Coral Springs Museum Of Art Features Solo Retrospective Of Cheryl Maeder’s Artwork January 19 – March 6

The Coral Springs Museum of Art presents “Super Natural”, a Solo Retrospective Exhibition of Cheryl Maeder’s Work. The exhibition is available January 19 through March 6, 2021.  The public is invited to a Complimentary Ticketed Reception on Thursday, January 21. Maeder’s photography became the inspiration for the Dove Campaign on ‘Real Women, Real Beauty’, which transformed the way women are viewed in the global media. “Super Natural” fuses the natural world with her inner world, creating visuals that are somewhere between reality and the sublime.  The Rickie Report shares the details and some sneak peeks!

 

 

 

 

Coral Springs Museum of Art

2855A Coral Springs Drive    Coral Springs, FL 33065

Open:  Tuesday – Saturday 10 am – 5 pm

954-340-5000

 

 

 

Coral Springs Museum of Art

 

 

 

 

 

Opening Reception/Meet the Artist

Thursday, January 21

 

 

5:30 – 8  pm

Opening Reception is complimentary*

Exhibit runs January 19 through March 6, 2021

 

 

 

 

Click For Complimentary Tickets 

 

 

 

Cheryl Maeder is intuitively linked to everything in the world around her and us. Now is our chance to see a variety of her works which focus on relatedness. She speaks for Mother Nature, as a guide to all of us.  The core of Cheryl Maeder’s work is about “connection”; the connection to the self, each other and to all life forms on this planet.  It is Maeder’s philosophy, that we humans are not only of this world, we are also connected to the broader universe.  It is this concept that permeates throughout her limited edition photographs and video installations…

 

 

 

“World Upside Down” by Cheryl Maeder

 

 

 

Born in New Jersey, Cheryl Maeder moved to Zurich, Switzerland in her early 20’s, where she studied photography at the Zurich University of the Arts.  Eight years later, she returned to US and opened her photography studio in San Francisco, where she photographed international advertising and fashion campaigns.  She transitioned from photographing fashion models to photographing real women, to celebrate the beauty of women in all shapes and sizes. In 2005, Maeder relocated her studio to the Miami area and deeply immersed herself into fine art photography and filmmaking.

 

 

 

“Super Natural Rose” by Cheryl Maeder

 

 

 

Cheryl Maeder tells The Rickie Report, ” I am a Fine Art Photographer and Video Installation artist. The core of my work is about “connection”; the innate connection to the self, each other and to all other life forms on this planet.  I have made a career out of creating work that is the opposite of any trends. Celebrating the beauty of women in all shapes and sizes, my photography work became the inspiration for the global Dove Campaign on ‘Real Women, Real Beauty’, which transformed the way women are viewed in the global media today”.

 

 

 

“Submerge Judith I” by Cheryl Maeder

 

 

 

“Submerge Judith II” by Cheryl Maeder

 

 

Maeder goes to to explain, “When the trend in still photography was hyper-definition, I photographed intentionally out of focus and abstract. Through my experimentation with new technologies, and shifting between the mediums, I am creating new opportunities for large scale public art installations.  I began “Super Natural” in March during the Covid19 pandemic. Fusing the natural world with my inner world, I create visuals that are somewhere between reality and the sublime. I create both the photographs and film for this series entirely on location working with the elements of wind and the natural light. The fog of color is created in each setting on location. As the color lifts and fades away, I am reminded of the impermanence of life”. 

 

 

 

“The Voyage – Wonderland” by Cheryl Maeder

 

 

 

Maeder’s artworks are in prominent public spaces and permanent museum collections: Frost Museum(Miami) and the Coral Springs Museum of Art. She participated in a group exhibit at the Louvre Museum (Paris), the Museum of Contemporary Art (Rome), Miami New Media Film Festival, Public Art Platform, Art & Technology, “Curated Thesis on Water, Climate Change & Communities” Traveling Group Exhibition (Bogota, Caracas, Valencia, Miami, Santo Domingo, San Nicolas & Rome).  Her works can be found at the Montefiore Medical Center, Permanent Collection, New Rochelle, NY Campus, state-of-the-art new Emergency Department & Radiology Clinic.  She had a Solo Exhibition at Miami International Airport and her artworks have been auctioned by Sothebys NY. She worked with PBS’ Filmmaker Project as a featured Filmmaker, film “PLAY” televised nationally on PBS, funded by the National Endowment for the Arts.  “Submerge” a Public Art Video Installation, was seen at the Canvas Outdoor Museum (City of West Palm Beach, FL) and she has exhibited at major art fairs worldwide including Art Miami, Scope NY, Art Toronto, Art London and Art Shanghai. Her photographs are 30 x 45 inches and 40 x 60 inches, limited editions of 10. Video Installations are also limited editions of 10.

