been thrilled to have been accepted in every juried show I have ever applied for. I’ve had the honor of receiving of Best in Show, Best in Painting, Poster Awards, Purchase Awards and Awards of Distinction etc. I feel truly blessed”.  Preferring to work in oils, her work has been published in art journals and national magazines.

 

“Five Easy Pieces” by Diane Richmond Hall

 

 

Diane returns to images of people and by extension people in reflective sunglasses.  She shares, “At an art show I was once asked if I was afraid of life. I replied, “no, what makes you ask that?” They said because I painted people hidden behind sunglasses. I said, “the simple answer is it isn’t anything that deep. By painting people in sunglasses, I get to paint two pictures in one.” And by the way, I paint people without glasses too.  It’s funny how often people try to figure out the deeper psychological and philosophical reasons behind artistic decisions when the artist may have just felt it was the natural thing to do, much like adding an ingredient to a recipe”.

 

 

 

Donald Neal

 

Donald Neal remembers being praised since his early childhood for his artistic talent. He was considered an art prodigy. When he was in 10th grade, he began thinking about college…”I knew I wanted to go to school to learn to be an even better artist. So I guess it was at that time I knew I wanted that as my career”. His earliest champions were two art teachers, Emanuel Garrett and Leroy Williams, who recognized his talent. His other mentors included Beanie Backus for a brief time and Rubin Hale. “When Emanuel Garrett took me to museums and such, it opened my world”.

“Da Vinci” by Donald Neal

 

 

 

Raised in Belle Glade, FL, there were not a lot of opportunities to learn from teachers so Donald used books and did a lot of self-study.  His parents were very artistic and did art when not working.  He works 16- 25 hours a week on his artistry.  Having won a few awards at juried art shows, Donald says ” The South Florida Cultural Consortium” was influential.  His work has been published  in art journals and national magazines.

 

“Death” by Donald Neal

 

 

Donald’s preferred subjects are women, nude paintings and sculpture.  Preferring clay as his medium, he says, ” I usually just begin with an idea and I know it is going to be changing as I go along. I enjoy that process the most. My best work has come from times I’ve messed up and corrected to be better than the first way”.  How does he choose his subject? ” I start off seeing a woman whose form I admire and then I start thinking of how to pose and render her”.

 

 

Delford Terry

 

Delford Terry recalls drawing feverishly at a very early age. Tom Prestopnik and Thomas Wetzl played significant roles in his artistic development as a young artist and advancing his college education.  Raised in Mile End St. Ann Jamaica, he says, “ I was inspired by the environment. Like, the river, fruits, landscape and ships… In the early 90’s  I lived in Indiantown Florida and it was there I was influence by the artist activities in high school and making art is a way out, especially when adjusting to a new environment. However, in 2010 I return to Jamaica and my palette and medium have changed, and I found aspirations to paint about Jamaica”.

 

“Pure Virginity” by Delford Terry

 

 

 

He continuously works in his sketch book and entered the 2016 the National Portrait Gallery’s Outwin Boochever Portrait Competition and made it to the semifinalist.  Delford ‘s work was featured in the Professional Artist Magazine ( December 2011 through January 2012) and Arc Magazine (Issue 4). November 2011 through January 2012 (Spotlight segment).

 

“Strange Fruit” by Delford Terry

 

 

Delford shares, “I think about the arrangements of things more often than the subject matter, because the subject is always there and I do not have to look far.  The pencil, paper, and colored dirt are what I use to lay the foundation of my work. These three basic elements bond human and cultural traditions. I feel connected to these fundamental substances. The historical radiation of these materials ground me in the resources of the past. However, I am not opposed to using other materials if they allow me to express the ideas I am exploring. With that said, I enjoy documenting my family and friends–from both Caribbean and American cultures–with common things that can be easily infused with metaphoric reference. Depicting my friends and family fills me with awe and wonder of not just the subject, but of the process. My goal is to communicate to the viewer a sense of wonder and to reveal some obscure observation to them through extreme realism in a celebratory manner. I strive to capture the emotional depth of my friends and family, and to paint them as I see them, their hopes, and their memories”.

 

Excerpts and quotes from MartinArtsMagazine Fall 2017. To read full interviews: https://issuu.com/martinarts/docs/martinarts_magazine_aug_25_issuu

For more information about this exhibit, upcoming exhibits and events please visit:

The Arts Council 

Court House Cultural Center

80 SE Ocean Blvd.   Stuart, FL 34994

772.287.6676

www.MartinArts.org

 

 

For coverage of your events, to place an advertisement, or speak to Rickie about appearing in The Rickie Report, contact:

Rickie Leiter, Publisher

Rickie@therickiereport.com   561-537-0291

17019 SW Sapri Way   Port St. Lucie, FL 34986

Bruce Helander Presents “The Evolution Of Collage” At Next Armory Art Salon

Bruce Helander, former Editor-in-Chief of The Art Economist magazine and world renown collage artist, will be speaking at the next Armory Art Center’s Art Salon.  Facilitated by Elle Schorr, the Salon takes place on Tuesday, April 5th.  The public is invited for stimulating discussion. The Rickie Report shares the details and urges artists to attend this networking opportunity.

