Lynn Morgan Is Featured At Palm Beach Gardens City Hall Exhibit With Thirty-Five Paintings. Enjoy Her Live Demo At Gardens Green Market On Sunday, November 7.

The “Living the Vibrant Life” exhibition by Lynn Morgan includes 35 artworks at the City of Palm Beach Gardens City Hall. Her thoughtful and emotive paintings (oils and pastels) will be available November 8 through December 16, 2021.  Lynn is available for small group tours and will also be doing a live demonstration on Sunday, November 7 at the Gardens Green Market.  Lynn is the recent winner of the prestigious A.E. Backus Museum’s “Director’s Choice” Award.  The Rickie Report shares the details about the exhibit, Lynn’s demonstration and some sneak peeks of her work.

 

 

 

“L I V I N G   the   V I B R A N T    L I F E”

 

 

City   Hall   Lobby

10500 N. Military Trail      

Palm Beach Gardens, FL 33410

 

 

Exhibit Runs November 8 – December 16, 2021

 

Exhibit hours: Monday – Friday   8 am – 5 pm

 

 

Arrange a small group private “tour”  Contact info@LynnMorganGallery.com

 

 

MEET     LYNN     MORGAN:

Live Demo at Gardens Green Market

 

Sunday, November 7

9 am – 1 pm

Free admission and parking

10500 N Military Trail    Palm Beach Gardens, FL 33410

 

Lynn Morgan tells The Rickie Report, “I have painted in acrylics, watercolors and then pastels, and have made a large investment in materials in each of those media.  I vowed that I would not start investing in the materials required for another medium.  I still love pastels, but when I paint with pastels, my work always seems to end up looking like “something”.  I have always loved abstract art, and it has been my goal to paint more abstractly.  My pastel work has moved toward more abstraction over the years, but I never really felt like I got there completely.  I finally decided to give in and try oil painting.  With the addition of cold wax to the oil paint, and using a palette knife more than a brush, I have finally achieved the non-objective objective”!

 

 

“Coupled” Oil and Cold Wax by Lynn Morgan (A.E. Backus Museum’s “Director’s Choice” Award)

For Lynn, creating art is an integral part of her philosophy of being consciously aware of the world around her. Lynn has been creating art all of her life. Until her retirement from the corporate world, art was one of her hobbies, but it was the only hobby that she never tired of.  When she retired, she reinvented herself as an artist! By attending classes and workshops, she learned techniques that have evolved over the years from realistic renderings to a much more abstract style.  “Before I begin a painting, I have an idea in my head about my intention”, Lynn explains.  “That idea may be inspired by one of my travel adventures or just an initial idea.  Since color is my primary passion, I will select a color palette based on the intention and  what colors I am in love with that day.  For my abstract oil paintings, I begin with a very loose wash of acrylic paint to cover the canvas”.

 

 

 

For her oil paintings, the process is the completely intuitive application of paint with a brush or more often, paint mixed with cold wax applied with a palette knife, or line work using oil sticks.  For pastels, the emotion of the painting begins with the application of soft pastel colors.  “When I think the painting is complete, I leave it on the easel until the next day, when I will undoubtedly see adjustments or additions that need to be made.  I will study the piece and ask myself a series of questions about design and composition. Does it convey the emotion I felt when I imagined the idea?  Are there any areas that need “something”?  Depending upon my response to these questions, I make further adjustments or declare it complete and sign it.  I want my work to express my quest to consciously understand my spiritual self; to participate in creating a personal and collective reality for the world around me”.

 

 

“Veinity” Pastel by Lynn Morgan

 

Travel is one of Lynn’s passions, starting with her travels to Hawaii, where she attended the University of Hawaii for one semester. Since then she has returned to Hawaii with her daughter and also visited Tahiti, France, England, Switzerland, and several other European countries. In recent years, she bicycled in Slovenia, Austria and Italy, she hiked throughout Patagonia, including a visit to Cape Horn. She has also sailed the Dalmatian Islands in Croatia on a 41-foot sailboat. Many paintings have been inspired by these adventures.  Lynn was born in a Detroit suburb, but has spent most of her life living in Florida. She doesn’t paint a lot of Florida scenes because she says, “I see Florida scenery all the time. What inspires me is scenery that I only get to see when I travel.”  Lynn’s early art experiences were orchestrated by her mother, a former student at the Parsons School in New York. As a pre-teen, she was allowed to ride the city bus to downtown Detroit (imagine that!) by herself. She would browse the stationary departments at the big department stores to find drawing paper. As a teen, she began to paint with acrylics.

 

With a BA in Education and a MA in Human Resources Management, Lynn’s marriage and career path became primary.  As a single mother, the ability to support her family became the driving force in her life and painting remained a hobby. She tried flying a plane, playing guitar and piano, playing golf, SCUBA diving and sailing, but she always came back to painting. Lynn painted with watercolors, taking classes with Garri Katz, Barbara Nechis and Robbie Laird. The art classes at Palm Beach State College introduced her to pastels. She was hooked on the look of the pastel sticks, the feel of the medium in her hand with no brush as a go-between, and the brilliant color that clings to the tooth of the paper.

 

 

 

“Span”Oil and Cold Wax by Lynn Morgan

 

 

When Lynn first painted with pastels, she moved from portraiture to non-objective art. In her period of figurative paintings, as she studied with Margaret Dyer, her style evolved into a looser, more abstract one. As her travels increased, Lynn began painting landscapes. She studied with Miroslav Antic, Terri Ford, Casey Klahn, Aline Ordman, Jen Evenhus and Tony Allain. Her style continues to move toward more abstraction in both landscape and figurative works. Lynn has added an exciting new collection of abstract oil and cold wax paintings to her portfolio and is now a full-time artist. She is a Signature Member of the National Association of Women Artists (N.A.W.A), the Artists Guild of the Boca Raton Museum of Art, the Florida Artists Group (FLAG), Women in the Visual Arts (WITVA) and the Martin Artisans Guild. She is a juried member of the Pastel Society of America. She exhibits both locally and nationally and has won awards at several exhibits, including the most recent “Director’s Choice Award from the A.E. Backus Museum. Lynn is currently represented by GalleryVibe in Naples, FL, and she teaches pastel classes and workshops at the Lighthouse ArtCenter in Tequesta, FL.

 

To arrange a private “tour” for small groups Contact:info@LynnMorganGallery.com.

 

 

For more information about this exhibit or other artworks by Lynn Morgan:

 

 

Founded in 1989, GardensArt is a unique program that exhibits the work of locally and nationally recognized professional artists and photographers. It was established to increase the opportunities for cultural exchange between artists and the community.  

For more information on the GardensArt program, please visit www.pbgrec.com/gardensart    

Or call Amy Stepper at 561-630-1116, or email astepper@pbgfl.com.