 

 

 

Link to view The Voyage Video Installation: https://vimeo.com/229758415

 

 

 

 

 

For Inquiries on Cheryl Maeder’s work:

 

 

Call  415-845-6832

 

 

 

 

 

For coverage of your events, to place an advertisement, or speak to Rickie about appearing in The Rickie Report, contact:

Rickie Leiter, Publisher

Rickie@therickiereport.com   561-537-0291

17019 SW Sapri Way   Port St. Lucie, FL 34986

 

 

Barry Greff Details His Interesting Journey Up The Fine Art Photography Ladder. Here’s What Happened When You Give A Kid An Instamatic And A Few Flash Cubes!

Barry Steven Greff details his journey up the Fine Art Photography ladder with plenty of name-dropping, a bit of adventure and a vision of what can happen when you give a kid an Instamatic and a few flash cubes!  The Rickie Report shares an overview from behind-the-scenes as well as his mind-blowing images

 

 

 

How     It     All     Started…..

 

Kodak Instamatic Pocket Camera with Flashcube

 

 

 

 

Barry Greff  “On Top of the World” Scene on
Glacier in British Columba reached by Helicopter ©

 

 

TRR:  Your photographs are truly awe inspiring!  How did you get started using photography as a creative medium?

BSG:

I grew up on Long Island, NY into a family that traveled a great deal. While I remember them having cameras (the old Argo which you looked down into the raised hood), it wasn’t until well after both of them had passed that I opened some of their old photo albums and realized that one of my parents, in addition to taking family photos, also took a significant amount of Landscape images. I can’t help but believe that my young impressionable self, saw them taking these photographs and subconsciously followed in their footsteps… 

 

 

 

 

“African Crowned Crane” by Barry Steven Greff©

 

 

 

My first camera was a Kodak Instamatic with flashcubes. I remember feeling that those little cubes were so valuable, only getting four flashes per cube. While at the University of Miami I first rented professional Nikonos underwater equipment from Pro, Stephen Frink in Key Largo. He shot for magazines and National Geographic and was an early inspiration. After shooting for a while underwater, I eventually stayed top side and began shooting with Minolta equipment (7000i and 7xi film cameras, usually Fuji Velvia 50 slide film). If you fast-forward, National Geographic has recognized my work on their website.

 

TRR:  How did you transfer to digital cameras and how did you make this into your career?

BSG:

In 2004, the quality of digital cameras had finally matched or overtaken film cameras, so I purchased my first digital camera (a 6.3 mega pixel Canon Digital SLR). Digital was so liberating! I could see the images after I took them and erase what I did not like, saving on hundreds of dollars in film on each trip. While 6.3 mp was not a huge sensor, this camera took some beautiful images, many of which I can still use today. Canon Cameras USA has since licensed an image from me to sell their cameras.

 

 

 

 

 

 

 

I had always been artistic, drawing since I was very young. So, after submitting a few images to my first photo contest, I was thrilled when I not only was recognized in the contest (twice), but the Editors used my image for a ½ page Ad inside the magazine (no credit, no payment, and the magazine soon folded, but that was the catalyst for me…seeing my work published, I was hooked.  

 

 

I continued to submit what I considered good “stock” photography at the time, for magazines, books and advertising. As a result, I became widely published (interior images, covers, advertisements, travel magazines and books, wildlife, and landscapes). My images were in many of those hard cover books you find in hotels. Digital photography changed the way images were sent, too. Instead of labeling slides and sending them with a delivery memo in a plastic sheet…now image files could simply be sent online – Wow!  That was so much easier and faster! 