 

 

 

Armory-Art-Center-Logo-2012

1700 Parker Avenue        W. Palm Beach, FL 33401

 

IN THE ARMORY ART CENTER LIBRARY

 

 

AT   THE   ART   SALON

 

 

TUESDAY, APRIL 5TH, 2016 

6:30 – 8:30 pm

EVOLUTION OF COLLAGE

PRESENTED BY

BRUCE HELANDER

 

 $10 fee to attend may be paid at the door

Snacks or drinks to share would be much appreciated

 

HelanderBlue Heaven

“Blue Heaven” by Bruce Helander

 

 

 

Bruce Helander recently exhibited his work at Georgia Scherman Projects (Toronto), Corzine Fine Art (Los Angeles), Peter Marcelle Gallery (Bridgehampton, New York), Cornell Museum of Art (Delray Beach), ArtHouse 429 (Northwood), and Nicole Henry Fine Art (West Palm Beach). Most currently, his work was shown by Arcature Fine Art at Art Miami and Art Miami New York/Pier 94 and by Tansey Contemporary at Art Wynwood. Helander is now focusing on a retrospective of his collages and paintings for the Coral Springs Museum of Art, scheduled for 2017, and his collages are included in “Open This End,” a five-year traveling museum show of works from the celebrated Blake Byrne collection in Los Angeles, currently at The Wallach Art Gallery, Columbia University, New York.

 

 

HelanderAt the Beach

“At The Beach” by Bruce Helander

 

Bruce Helander is an art critic, arts writer, curator and artist whose specialty is collage and assemblage. He has a master’s degree in painting from the prestigious Rhode Island School of Design, where he later became the Provost and Vice President for Academic Affairs of the college. He is a former White House fellow of the National Endowment for the Arts and has won the South Florida Cultural Consortium fellowship for professional achievement in the visual arts. He is one of two 2014 inductees to the Florida Artists Hall of Fame, Florida’s most prestigious arts and culture honor (the other is musician Tom Petty).

 

 

HelanderWoman In Mirror

“Woman In Mirror” by Bruce Helander

 

 

 

City Link magazine called Bruce Helander “Arguably the most recognized and successful collage artist in the country…” and Kenworth Moffett, the former director of the Museum of Art, Fort Lauderdale, said in Gold Coast magazine that, “If there was a Pulitzer Prize for collage, Helander would surely win it.”

 

Blue White and Yellow Helander 9800, 9/3/08, 3:46 PM, 8C, 8836x11242 (162+0), 150%, SG Redfish Pol, 1/15 s, R76.8, G64.6, B78.2

               “Rodeo Rider” by Bruce Helander

 

 

 

His work is in over fifty museum collections, including the Metropolitan Museum of Art, Solomon R. Guggenheim Museum, Brooklyn Museum, Smithsonian, Art Institute of Chicago, Los Angeles County Museum of Art, San Francisco Museum of Modern Art, Whitney Museum of American Art and Museum of Contemporary Art (MOCA) in Los Angeles. The artist and his work has been the subject of 100 reviews and articles in numerous publications, including Art in America, ARTnews, and The Washington Post.

 

HelanderPost Triangle

“Post Triangle” by Bruce Helander

 

 

Helander is the former Editor-in-Chief of The Art Economist magazine and recently exhibited his work at Georgia Scherman Projects (Toronto), Corzine Fine Art (Los Angeles), Peter Marcelle Gallery (Bridgehampton, New York), Cornell Museum of Art (Delray Beach), ArtHouse 429 (Northwood), and Nicole Henry Fine Art (West Palm Beach). Most currently, his work was shown by Arcature Fine Art at Art Miami and Art Miami New York/Pier 94 and by Tansey Contemporary at Art Wynwood. Helander is now focusing on a retrospective of his collages and paintings for the Coral Springs Museum of Art, scheduled for 2017, and his collages are included in “Open This End,” a five-year traveling museum show of works from the celebrated Blake Byrne collection in Los Angeles, currently at The Wallach Art Gallery, Columbia University, New York.

 

 

 

HelanderHigh Heel Helper

“High Heel helper” by Bruce Helander

 

 

 

For more information about Bruce Helander please visit:

www.brucehelander.com

 

 

 

ART SALONS offer stimulating conversations with other artists in the community. As a springboard to each of our explorations, professional artists from South Florida are invited to present their work, talk about what influenced them, and examine the work of influential artists showing in museums and galleries. Our discussions cover the gamut of contemporary art themes, including conceptual, cultural, socio/political, environmental, race and gender focused and aesthetic practices, the materials and techniques used to convey these ideas, and where we fit into the world of contemporary conceptual art. They’re also an opportunity to explore the practical side of being an artist, of professional development and the sharing of useful resources.  Salons are facilitated by Elle Schorr.

 

 

TRAVEL DIRECTIONS:

NEW LOCATION: All Salons meet in the Library of the Armory Art Center, 1700 Parker Avenue, West Palm Beach, Florida 3340, in the historic Art Deco Armory building to the left of the garden.

If you’re driving North on I-95, turn right/ east on Belvedere Blvd. Turn left at the light on to Parker Avenue. Continue north to Park Place, just before the fire station. The entrance and main parking lot of the Armory Art Center is halfway up the block on the left side.

If you’re driving South on I-95, turn left / east on Okeechobee Blvd. Turn right on Parker Ave, just before the Convention Center. Continue south past the fire station and turn left on Park Place. The entrance and main parking lot of the Armory Art Center is halfway up the block on the left side.

 

For more information about this event or other exhibits, workshops, classes at the Armory Art Center, please visit: armoryart.org

 

 

For coverage of your events, to place an advertisement, or speak to Rickie about appearing in The Rickie Report, contact:

Rickie Leiter, Publisher

The Rickie Report

P.O.Box 33423

Palm Beach Gardens, FL 33420

Rickie@therickiereport.com

561-537-0291