 

 

For coverage of your events, to place an advertisement, or speak to Rickie about appearing in The Rickie Report, contact:

Rickie Leiter, Publisher

Rickie@therickiereport.com561-537-0291

17019 SW Sapri Way   Port St. Lucie, FL 34986

Lynn Morgan Achieves The Non-Objective Objective In Her Newest Artworks Exhibited At The Palm Room December 2 – 31

Lynn Morgan‘s newest artworks will be seen at the Martin Artisans Guild Exhibit beginning on Wednesday, December 2.  Meet Lynn at the Opening Reception being held at the Palm Room in Stuart, FL.  Lynn is inspired by the sights and sounds of her travels to various parts of the world.  Trying new elements in her artwork is part of Lynn’s journey.  Her newest works include the addition of cold wax to the oil paint, and using a palette knife more than a brush.  For those unfamiliar with the difference between abstract and non-objective painting, this is the time to speak with Lynn and learn more!  The Rickie Report shares some sneak peeks and all of the details.

 

 

 

 

 

 

 

 

DECEMBER,  2020    EXHIBITION

 

 

Opening Reception:

 

 

Wednesday, December 2

 

 

5:30 – 7:30 pm

 

 

The Palm Room

 3778 SE Ocean Blvd    Stuart, FL  

 

 

 

Enjoy Refreshments and Meet the artist  

 

 

NORMAL  GALLERY  HOURS:   Wednesday  – Saturday  12 – 6 pm

 

Exhibit available December 2 – 31, 2020

 

 

You can also see Lynn’s work in the Palm Room for the month of March, including the Martin County Open Studio Tour March 6-7, 2021

 

 

 

“Beyond The Gate” by Lynn Morgan

 

 

 

Lynn Morgan tells The Rickie Report, “I have painted in acrylics, watercolors and then pastels, and have made a large investment in materials in each of those media.  I vowed that I would not start investing in the materials required for another medium.  I still love pastels, but when I paint with pastels, my work always seems to end up looking like “something”.  I have always loved abstract art, and it has been my goal to paint more abstractly.  My pastel work has moved toward more abstraction over the years, but I never really felt like I got there completely.  I finally decided to give in and try oil painting.  With the addition of cold wax to the oil paint, and using a palette knife more than a brush, I have finally achieved the non-objective objective”!

 

 

 

 

She explains, “Many people are not familiar with the difference between abstract and non-objective painting.  Unless the work is photo-realistic, all paintings are abstracted to some degree.  You can still have a subject in an abstract painting.  However, non-objective paintings do not have a readily-recognizable subject.  But I think for most artists, non-objective work is harder than subjective work.  All of the principles of a good painting are still important, and the painting won’t work without them:  Value, shape, line, color, composition, mark-making, focus/edges, etc.  Sometimes these elements are difficult to evaluate when the painting process is completely intuitive.  But to me, it’s more fun that way”!

 

 

 

“Spring” by Lynn Morgan

 

 

 

For Lynn Morgan, creating art is an integral part of her philosophy of being consciously aware of the world around her. Lynn has been creating art all of her life. Until her retirement from the corporate world, art was one of her hobbies, but it was the only hobby that she never tired of. She knew that when she retired, she would reinvent herself as an artist, and that’s what she did! By attending classes and workshops, she learned techniques that have evolved over the years from realistic renderings to a much more abstract style.   “Before I begin a painting, I already have an idea in my head about my intention”, Lynn explains.  “That idea may be inspired by one of my travel adventures or just an initial idea.  Since color is my primary passion, I will select a color palette based on the intention and  what colors I am in love with that day.  For my abstract oil paintings, I begin with a very loose wash of acrylic paint to cover the canvas”.

 

 

 

For her oil paintings, the process is the completely intuitive application of paint with a brush or more often, paint mixed with cold wax applied with a palette knife, or line work using oil sticks.  For pastels, the emotion of the painting begins with the application of soft pastel colors.  “When I think the painting is complete, I leave it on the easel until the next day, when I will undoubtedly see adjustments or additions that need to be made.  I will study the piece and ask myself a series of questions about design and composition.  Does the work convey the intention I had in mind ?  Does it convey the emotion I felt when I imagined the idea?  Are there any areas that need “something”?  Depending upon my response to these questions, I will then make further adjustments or declare it complete and sign it.  My goal is that my work expresses my quest to consciously understand my spiritual self to participate in creating a personal and collective reality for the world around me”.

 

 

 

 

“Energy” by Lynn Morgan

 

 

 

Travel is one of Lynn’s passions, starting with her travels to Hawaii, where she attended the University of Hawaii for one semester. Since then she has returned to Hawaii with her daughter and also visited Tahiti, France, England, Switzerland, and several other European countries. In recent years, she bicycled in Slovenia, Austria and Italy, she hiked throughout Patagonia, including a visit to Cape Horn. She has also sailed the Dalmatian Islands in Croatia on a 41-foot sailboat. Many paintings have been inspired by these adventures.

 

Lynn was born in a Detroit suburb, but has spent most of her life living in Florida. She doesn’t paint a lot of Florida scenes because she says, “I see Florida scenery all the time. What inspires me is scenery that I only get to see when I travel.”  Lynn’s early art experiences were orchestrated by her mother, a former student at the Parsons School in New York. As a pre-teen, she was allowed to ride the city bus to downtown Detroit (imagine that!) by herself. She would browse the stationary departments at the big department stores to find drawing paper. As a teen, she began to paint with acrylics.

 

 

 

 

“Written on the Wind” by Lynn Morgan

 

 

 

Life took the marriage and career path, and those demands became primary. Lynn has a Bachelor’s degree in Education and a Master’s degree in Human Resources Management. She ultimately became a single mother, so the ability to support her daughter became the driving force in her life, although painting remained a hobby. She tried flying a plane, playing guitar and piano, playing golf, SCUBA diving and sailing, but she always came back to painting.  In later years, Lynn began painting with watercolors and took classes with Garri Katz, Barbara Nechis and Robbie Laird. She also took art classes at Palm Beach State College where one of her instructors introduced her to pastels. She was hooked on the look of the pastel sticks, the feel of the medium in her hand with no brush as a go-between, and the brilliant color that clings to the tooth of the paper.

 

When Lynn first began painting with pastels, she tried portraiture. Although her portraits were well-received, she was drawn to non-objective art, and portraiture is about as far from non-objective art as you can get. She began a period of figurative paintings, studying with Margaret Dyer, and her style evolved into a looser, more abstract one. As her travels increased, Lynn began painting landscapes. She has studied with Miroslav Antic, Terri Ford, Casey Klahn, Aline Ordman, Jen Evenhus and Tony Allain. Her style continues to move toward more abstraction in both landscape and figurative works. Lynn has now added an exciting new collection of abstract oil and cold wax paintings to her portfolio.

 

 

 

 

 

“Cliffhanger” by Lynn Morgan

 

 

 

Lynn is now a full-time artist. She is a signature member of the National Association of Women Artists (N.A.W.A), the Artists Guild of the Boca Raton Museum of Art, the Florida Artists Group (FLAG), Women in the Visual Arts (WITVA) and the Martin Artisans Guild. She is a juried member of the Pastel Society of America. She exhibits both locally and nationally and has won awards at several exhibits. Lynn is currently represented by GalleryVibe in Naples, FL, and she teaches pastel classes and workshops at the Lighthouse ArtCenter in Tequesta, FL.