 

“Bent Banyan Way, Stuart, FL” by Barry Steven Greff©

 

 

 

 

 

As time went on, my desire to get more out of my photography grew. I believed that some of my best work could be considered Fine Art”. I wanted to be considered an “Artist,” understanding full well that it is a subjective title. My goal, was to be considered such… by legitimate, well respected people in the industry. I remember visiting the Center for Fine Art Photography in Ft. Collins, CO and saying to the people I was with, that I would be exhibited there. Fast forward, I have since been exhibited there six different times. 

 

TRR:  We tell our readers that artists may live “locally” but many have a national or international presence, such as yourself.  Was there a pivotal moment when you saw your career change?

BSG:

To move my career forward, I attended top-of-the-line Photography Reviews, showing my work to the best in the industry. I chose the toughest critics first, the ones that other photographers avoided for fear that they would be brutally honest, and therefore, brutal. I, on the other hand, wanted just that. I was well past hearing how good my work was from family and friends. I wanted to hear the unvarnished truth from those that were at the top of their game… and their game was the Fine Art Photography world.

 

 

Barry Steven Greff’s photography in print

 

 

 

Then, it happened! I was attending Portfolio Reviews at Photo Expo Plus in New York City. Epson Printers had a special guest, iconic photographer, Joyce Tenneson. As an artist, it is important to know the Art history in your genre and I knew that she had over 150 exhibitions and numerous Photo Books with iconic portraits of the most famous people in the world. She was selling her latest book at the time, signed for $40 at New York City’s Javits Center/Photo Expo Plus. I stood on line, eagerly waiting my turn. But when it was my turn to have her sign her book, simultaneously, I artfully pushed my book of images in front of her and asked: “what do you think of mine?” Her immediate response was “Beautiful,” then she turned the page and said, “gorgeous”….this was from a world-renowned Artist…about my work. I will never forget that feeling. Pure, unadulterated VALIDATION.

 

 

She didn’t know me… I had just walked up to buy her book… She could have said “nice” or even “very nice” which I would have translated as “OK”. But she said “beautiful,” then “gorgeous”, those were real responses about my work, independent reviews from one of the best in the world…It was like having Michael Jordan tell you that you had a “sweet jumper” (jump shot, for you non-Basketball readers). Once we were done, I proceeded to walk toward the windows of the building and stepped behind the floor to ceiling curtains, …because this 6’0, 200 plus lb. tough guy, literally got weak in the knees for the first (and only) time in my life.  It was the best $40 I’ve ever spent… Joyce is not only one of the most talented artists on the planet, but one of the most generous, and has since placed two of my images into a Gallery Exhibition (in a juried event, not knowing they were mine and has also signed another one of her books to “Barry, a great photographer”)!

 

 

 

Detail from “Beaded Web” by Barry Steven Greff©

 

TRR:  Tell us more about “Portfolio Reviews” and why they are important to building a career and a body of work ?

BSG:

These are set up like “speed dating” but you bring your portfolio of images instead of your best pick-up lines. I attended portfolio reviews in NYC, Palm Springs, CA, West Palm Beach, FL, and more.  They were reviews by major Gallery owners, curators, and well respected  photographers. Since the day I met Joyce, 9 times out of 10, I didn’t just get a favorable review, but I often “blew them away.” I’ve had some very animated responses to my 17 x 22 Hahnemuhle prints in a clam shell box (the 400 year old Hahnemuhle Paper Company has since used my work to show off their Fine Art paper). Some verbatim examples of Reviewers’ responses were: the Publishers of Photo District News (PDN), the “Bible” of photography (“something I very rarely say at these things, I’m surprised” and “strong body of work”); Chris Pichler, Publisher of the most respected Fine Art Photography books on the planet, Nazraeli Press (Michael Kenna, Lee Friedlander) (“spectacular, the images are stunning”), Chris’s review was my favorite to date.