 

For more information about this exhibit, classes or other artwork, please contact Lynn:

Website: LynnMorganGallery.com

Facebook link:  https://www.facebook.com/lynnmorganpaintings

Instagram link:  https://instagram.com/lynnmorganfineart/

 

 

For coverage of your events, to place an advertisement, or speak to Rickie about appearing in The Rickie Report, contact:

Rickie Leiter, Publisher

Rickie@therickiereport.com   561-537-0291

17019 SW Sapri Way   Port St. Lucie, FL 34986

Art Exhibit Takes Viewers Beyond The Individual: “When We See Further” Offers Unique Perspective Of Four Artists

The Wasmer Art Gallery at Florida Gulf Coast University (Fort Myers, FL) is offering viewers a unique experience.  Gallery Director, John Loscuito, has connected four disparate artists to pull together this deep-thinking exhibit, “When We See Further”.  Heather Couch, Marina Font, Renée Rey and Terre Rybovich offer four distinct ways of looking, feeling and thinking about the body. Each of their perspectives offers a unique tactile and psychological experience. The Rickie Report invites our readers to see the exhibit and urges you to listen to the Gallery Talk which are available online.  See beyond the individual and how those differences expand the definition of being human!

 

 

 

 

 

 

 

 

 

Gallery Talk interviews are also available on our website 
or the FGCU Arts YouTube channel

 

 

“Beyond the Individual”

 

Essay by John Loscuito, Gallery Director

 

The physical condition is a subject that artists have been reflecting on throughout history. While the human body is something that joins us, it is also something that divides us, or at the very least separates us. “When We See Further” is an exhibition about seeing beyond the individual and how those differences expand the definition of being human.

 

The artists in this exhibition, Heather Couch, Marina Font, Renée Rey and Terre Rybovich, offer four distinct ways of looking, feeling and thinking about the body. Each of their perspectives offers a unique tactile and psychological experience. They do this through their varied mediums that present the limits and potentials of the body’s physical and psychological state.  For these artists, depicting the body is just the beginning of a journey to something else. The works reveal many themes including impermanence, transformation, and resilience. Approaching their work for the first time is similar to encountering each other in life, it begins with a surface understanding of each piece that deepens through repeated encounters, and from the associations derived between the works.

 

 

John goes on to say”,The variety of approaches depicting the human body was the impetus for the exhibition, but through studio visits and group conversations, the artists revealed a different purpose. It became clear that a larger work was being created as each artist found connections and overlaps between the pieces they were creating for the exhibition. This was also during the first six months of the Covid-19 outbreak and the protests over racial inequities. It is impossible to separate the exhibition from the context in which it was created. The artists themselves see their work in new ways based on these events and through their collaboration. The human condition is clearly only limited by the context in which we choose to imagine it to exist. These artists provide ever-expanding hopes for that condition”.

 

 

 

“WHEN   WE   SEE   FURTHER”

 

 

 

 

Heather Couch uses clay, fibers and wood to create stand-alone objects and installations. Her ceramic forms range in size from a few inches to a few feet, but they all share evidence of her hands and fingers. Rather than smoothing the clay surface, Couch is purposely revealing her process and her body in the work. The bulbous forms of her sculptures are opened as though they once were occupied. They suggest the presence of a body while recording the body’s act of making. Couch also creates organic ladder structures with handles immersed in bundles of wool. They hang from the ceiling implying movement to another place. The combination of these elements creates a landscape of possibilities open to interpretation that we find repeated in the other artists as well.

 

 

 

 

Marina Font is explicit in her use of the human body in a different way. Photography is the basis of her work and an entry point for the viewer. The model she photographs can be seen as a representation of “any woman”. This model is used repeatedly throughout her work, but is always positioned in the same pose. Font then layers the photograph of the life-size nude with explosive patterns that recall star systems, energy and past generations.

 

These patterns are made using thread, fabric, and ceramics, creating a visceral juxtaposition against the photographic image. The abstract patterns exist in our physical space, more real and active than the photographic image itself, suggesting a static body that is in the process of exposing the emotional, spiritual and psychological being.

 

 

 

 

 

The large-scale paintings by Renée Rey are figurative and depict fantastical landscapes. Her paintings allude to an ethereal space of atmospheric beings that float and merge with each other and their surroundings. The physical laws break in a multitude of ways. The bodies themselves are fluid in gender, age and size. They intersect with each other, becoming one, as the sky and landscapes create symbolic forms celebrating this state of flux. Much like the abstract patterns in Font’s works, Rey’s bodies become the patterns, fragmenting into possibilities beyond the static form. Rey also describes her figures as self-portraits. They are interpretations of herself over the course of her life.

 

 

 

 

 

Self-portraiture is seen again in Terre Rybovich’s process. She begins with placing her body directly onto the drawings. It is a performative act that creates a literal imprint or tracing of her physical self within the work. This ghost of her body begins the drawing.

 

From there, Rybovich generates infinite possibilities for her drawings, from formal investigations to morphological evolutions with animals. Birds are a recent addition to her work. Their larger than life depictions are gridded over her body print, morphing and transforming it. The body’s scale and form change in relationship to both the birds as well as her other additions. Out of this process new structures are defined that map out the body’s relationship to itself, to nature, and mythic narratives.

 

 

 

HEATHER COUCH

 

Heather Couch is an emerging south Florida artist working primarily in installation with ceramic forms, fiber, and raw construction materials. Her work plays with fragility in a way that brings liveliness and nonchalance through materials that are both timeless and ephemeral. The seemingly irrational ways in which we move and make decisions are echoed in the process of this work. Nurturing, caretaking, risk, and transformation are themes that repeat themselves in her work, informed by emotional, spiritual, and ideological tension. The forms inform each other in a dialogue of growth and discovery, responding to experiences in the artist’s life and in empathy to stories that resonate with her own.

 

Raw materials actively respond to the maker, as the artist indulges in the character of the material. The repetition of finger marks in wet clay, the warmth of billowed wool, the grittiness and raw presence of concrete and wood… these serve as grounding consistencies that allow for continued exploration and the expression of intuitive gestures. In this process is found comfort, fear and metaphor in repetitively approaching a dynamic precariousness. There is an underlying strength that sits beneath any fragility.

 

 

Heather Couch is an Assistant Professor of Art at Palm Beach Atlantic University. She earned a BA in Sculpture at Union University in 2007, and an MFA in Ceramics at Arizona State University in 2015. She also studied ceramics and sculpture at the University of Tennessee at Knoxville, the Chautauqua Institute of Art in upstate New York, Hong-Ik University in Seoul, South Korea, and Arrowmont School of Arts and Crafts in Tennessee. She has been a resident artist at the International Ceramics Studio in Kecskemet, Hungary, the Mesa Arts Center in Mesa, Arizona, and the Armory Art Center in West Palm Beach, Florida.

 

 

 

 

MARINA FONT

 

 

 

Marina Font was born in Argentina in 1970. She studied design at the Martin Malharro School of Visual Arts, Mar del Plata, Argentina. In 1998 she studied Photography at the Speos Ecole de la Photographie, Paris. She earned an MFA in Photography from Barry University, Miami in 2009. She has exhibited extensively at galleries, museums and cultural institutions in the US and abroad.

 

Her work is present in various public collections such as the MDC Museum of Art+Design, Miami, the Boca Raton Museum of Art, the Frost Art Museum at FIU, the LOWE Art Museum at The University of Miami, FoLA, Buenos Aires, Argentina, The Bunnen Collection in Atlanta, the Girls’ Club collection in Fort Lauderdale and various private collections throughout the world.