 

 

 

 

Barry Steven Greff’s SOLO Exhibition at 25CPW, New York City

 

 

When he came to my iconic animals, Of the Wild, he got so excited that he started cursing. “Holy S_ _t”, or something along those lines. He asked me to send him two prints and he sent me a box of signed collector’s edition books. The sales manager of the Howard Greenberg Gallery in NYC (he is one of the 10 most influential people in photography), which sells the Masters’ such as Ansel Adams, called my prints “magic”; David Fahey, of the famous Fahey/Klein Gallery (“if I gave him 18 more like my “Niagara,” he would give me a show”); renowned Curator/Collector WM “Bill” Hunt, formerly of the famous NYC Hasted/Hunt Gallery, actually juried “Niagara” into an exhibition in Seattle and Dr. Anthony Bannon, the Director of the Eastman Museum asked to use it in his next book; The King of Pop, Michael Jackson’s personal photographer, Harrison Funk, chose some of my work for a gallery exhibition. The late Hal Gould, (Camera Obscura Gallery in Denver, CO) was a contemporary of Ansel Adams and Edward Weston. He told me a story of how Adams and Weston originally couldn’t sell their work for the asking price of $25.00. Their work now sells posthumously for as much as $500,000. Imagine, my work has hung in the gallery with that of Ansel Adams, Edward Weston, Sebastio Salgado, Ruth Orkin.  Iconic Photographer Robert Farber ,whose first book was with Jackie Kennedy Onassis, came to the Artist Reception at my Solo Exhibition in NYC. When asked why he was there, he stated, “why not, this work is beautiful”. Dr. Sylvia Earle, the foremost expert on Jellyfish on the planet at National Geographic called my Jellyfish “Magnificent.”

 

 

 

 

 

“Ascension” from the Series FLOW by Barry Steven Greff©

 

 

 

 

 

TRR:   This is all quite heady stuff!

BSG:

To be very clear, I am extraordinarily grateful for all of the recognition. I don’t take any of it for granted. I worked very hard, traveled many miles on the Road Less Traveled to create the work and with similar effort and fortitude, put it in front of the right people in the industry. I try to create images that capture moments in time, never to be repeated. I seek to capture transitory conditions of light and atmosphere, subtle moments where elements collide to form moody, ethereal and dramatic scenes. Then, with my close-up, intimate portraits of Animals, I confront the dignity, personality and identity of these magnificent creatures to remind the viewer why it is so important to protect them. If that sounds like my artist statement, it is! From that first publication of an animal image (the winning photo contest entry turned 1/2 page ad)…I have since been named in Popular Photography Magazine on their Editors List of Great Wildlife Photographers. From those early publications in travel guides for AAA and others…I have also been named in Popular Photography Magazine on their Editors List of Top Travel Photographers.

 

TRR Where do you go from here?

BSG:

 

So …from that wide eyed kid with a Kodak Instamatic with flash cubes, I have since honed my craft so much that the camera company that I use (Canon Cameras USA) and the Fine Art Paper upon which I print (Hahnemuhle) have utilized my images to exhibit the quality of their products. My images have gone from my childhood bedroom (with a Raquel Welch poster from One Million Years B.C.) in Long Island’s Elmont, NY to have been published throughout the U.S., to as far away as London, England and Brisbane Australia. My work is collected from NYC to Westchester, from Portland, OR, to a yacht in Baton Rouge, LA; Pennsylvania, North Carolina; Stuart, FL, and many others. Ogilvy and Mathers, one of the largest advertising companies in the world, has licensed an image of mine for an entire wall in one of their main offices. Recently, I have sold an image for a large piece of glass in Australia and been recognized by the Houston Center of Photography for images I took of the cruise ships off Miami Beach during the Pandemic. 

 

 

 

“Five Lined Up” from Series: Ghost Ships on The Horizon by Barry Steven Greff©

 

 

 

 

So far, it has been a very interesting career, but I am always looking to improve, to continue to create  images that move people. Now, again, I begin a new chapter in my photographic career. After having a Portfolio site for more than a decade where people could only email me to buy the work, I am starting a new, sales oriented Gallery site that can bring my work to more people due to new, more robust marketing efforts. And, while I will maintain the original site (www.barrystevengreff.com) and continue to sell my Signed, Limited Edition prints, this new site will offer more affordable Open Edition pieces on Print, Canvas, Metal and Acrylic. Finally, I anticipate that once we regain some normalcy in the word, I will again travel to pristine locations, to capture iconic images and share them with people around the world that care to see what exquisite beauty still exists on the planet. For my attempts at memorializing that beauty, I hope you will visit my website www.barrygreff.com.