 

She is a multidisciplinary artist working in photography, mixed media, installation and video. Her studio practice explores ideas about identity, gender, territory, language, memory and the forces of the unconscious. Her visceral and intuitive works, strongly influenced by psychoanalysis, often focuses on women and the domestic sphere.

 

Her first monograph “Anatomy is Destiny” in collaboration with Minor Matters Books + Dina Mitrani Gallery was selected for the Photo Book Spotlight by Aperture at aipad The Photography Show, NY, 2019. Marina is also part of the multidisciplinary collaborative RPM Projects, as well as the Instagram-based collaboration “Instacorrespondences”. She currently lives in Miami Beach and works at her studio at The Collective 62, located in Liberty City, Miami.

 

 

 

 

RENÉE REY

 

Renée Rey is an award-winning painter and mixed media artist working in Southwest Florida and New York City. In large and intimate-scaled artwork, Rey challenges traditional landscape and human figuration. In alternate universes and transformative self-portrait, she explores movement, metamorphosis and the sublime. Existential and societal narratives of age/gender/cultural identity, cross-cultural connections, environmental sustainability, inclusiveness and equality flow through her artwork. As she intuitively applies, wipes, scratches and manipulates traditional and non-traditional materials, Rey investigates intersections between abstraction and realism, two and three dimension, and intensity and delicacy of materiality by the artist’s hand.

 

Rey’s artwork has been selected for numerous national exhibitions by museum curators and gallery directors including the exhibition Gateway to Imagination, Farmington Museum, Farmington, NM and Florida Contemporary Exhibition, Baker Museum, Artist-Naples, Naples, FL  Awards include Best of Show, Art Encounters National Competition by Alejo Benedetti, Curatorial Assistant, Crystal Bridges Museum of American Art, Bentonville, AK, Jade Dellinger, Director of Exhibits & Collections, Bob Rauschenberg Gallery at Florida Southwestern State College, Fort Myers, FL, and Mallory O’Connor, Professor of Art History Emerita (Santa Fe College, Gainesville,FL).

 

Rey was invited to the School of Visual Arts Summer Painting Residency, New York, NY in 2019 and Sun Peak Center for Art and Sustainability, Colorado Springs, CO in 2016. She has taught painting, drawing and creative thinking to adults and children for 8 years. The artist studied drawing, painting, 3D design, film, performance art, computer art and art history on the undergraduate and graduate levels in New York and Florida. Rey holds an MBA in Management, Rensselaer Polytechnic Institute, Troy, NY, an AAS in Interior Design, Parsons School of Design, New York, NY, an MA in Jewish Education, Jewish Theological Seminary, New York, NY and a BA in Judaic Studies, University at Albany, Albany, NY.

 

 

 

 

TERRE RYBOVICH

 

A third-generation native of West Palm Beach, Terre is a daughter of Tommie Rybovich, the noted sports-fishing boat designer/builder. Like her father, Terre opts to work at the edge of what she knows, in a process of continual questioning.

 

Her drawing technique came to her years ago, while delirious with the flu. “Drawing backward” was the initial idea. In other words, creating an image by removing charcoal from paper, instead of making marks on a clean page. Since that day, Terre has been drawing backward. She staples a large piece of paper to a sheet of plywood, then scrubs the entire surface with a thick stick of charcoal. Next, she works spontaneously to imprint her hands, limbs and torso in the charcoal. Her aim is to start the drawing with random marks.

 

 

Ultimately it is those marks that determine the outcome of the drawing. Spending as much time looking as she does drawing, Terre relies on her intuition and her drawing skills to find the final image in the spontaneous marks. Working without preconceived results allows her to draw imagery she never could have imagined.  Since becoming a serious birder, Terre also makes drawings of birds based on photos she takes. Increasingly, birds also appear in her figurative works.

 

 

Terre has her Bachelors in Politics and Economics from New York University. She has a Masters in Rural Sociology from Wisconsin-Madison. Her first career was in grassroots activism and grant-making. That experience forged an enduring commitment to this world. It also instilled a courageous drive that Terre now channels into art-making.

 

Terre now lives in Homestead, Florida with her husband Jon Ward. Her drawings have been exhibited widely in South Florida; they are in a number of private collections. Terre’s drawings have been part of the Viewing Program of the Drawing Center in New York City since 2004.

 

 

 

 

For more information about this exhibit:

Wasmer Art Gallery is located on the campus of Florida Gulf Coast University

10501 FGCU Blvd S, Fort Myers, FL 33965

Phone: (239) 590-7199

Website:  fgcu.edu

 

 

 

 

 

 

For coverage of your events, to place an advertisement, or speak to Rickie about appearing in The Rickie Report, contact:

Rickie Leiter, Publisher

Rickie@therickiereport.com   561-537-0291

17019 SW Sapri Way   Port St. Lucie, FL 34986

 

 

17 Year Old Artist Zachary Rapaport Unveils “Ultimate Creativity”, An Exhibit Fusing Art And Science At Mandel JCC

The Mandel JCC Palm Beach Gardens will debut an impressive exhibition, “Ultimate Creativity,” featuring the works of talented 17-year old Zachary Rapaport.  The public is invited to the free Opening Reception on Tuesday, February 23, 2016.  Rapaport’s exhibit combines engineering with art, featuring paintings brought to life through interaction, movement and performance.  The Rickie Report shares the details and a sneak peek.

 

 

 

Mandel jcc logo

5221 Hood Road

Palm Beach Gardens, FL 33418

 

 

 

Bente S. and Daniel M. Lyons Art Gallery

Presents:

Zachary Rapaport

 

 

“ULTIMATE CREATIVITY”

An Exhibit Fusing Art and Science

Opening Reception:

February 23

5:30 – 7:30pm

Exhibit: Feb. 23, 2016 through March 24, 2016

Free & open to the community

 

 

 

MandelJCCZachRapaport

 

.
Zachary Rapaport, a senior at Dreyfoos School of the Arts, was distinguished as one of 170 emerging young artists by the National YoungArts Foundation, a talent-based scholarship program for high school and college students. The program recognized him with the Merit Award and Finalist Award for achievement in visual arts. His work has been displayed in the Bacardi Tower, Valentine Design, Parsons School for Design and Alexander W. Dreyfoos School of the Arts.

“This exhibition is a culmination of my previous artistic endeavors, and demonstrates my passions for art and engineering,” shared artist Zachary Rapaport. “My objective for the show, along with every artwork I make, is to help others break barriers by doing so myself. I feel fortunate to be able to showcase my work to the community.”

 

Rapaport’s gallery is divided into three sections: the space will comprise of a kinetic installation, photography and multi-planar paintings. The installation is about creating a space where an individual can interact with his or her environment. The large photography and artwork are expressive and a reflection of his desire to impact society.

The Bente S. and Daniel M. Lyons Art Gallery is sponsored by Barbara and Hal Danenberg, Marsh & McLennan Agency and Jupiter Medical Center.

 

 

The Mandel JCC is located at 5221 Hood Road, in Palm Beach Gardens.