 

 

 

“Super Storm Sandy, Coral Cove Park Tequesta, FL” by Barry Steven Greff©

 

“Neptune’s Reach” Gilbert’s House of Refuge Stuart, FL by Barry Steven Greff©

 

 

 

 

Awards:

2012 FotoDC International Awards Competition, Washington DC

2011 Black & White Spider Awards; International Color Awards, Photography Masters Cup

2010 Artslant, Contemporary Art Network; Black & White Spider Awards

2009 International Color Awards, Photography Masters Cup

2008 International Photography Awards

 

“30 Rock, Touch The Sky, NYC” by Barry Steven Greff©

 

 

 

 

 

A condensed overview of Barry’s Exhibitions / Recognitions / Publications:

2020 HOUSTON CENTER FOR PHOTOGRAPHY, Togethering, “Ghost Ships on the Horizon”

2019 LENSCULTURE  “Niagara”, Black & White Photography Awards 2019 Competition Gallery

2017 SILVERSHOTZ, The Contemporary Photography Magazine: Cover and 16 page feature portfolio;
INTERNATIONAL COLOR AWARDS: “Pelican’s Rest”

2016 PHOTO+, PDN’s EXPOSURE Awards; winner: Force of Nature: “Niagara”

NATIONAL GEOGRAPHIC Daily Dozen Editor’s Favorites: Flamingo Preening; PDN (Photo District News) September Print Issue: Cab Ride in the Rain; PDN Photoserve; MAGNUM PHOTOS Editor’s Awards Photos Competition Gallery: “Ascension”

2015 YourDailyPhotograph, Duncan Miller Gallery (Daniel Miller, owner/curator), Santa Monica, CA
LICC, London International Creative Competition; Series: “FLOW”

2014 Forgotten Exhibition, A Smith Gallery (Blue Mitchell, juror), Johnson City, TX; Natural World, Center for Fine Art Photography (Susan Spiritus, juror), Ft. Collins, CO; Black & White, PhotoPlace Gallery, Middlebury, VT; (Karen E. Hass, Lane Curator of Photographs, Museum of Fine Arts, Boston, juror);

2013 Solo Exhibition, 25CPW Gallery, Central Park West, NYC (Curators Beth Greenberg/Abby Verosky)

2012 FotoWeek DC (Washington, DC); Hahnemuhle Booth at PhotoPlus Expo (Javits Center, NYC); Terrain, Kiernan Gallery, Lexington, VA (Sean Kernan, juror); Equivalents, Photo Center NW, Seattle, WA (W.M. Hunt, juror); Black & White, Center for Fine Art Photography, Fort Collins, CO (Susan Spiritus, Susan Spiritus Gallery, Newport, CA, juror)

2012 Black and White Magazine; The Big Picture (Boston.com); Featureshoot; Lenscratch; Trendhunter.com;
The Center for Fine Art Photography Portfolio Showcase No.5; PDN on-line Photo of the Day

2011  SHUTTERBUG Magazine; PDN on-line Photo of the Day; Featureshoot

2011 Portfolio Showcase Volume 5, Center for Fine Art Photography, Fort Collins, CO (Chris Pichler, Publisher Nazraeli Press, juror); Dreams, Center for Fine Art Photography (Aline Smithson, juror);

2010 Art of Photography 2, Camera Obscura Gallery, Denver, CO (Hal Gould, owner/juror); Natural World, Center for Fine Art Photography (Susan Spiritus, juror); Infocus, Palm Beach Photographic Centre, West Palm Beach, FL (Harrison Funk, juror); Animalia, Center for Fine Art Photography (Karen Irvine, juror);
Dennis Dean Gallery, Ft. Lauderdale, FL (Joyce Tenneson, juror)

2010 COLOR Fine Art Magazine, Portfolio Edition; Photoserve, (PDN on-line), Editor’s Choice; COLOR Fine Art Magazine; Popular Photography, Editors List: Great Wildlife Photographers; Popular Photography, Editors List: Top Travel Photographers; Silvershotz Fine Art Magazine, Atlanta Showcase

2009 Black & White Magazine; Silvershotz Fine Art 2009 Portfolio Journal

2009 Mason Murer Fine Art, Atlanta, GA (Clive Waring-Flood, juror)

 

Barry Steven Greff is a proud member of the Jensen Beach Fine Art League, Soul Arts Society of Stuart, and Martin Artisan Guild.