For more information about these and other events, call Sharon Waltman at the JCC at 561.712.5232

or visit: www.JCConline.com

 

 

 

 

For coverage of your events, to place an advertisement, or speak to Rickie about appearing in The Rickie Report, contact:

Rickie Leiter, Publisher

The Rickie Report

P.O.Box 33423

Palm Beach Gardens, FL 33420

Rickie@therickiereport.com

561-537-0291

 

Levis JCC Sandler Center In Boca Raton Announces Pottery Classes For All Levels

The Levis JCC Sandler Center in Boca Raton announces Pottery Classes for all levels of students, from beginner to advanced. Beginning January 4th, learn how to use a pottery wheel, hand build pottery, sculpt clay, stoneware, porcelain and glazes. Renown faculty members include Marilyn Wander and Gina Skillings. The Phyllis & Harvey Sandler Center at the Adolph & Rose Levis Jewish Community Center provides a welcoming environment and a sense of community for active adults of all ages to pursue high quality and enriching educational, cultural, social and recreational experiences. The Levis JCC welcomes individuals of all ages, races, and religious affiliations living in South Florida. The Rickie Report shares the details and some ideas for your next creations!

 

 

LevisBocaJccheaderimage001

 

 

1 New Levis JCC Logo blue

 

 

The Levis JCC Sandler Center in Boca Raton

Focus On Pottery:

All levels of students,

from beginner to advanced

Winter Sessions:

 

Mondays, 9:30 a.m. – 12:30 p.m., January 4 – March 21 (No class 2/15)
Tuesdays, 9:30 a.m. – 12:30 p.m., January 5 – March 22
Wednesdays, 9:30 a.m. – 12:30 p.m., January 6 – March 23
Thursday, 9:30 a.m. – 12:30 p.m., January 7 – March 24

 

 

 

9801 Donna Klein Blvd. Boca Raton, FL 33428

 

 

The Rosen Pottery Studio has 8 wheels and 2 kilns. Students have access to free studio time when classes are not in session, on Sundays, and are free to stay and practice as long as they want Monday—Wednesday.

 

Unique Glazes are Marilyn Wander's signature

    Unique Glazes are Marilyn Wander’s signature

 

 

 

Pottery on the Wheel and Handbuilding

With Marilyn Wander

Mondays (Jan. 4 – March 21) (no class 2/15)
and
Wednesdays (Jan. 6 – March 23)
9:30 a.m. – 12:30 p.m.

Students will learn techniques of hand building and throwing on the potter’s wheel. Advanced students will sharpen their skills.

 

 

 

Pottery by Gina Skillings

           Sculpted Pottery by Gina Skillings

 

 

Handbuilding and Sculpting

With Gina Skillings

Tuesdays (Jan. 5 – March 22)
and
Thursdays (Jan. 7 – March 24)
9:30 a.m. – 12:30 p.m.

 

Gina focuses on basic pinching, coiling, slab construction techniques for pottery and clay sculpture. Advanced students work more independently. All levels are welcome.  

 

 

Winter term: cost for the 11-week session is $383: cost for 12-week session is $420. Spring term: cost is $280 for the 8-week session. Discounts are available for Sandler Center members. Studio time is included at no extra charge.

 

 

 

Gina Skillings' "Purse"

                                         Gina Skillings’ “Purse”

 

 

 

 

Visit: http://levisjcc.org/culture/programs_classes/
OR
Call 561-558-5250 for more information or to register.

 

 

LEVIS JCC POTTERY GUILD EXHIBIT

April 3 – May 20, 2016

Opening Reception:

Sunday, April 3, 2016

1 – 4 p.m. with artists’ presentations

Free and open to the public

 

 

 

In the spring, the Levis JCC Pottery Guild presents an exhibit of utilitarian, sculptural and decorative works created by the students and their instructors in the Nathan D. Rosen Museum Gallery. This exhibit is a community favorite and draws visitors from Palm Beach and northern Broward counties.

 

 

Teapot and Cup by Marilyn Wander

                   Teapot and Cup by Marilyn Wander

 

Marilyn Wander has been a potter since 1977. She specializes in stoneware and porcelain clay, and is known for her exquisite and unique glazes, which she shares with her students. She is also experienced in raku—oxidation and pit-firing. It is unusual and important to note that Mariyln not only develops her only specialty glazes – – She also shares them with her students!

 

 

 

 

"Green Bowl" by Marilyn Wander

                               “Green Bowl” by Marilyn Wander

 

 

 

Marilyn took up pottery after noticing that she gravitated to the pottery exhibits at art shows (she is married to well-known Palm Beach watercolorist Gustav Wander). Very tactile, she fell in love with clay. Marilyn notes, “I have been firing the clay in a raku process which was originally developed in Japan. I enjoy seeing the smooth melted glazes on the red-hot pots. There is a masculine drama in the black and white tones in counterpoint to the soft pastel colors and graceful feminine shapes—an exciting and artistic duality.”

 

 

 

 

 

Marilyn’s students remark on her accessibility and skill as a teacher:
“When I began working with Marilyn, I did not know how to handle clay effectively. Now after 5 years, I was invited to exhibit my work at the local public library. Marilyn is a skillful teacher who inspires her students to reach beyond their limits. Through her patient coaching, she has enabled many of her students to get in touch with their creative side.”—Frances Levine

 

 

 

 

Marilyn trained at Florida Atlantic University, Penland School of Craft in Penland, NC, Parsons School of Design in NYC, at the 92nd St. “Y” in NYC, and at Cumberland Pottery in Teaneck, NJ. She is affiliated with the FAU Potters Guild and the NJ Designer Craftsmen. She has exhibited at Las Olas Art Festival, University of Miami—Beaux Arts, Norton Gallery, Deerfield Beach Art and Craft Show, Vero Beach Art and Craft Show, Virginia Beach Art Festival, Garrison NY Art Festival, Bergen Museum—NJ Designers Craftsmen Show, and held a one-woman show with interior designer Pajia Wald in Tenafly, NJ.

 

 

 

The Phyllis & Harvey Sandler Center at the Adolph & Rose Levis Jewish Community Center provides a welcoming environment and a sense of community for active adults of all ages to pursue high quality and enriching educational, cultural, social and recreational experiences. The Levis JCC welcomes individuals of all ages, races, and religious affiliations living in South Florida. It is located at 9801 Donna Klein Blvd, Boca Raton, FL 33428.
www.levisjcc.org

 

 

For coverage of your events, to place an advertisement, or speak to Rickie about appearing in The Rickie Report, contact:

Rickie Leiter, Publisher

The Rickie Report

P.O.Box 33423

Palm Beach Gardens, FL 33420

Rickie@therickiereport.com

561-537-0291

Levis JCC Sandler Center In Boca Raton Announces Pottery Classes For All Levels

The Levis JCC Sandler Center in Boca Raton announces Pottery Classes for all levels of students, from beginner to advanced. Beginning on October 12th, learn how to use a pottery wheel, hand build pottery, sculpt clay, stoneware, porcelain and glazes.  Renown faculty members include Marilyn Wander and Gina Skillings. The Phyllis & Harvey Sandler Center at the Adolph & Rose Levis Jewish Community Center provides a welcoming environment and a sense of community for active adults of all ages to pursue high quality and enriching educational, cultural, social and recreational experiences. The Levis JCC welcomes individuals of all ages, races, and religious affiliations living in South Florida.  The Rickie Report shares the details and some ideas for your next creations!

 

 

 

 

LevisJCCNEWlogo

 

 

The Levis JCC Sandler Center in Boca Raton

Focus On Pottery:

 

Beginning October 12th

All levels of students, from beginner to advanced

 

 

 

1 New Levis JCC Logo blue

 

9801 Donna Klein Blvd.     Boca Raton, FL 33428

 

 

The Rosen Pottery Studio has 8 wheels and 2 kilns. Students have access to free studio time when classes are not in session, on Sundays, and are free to stay and practice as long as they want Monday—Wednesday.

 

 

 

Unique Glazes are Marilyn Wander's signature

           Unique Glazes are Marilyn Wander’s signature

 

Pottery on the Wheel and Handbuilding

With Marilyn Wander

Mondays (Oct. 12 – Dec. 14)

and

Wednesdays (Oct. 14 – Dec. 16)

 9:30 a.m. – 12:30 p.m.

 

Students will learn techniques of hand building and throwing on the potter’s wheel. Advanced students will sharpen their skills.  

 

Pottery by Gina Skillings

                              Sculpted Pottery by Gina Skillings

Handbuilding and Sculpting

With Gina Skillings

Tuesdays (Oct. 13 – Dec. 15)

and

Thursdays (Oct. 15 – Dec. 17)

9:30 a.m. – 12:30 p.m.

 

Gina focuses on basic pinching, coiling, slab construction techniques for pottery and clay sculpture. Advanced students work more independently. All levels are welcome.

Cost for the 9-week session is $315, with discounts available for Sandler Center members.

 

 

 

Gina Skillings' "Purse"

                                        Gina Skillings’ “Purse”

 

 

Visit: http://levisjcc.org/culture/programs_classes/

OR

Call 561-558-5250 for more information or to register.

 

LEVIS  JCC  POTTERY  GUILD  EXHIBIT

 

 April 3 – May 20, 2016

Opening Reception:

Sunday, April 3, 2016

1 – 4 p.m. with artists presentations

Free and open to the public

 

 

In the spring, the Levis JCC Pottery Guild presents an exhibit of utilitarian, sculptural and decorative works created by the students and their instructors in the Nathan D. Rosen Museum Gallery. This exhibit is a community favorite and draws visitors from Palm Beach and northern Broward counties.

 

 

 

Teapot and Cup by Marilyn Wander

                      Teapot and Cup by Marilyn Wander

 

 

Marilyn Wander has been a potter since 1977. She specializes in stoneware and porcelain clay, and is known for her exquisite and unique glazes, which she shares with her students. She is also experienced in raku—oxidation and pit-firing.  It is unusual and important to note that Mariyln not only develops her only specialty glazes – – She also shares them with her students!

 

 

Pottery Class at Levis JCC

        Pottery Class at Levis JCC

 

Marilyn took up pottery after noticing that she gravitated to the pottery exhibits at art shows (she is married to well-known Palm Beach watercolorist Gustav Wander). Very tactile, she fell in love with clay. Marilyn notes, “I have been firing the clay in a raku process which was originally developed in Japan. I enjoy seeing the smooth melted glazes on the red-hot pots. There is a masculine drama in the black and white tones in counterpoint to the soft pastel colors and graceful feminine shapes—an exciting and artistic duality.”

 

 

 

 

 

"Green Bowl" by Marilyn Wander

                                 “Green Bowl” by Marilyn Wander

 
Marilyn’s students remark on her accessibility and skill as a teacher:
“When I began working with Marilyn, I did not know how to handle clay effectively. Now after 5 years, I was invited to exhibit my work at the local public library. Marilyn is a skillful teacher who inspires her students to reach beyond their limits. Through her patient coaching, she has enabled many of her students to get in touch with their creative side.”—Frances Levine

 

Marilyn trained at Florida Atlantic University, Penland School of Craft in Penland, NC, Parsons School of Design in NYC, at the 92nd St. “Y” in NYC, and at Cumberland Pottery in Teaneck, NJ. She is affiliated with the FAU Potters Guild and the NJ Designer Craftsmen. She has exhibited at Las Olas Art Festival, University of Miami—Beaux Arts, Norton Gallery, Deerfield Beach Art and Craft Show, Vero Beach Art and Craft Show, Virginia Beach Art Festival, Garrison NY Art Festival, Bergen Museum—NJ Designers Craftsmen Show, and held a one-woman show with interior designer Pajia Wald in Tenafly, NJ.

 

 

 

The Phyllis & Harvey Sandler Center at the Adolph & Rose Levis Jewish Community Center provides a welcoming environment and a sense of community for active adults of all ages to pursue high quality and enriching educational, cultural, social and recreational experiences. The Levis JCC welcomes individuals of all ages, races, and religious affiliations living in South Florida. It is located at 9801 Donna Klein Blvd, Boca Raton, FL 33428.

www.levisjcc.org

 

 

 

 

For coverage of your events, to place an advertisement, or speak to Rickie about appearing in The Rickie Report, contact:

Rickie Leiter, Publisher

The Rickie Report

P.O.Box 33423

Palm Beach Gardens, FL 33420

Rickie@therickiereport.com

561-537-0291

Harold Silvers Is Featured At Palm Beach International Airport Exhibit

The Palm Beach International Airport’s Art In Public Places will be featuring artist, Harold Silvers. You may recall seeing his pointillism designs in the windows of Cartier Jewelers or Bonwit Teller. Now you can see what he has been creating since leaving the graphic arts world!  The Rickie Report shares the details about the upcoming Free Public Reception and includes a closer look at more of Harold’s artistry.  If you think you are seeing dots in front of your eyes, you are!  Each one is created individually by Harold!

 

 

 

Palm Beach International Airport

Art In Public Places

Features:

Harold Silvers

 

Free Public Reception

Wednesday, September 9th

5:30 – 7:00 pm

Palm Beach International Airport

1000 Turnage Boulevard   W.Palm Beach, FL

Exhibition is located near the Mall on Level 2 of the Main Terminal, across from Travelers Lounge.

 

Parking Will Be Validated ( not including Sun Pass)

 

Harold Silvers with hone of his paintings. (Photo courtesy of Carol Baldwin)

Harold Silvers with one of his paintings. (Photo courtesy of Carol Baldwin)

 

 

 

Harold Silvers tells The Rickie Report, “You may have seen my pointillism designs in the windows of Cartier Jewelers or Bonwit Teller. Now you can see what I have been creating since leaving the graphic art world. I moved to Southern Florida five years ago and have gone back to my roots as an artist. I graduated from NYC Community College for Commercial Art and Parsons School of Design for Graphic Design.”

 

D-24x36-1

“Steel Wave” by Harold Silvers

 

 

 

Harold has used a radiograph pen, magic marker, stencils and air brush techniques as well as computer design. He explains, “My pointillism designs as have to do with Nature, Time, Space and Infinity. I started pointillism in my college days, and decided that I should get back to doing it again, being retired. I make the designs one dot at a time.”

 

 

 

D5A-24x36

“Optical” by Harold Silvers

 

 

 

 

 

 

How does he keep all of the design elements in perspective?  He says, “one has to have a certain mind set to do this kind of art. I usually have a concept of how I want the design to look before I start… Sometimes I let the dots take me for the ride.”