 

 

 

 

For more information about Barry’s images, how to purchase them, and how to connect with Barry, please visit:

barrystevengreff@gmail.com

Fine Art Photography:  305.609.7729

Portfolio: www.BarryStevenGreff.com

Sales: www.barrygreff.com

 

 

 

 

For coverage of your events, to place an advertisement, or speak to Rickie about appearing in The Rickie Report, contact:

Rickie Leiter, Publisher

Rickie@therickiereport.com   561-537-0291

17019 SW Sapri Way   Port St. Lucie, FL 34986

 

 

 

 

Artists Of Palm Beach County Celebrates 50th Anniversary Of Audubon Society Of Everglades With Wildlife Exhibit

Tonight is the Opening Reception of “Audubon of The Everglades: 50 Year Anniversary Exhibit” at Art on Park Gallery in Lake Park, FL.  This exhibit is presented by Artists of Palm Beach County. Artworks will reflect the Audubon’s mission to educate and inspire people to conserve wildlife, especially birds and the environment that supports them. There are cash prizes and awards. Internationally acclaimed fine art photographer, Melinda Moore will judge for prizes.  An After-Party will be held at the Brewhouse Gallery. APBC is donating a portion of all sales to this deserving organization.  This event is Free to and Open to the Public!

 

 

APBCnewlogo

 

 

Artists of Palm Beach County

Art on Park Gallery

Presents:

 

 

“Audubon of The Everglades:

50 Year Anniversary Exhibit”

Opening Reception:

Friday, November 20, 2015

5 – 8 pm

 

Exhibit Runs November 16 – December 30, 2015

 

 

APBCclip0000

 

 

Art on Park Gallery

Monday – Saturday Noon to 6 PM

800 Park Avenue Lake Park, FL 33403

561-345-2842

 

 

After Party at The Brewhouse Gallery starting at 8 pm
720 Park Ave, Lake Park

(on the next block east of Art on Park Gallery)

 

 

The Audubon Society of the Everglades will celebrate its 50th Anniversary in 2016. To honor and acknowledge the importance of this historic moment, APBC Art on Park Gallery Presents “Audubon of The Everglades: 50 Year Anniversary Exhibit”. To kick off this special event APBC is showcasing the talent of artists from Palm Beach County, FL. Works will reflect the Audubon’s mission to educate and inspire people to conserve wildlife, especially birds and the environment that supports them.

 

 

 

Awards will be given by internationally acclaimed Fine Art photographer, Melinda Moore during the Opening Reception. A portion of all sales will be donated to The Audubon Society of the Everglades.

 

 

For more information about Melinda Moore’s Fine Art Photography:

www.photoartbymelinda.com

 

 

 

 

For more information:
APBC Art on Park Gallery
800 Park Avenue, Lake Park FL 33403
561-345-2842
http://www.artistsofpalmbeachcounty.com/

 

 

 

 

For coverage of your events, to place an advertisement, or speak to Rickie about appearing in The Rickie Report, contact:

Rickie Leiter, Publisher

The Rickie Report

P.O.Box 33423

Palm Beach Gardens, FL 33420

Rickie@therickiereport.com

561-537-0291

Durga Garcia’s ABCs of Getting Your Work Out There Part II

Durga Garcia’s article, “The ABCs of Getting Your Work out There” continues in this Rickie Report.

Entering Art Shows

 

  • Read ALL information slowly and carefully AND Follow the rules

 

  • Make a Check list to ensure you have not missed anything!

 

  • Enter Shows that match your works’ theme and discipline

 

  • Online Exhibits  or Out of the area Exhibits:   If work needs to be shipped leave enough time for shipping ( and acts of nature like a snow storm or bad weather)!
  • ALL SHOWS:

 

          Can you manage the dates?

           Entry deadline date?

           Notification date?

           Delivery date (or shipping date)?

           Reception date?

          Pick up work date?  

Having someone else deliver/pick up? Have a written agreement of acceptability!