 

 

D19A-24x36

“Burst” by Harold Silvers

Harold offers prints on paper from 6 x 9, and digital prints on canvas up to 30 x 45. He can also make color variations of the design. Harold makes the highest quality Giclee’s. At times, he might show one of his designs completed on translucent film with a light behind it.

 

HaroldSilversIMG_2934

“Organs” by Harold Silvers

 

 

 

Here we see an example of one of Harold’s pieces lit. He used a process with film negatives and color key prints, that is no longer available.  These prints are made of 3 transparent color keys.  They are sandwiched between clear glass in the front and translucent plexiglass in the back. New designs are printed on translucent white film.

 

 

D-24x36-1Rev

“Beginning” by Harold Silvers

 

 

 

Harold offers digital prints on paper from 6×9, and digital prints on canvas up to 39×58. He can also make color variations of the design on request and offers the  highest quality prints.

 

For more information about Harold Silvers’ artwork, please email him at:

hjsgraphicdesign@yahoo.com

or call:  561.701.2679

 

For coverage of your events, to place an advertisement, or speak to Rickie about appearing in The Rickie Report, contact:

Rickie Leiter, Publisher

The Rickie Report

P.O.Box 33423

Palm Beach Gardens, FL 33420

Rickie@therickiereport.com

561-537-0291

Lantana Library Features Renee Plevy Presenting A Portrait Demonstration

The Lantana Library will present well known portrait and fine artist, Renee Plevy on Tuesday, July 21st for a demonstration.  There is no charge to attend, but you must RSVP to reserve a space. Renee will be demonstrating how to paint a portrait by creating an oil sketch of an audience member!  She will also share personal anecdotes about the famous people she has painted and her experiences as part of the New York Art Scene.  The Rickie Report highly recommends making your reservation now!  We share the details, Renee’s portraits ( including animals) and her personal history.

 

 

PORTRAIT DEMONSTRATION

WITH 

RENEE PLEVY

 

 

PalmBeachCountyLibrarySystemLogo.jpg

Tuesday, July 21st

2:00 pm

Lantana Road Library

4020 Lantana Road     Lake Worth, FL 33462
(561) 304-4500

www.pbclibrary.org

 

The Lantana Road Library is please to announce a special program featuring renown artist, Renee Plevy. This award-winning artist will demonstrate how to paint a portrait by creating an oil sketch of an audience member, while sharing personal anecdotes about the famous people she’s painted and being part of the New York arts scene.   This event is FREE and OPEN to the public, but you must RSVP to reserve a space.  The event takes place on Tuesday, July 21st at 2pm.  

 

 

 

Renee Plevy presents an oil portrait

Renee Plevy presents oil portrait

A lifelong artist, Renee has painted many well-known persons for their private collections, and has had one person shows in museums, galleries, and has shown in Lincoln Center, NYC. She has been in over 68 Galleries and Juried Art Shows.  

 

 

Portrait of A Woman Committee with Renee Plevy

Portrait of A Woman Committee with Renee Plevy

 

 

 

Known for her “Portrait of a Woman” Organization wherein she has painted 23 oil portraits of famous Women Community Leaders from throughout Palm Beach County who have been honored at a Palm Beach Luncheon for the last four years. Renee has completed 23 oil Portraits of Prominent Palm Beach County Women Community Leaders for Portrait Of A Woman Legacy Series.

For more information please visit:

www.facebook.com/PortraitOfAWoman?fref=photo

 

 

In NYC, Renee studied with internationally known portrait painters at the Art Student League, The School of Visual Arts and Parsons. At the same time she taught portraiture at the School of Visual Arts and was prominent with National Artist’s Equity.  Renee currently paints in Palm Beach County, FL focusing on commissioned work, private classes, personal portraits and pet portraits.  

 

reneeplevyPaintings -- all excellent.collage jpg_edited-1

 

Renee has always had the ability to capture the soul and spirit of her subject. As a colorist, she has used her medium to portray the essence of a person’s personality. An award winning member of the Boca Raton Museum’s Artist Guild and Women of the Visual Arts, she won First Prize with the Guild for her painting “Excursion” exhibited at the Nathan D. Rosen Biannual Exhibit.

 

Renee Plevy has a long list of accomplishments in the art world, including award winning exhibitions from the Northeast to Florida.  She has been involved with numerous art-related organizations, giving her time and expertise. In addition, her artwork has been included in government projects, such as the Paterson Courthouse WPA Mural Restoration, Paterson, NJ. Plevy’s teaching affiliations continue to grow and she is gracious in volunteering her time for demonstrations such as the one at the Lantana Road Library.

 

For more information about Renee Plevy’s artwork please contact her at:

T 561.736-8108 C 561.302.1380 F 561.736.8108

Renee@ReneePlevy.com

or visit:

www.reneeplevy.com and www.Portraitofawoman.net

www.facebook.com/renee.plevy?fref=ts

 

For coverage of your events, to place an advertisement, or speak to Rickie about appearing in The Rickie Report, contact:

Rickie Leiter, Publisher

The Rickie Report

P.O.Box 33423

Palm Beach Gardens, FL 33420

Rickie@therickiereport.com

561-537-0291

Joanne Slattery in Juried Exhibit, “Contempo” at Lighthouse ArtCenter

The Lighthouse ArtCenter’s “Contempo” is a juried exhibition displaying recently completed contemporary art of all media. With an eye toward the unexpected, visitors will see works that demonstrate innovative use of materials, unusual treatment of subject matter, unconventional mediums and edgy techniques. The goal of this exhibit is to showcase benchmarks of excellence in contemporary art that demonstrates superior technique and original concept and design…this is NOT your grandfather’s art exhibit, so leave your expectations for traditional portraits and landscapes at home! The juror was Elayne Mordes, of Whitespace Collection, a private contemporary art exhibition space located in West Palm Beach, FL.  The Rickie Report showcases Joanne Slattery’s artwork here (her exuberance is appealing!) and gives more details about the public reception for “Contempo”.  

 

JOANNE SLATTERY

AT

 Lighthouse ArtCenter’s

“Contempo”

Opening reception/Awards presentation:

Thursday, January 15th

 5:30 to 7:30 p.m.

 

Meet the Artists

 

Exhibit Continues through March 7th

Lighthouse ArtCenter  Museum & Gallery

373 Tequesta Drive     Tequesta, FL 33469

 

 

"Oper Act I Interrupted" by Joanne Slattery

“Opera Act I Interrupted” by Joanne Slattery

 

 

Joanne Slattery tells The Rickie Report, ” I am inspired by places in the world that have grasped my attention.  Challenging subjects and how to accomplish their particular atmosphere intrigue me. Some subjects just cry pastel for its intensity, blending capabilities and as an abstract rendering tool, others call for a faster method as with acrylic. Both demand constant choices of brush and stroke direction to accomplish their particular action and atmosphere. With each piece I am always learning how to see and how to execute”.

 

 

"Waves" by Joanne Slattery

“Waves” by Joanne Slattery

 

“Creating is entering a fluid area where what is happening on the canvas is as important as what is in my mind. Sometimes media cannot be used in the traditional sense; I use my fingers, rub in dirt, whatever is called for.  The excitement is seeing what happens. It’s pure mind travel. Risks and Courage…”, Joanne goes on to explain.