 

 

 

Portrait by Durga Garcia

Portrait by Durga Garcia

 

 The Award Ceremony

 

 

JUDGES WANT TO BE shocked or amazed, amused or educated – to see things in a way not seen  before.

 

For the amateur it’s a learning process that mimics being commissioned. You are working to a very  loose brief, but you are attempting to impress others rather than just yourself.

 

 

For the professional it is of course a chance to achieve greater exposure for your work, and  therefore generate more work, but it is also a chance to ‘commission yourself’ rather than working to a client’s directions.  Done correctly that can be creatively very liberating.

 

 

"Hardbody in Tutu" by Durga Garcia

Hardbody in Tutu” by Durga Garcia

 

Being part of an exhibit is something to be proud of, having people see your work and getting the  chance to see how people respond to your work will give you invaluable feedback in your growth as  an artist and is an important part of being an artist.

 

 

 

WINNING IMAGES have a “Wow” factor with with a story to say to be truly award-winning.

The image needs to be artfully constructed and technically well executed…beyond being something pleasurable to look at in a decorative way –— it should provoke or calm,  educate or entertain with innovation, humor or add revelation.

 

 

"As We Are" SOLO Exhibit at NAWA Headquarters by Durga Garcia

“As We Are” SOLO Exhibit at NAWA Headquarters by Durga Garcia

 

Rejections and Not Winning

 

 

  • There may be several hundred entries with only room for only 50 pieces to be exhibited.

 

  • More entered pieces are not accepted than shown

 

  • It doesn’t necessarily mean the non-accepted work is not good,  just not suitable for that exhibit, in that judges opinion, at that time or maybe needs just a little change  to be better.

 

  • Sometimes it is simply a matter of space.

 

Art is very subjective and even the most expert opinion, is just that, an opinion.

 

 

Winning, the difference between 1st, 2nd, 3rd, 4th place and honorable mentions could be so slight,  the same judge on a different day could easily pick a different order of winners. Being recognized as one of the best is an achievement.

 

 

Any Award is good and can become part of your resume. It is good practice to keep track of your  achievements.

 

 DGArt_40

 

Many of Durga Garcia’s images can be found in Public and Private collections.  She is a South Florida based freelance professional photographer of art for artists, portraits, commercial projects & events. Durga has several long term projects and books to her credit.

 

Durga brings a most uncommon background to her pictures.  She has lived in many countries and across America, working as a racehorse trainer, equine veterinary paramedic, yoga teacher, member of the U.S. International Pistol Team and certified art appraiser.  She has parlayed her years of experience as a certified art appraiser into a special talent for conveying those nuanced details in her own work. Durga maintains her Senior Fine Art Appraisal accreditations.    She lectures on photography for area groups, camera clubs and art guilds. Durga hosts a blog for photographers giving tips and tricks of the business and is writing a book for kids, “Your First Photography Book”.

 

In September, 2014 Durga will take part in Palm Beach State College’s “BARK” Invitational Exhibit (Palm Beach Gardens, FL). She has been invited to Tuscany in Spring, 2014 to lead a multi-discipline workshop plus a Photo Tour of Iceland in Fall, 2014.

 Durga is a Proud Member of these Professional Associations:

*PROFESSIONAL PHOTOGRAPHERS of AMERICA
*NATIONAL ASSOCIATION of WOMEN ARTISTS
*NATIONAL ASSOCIATION of PHOTOSHOP PROFESSIONALS
*FLORIDA PROFESSIONAL PHOTOGRAPHERS
*PALM BEACH PROFESSIONAL PHOTOGRAPHERS GUILD
*BOCA MUSEUM ARTISTS’ GUILD
*WELLINGTON ART SOCIETY
*ARTISTS of PALM BEACH COUNTY

For more information visit: http://durgagarcia.com/ http://durgagarcia.tumblr.com/ https://www.facebook.com/durga.garcia

For coverage of your events, to place an advertisement, or speak to Rickie about appearing in The Rickie Report, contact The Rickie Report at:

Rickie Leiter, Publisher

The Rickie Report

P.O.Box 33423

Palm Beach Gardens, FL 33420

Rickie@therickiereport.com

561-537-0291