 

"Voodoo Box" by Joanne Slattery

“Voodoo Box” by Joanne Slattery

 Note: This is the piece that was accepted in CONTEMPO

“This is one of my assemblages, which is painted and uses found objects. I did a lot of research on New Orleans White Voodoo and incorporated most of the elements that one would use in Voodoo Rituals and the many gifts to the gods”.

 

 

“I enjoy working in found objects and materials from nature plus pastels, acrylics, pencil, interference paints, dyes and powder pigments including ground minerals. You experience my pieces: you have a dialogue with them as you wander into them. They leave you feeling, wondering, wanting to be there, and wanting to know more”. 

 

 

"Marsh, St. Simons" by Joanne Slattery

“Marsh, St. Simons” by Joanne Slattery

 

Joanne received a BFA with 4 majors including Studio Art, History of Art, and Printmaking. She studied printmaking, painting, sculpture, and Art History at Marymount Manhattan College; Figure Painting at The Art Students League; Art History at The New School; and Web Design at Parsons School of the Arts and San Diego City College.

 

"Ecola Park Fog" by Joanne Slattery

“Ecola Park Fog” by Joanne Slattery  (Ecola State Park, OR)

 

In the last 10 years, Joanne has begun to paint in series. “When I am inspired by a place I execute perhaps 5-10 pieces of the subject in different mediums, techniques and views. I recently traveled to Georgia where I became enamored by the Marshes. Upon returning to Florida, I began painting them but at the same time took a look at our own unique environment of swamps and everglades and am beginning to paint them. Because I feel I am always improving and learning, I will return to subjects as I feel I have not profoundly conquered in retrospect. Also, my approach to painting is changing to a more impressionistic expression, so I need to revisit my favorite places and share this different way I am seeing things. It just never stops!”

 

 

"Dreaming Under Starry Skies" by Joanne Slattery

“Dreaming Under Starry Skies” by Joanne Slattery

Joanne did a series of “The Dreamer” which is based on Places I’d Rather Be. The Dreamer is on the beach, dreaming of Starry Skies. This is a good example of her mixed media pieces where the water is painted cellophane, the stars are painted nails, the clouds are iridescent powder pigment, she’s incorporated sand and a coral tree as well as gold-leaf cut out fish”.

 

 

"Riverbend" by Joanne Slattery

“Riverbend” by Joanne Slattery

 

 

Joanne didn’t show her fine artwork until recently and is now an award recipient from many exhibits. Her art work is in private collections throughout the United States and Europe. Joanne worked in Manhattan for 25 years as an Art Director for a few select companies: PBS, Scholastic and CHANEL, where she grew extensively in the fields of publishing, marketing and branding. While working she mentored college graduates in Graphic Design. She won innumerable awards during her career. 

 

ARTIST SHOWINGS:

 

  • ART in the I-ZONE* (West Palm Beach, Fl), 2008  Invitational Show
  • Jupiter Gallery of Art/ Jupiter Community Center , 2010 Juried Photography Show
  • Dixie Art LOFT*  (Lake Worth, FL) “Out on a Limb”, 2010  Juried Show
  • Dixie Art LOFT  (Lake Worth) “Heads Up”, 2011  Invitational Show
  • Lighthouse ArtCenter* (Tequesta,FL) “Contempo”, 2011  Juried Art Show
  • Boca Museum of Art* (Boca Raton, FL) “60th Annual All Florida , 2011 Juried Competition and Exhibit “Best in Florida”
  • A Unique Gallery* (Jupiter, FL) “Black White and In Between”, 2011 Juried Art Show
  • Lighthouse ArtCenter* (Tequesta, FL) “Landscapes 2011” Juried Art Show
  • Lighthouse ArtCenter* (Tequesta,FL) “Landscapes 2012” Juried Art Show – 2 pieces:  AWARD: Honorable Mention
  • Wally Findlay Gallery (Palm Beach, FL) “Masque Art”, 2013 Invitational Show
  • Richeson75 International Art (Kimberly, WI), 2013 Seascape & Architectural 2013 Juried Art Show   AWARD: Meritorious
  • Armory Art Center  (W.Palm Beach,FL) “50/50 Annual Artist Showcase”, 2013 Juried Art Show  SOLD
  • Lighthouse ArtCenter* (Tequesta, FL) “Spotlight on New Talent”, 2014 Juried Art Show – 2 pieces
  • Loxahatchee Natural Refuge (Boynton Beach, FL) October 2014 – January 2015
  • Lighthouse ArtCenter* (Tequesta, FL) “D’Art for Art”, 2014
  • Lighthouse ArtCenter (Tequesta, FL) “Contempo” 2015

 

 

For more information about Joanne’s fascinating artwork, please visit:

http://creativejoanne.com/art/

 

 

For coverage of your events, to place an advertisement, or speak to Rickie about appearing in The Rickie Report, contact The Rickie Report at:

Rickie Leiter, Publisher

The Rickie Report

P.O.Box 33423

Palm Beach Gardens, FL 33420

Rickie@therickiereport.com

561-537-0291

 

Stanley Dornfest’s Rich Landscapes Are Exhibiting at Linda White Gallery

Stanley Dornfest’s rich landscapes are being exhibited at the Linda White Gallery in Artists Alley located in Delray Beach.  The Rickie Report met Stanley at an “On the Avenue” event and was drawn to his tropical artwork.  Artists Alley’s monthly Open Studios is December 19th.  We hope you will stop by and meet Stanley and relish in his work!  More details are in this article.

Stanley Dornfest

 

Artists Alley

 

OPEN STUDIOS

 

Thursday, December 19, 2013

6 – 9 pm

 

 

Stan Dornfest

Stan Dornfest

 

Stanley Dornfest’s paintings are being exhibited at the Linda White Gallery located in Artists Alley in Delray Beach.  Each month, on the third Thursday, all of the Artists’ Studios and Galleries are Open to the Public.  Enjoy refreshments while you walk from one studio to another, meeting the artists who create everything you are seeing.  The next Open Studios takes place on Thursday, December 19th from 6- 9 pm.

 

"Springtime Begins"

“Springtime Begins”

 

 

Stanley received a Bachelor of Fine Arts Degree from Cooper Union. While pursuing his career as a Creative/Art Director in the New York Advertising Industry, he continued to explore his passion for painting.  In New York, Stanley’s SOLO shows include: The Donald Gallery (Dobbs Ferry, NY) and Heritage Frame  (Tarrytown, NY). Stanley was also a member of the Faculty at Parsons School of Design.

Stanley shares, “I have always felt most spiritual when I am physically and emotionally enveloped by a landscape. The mystical state of mind that these inspiring locales transport me to, is what I strive to reflect in my painting”.

 

"Green Cay"

“Green Cay”

 

“For me, rather than merely documenting topography, painting is more about expressing the spiritual journey that the world of nature transports me to”, he says.

 

TRR:    Do you prefer oil or acrylic? 

SD:

I paint in Acrylics because I actually like the quick drying time, the versatility of the mediums and the quick clean up time which fits into my life.

 

TRR:  What did you teach at Parsons? 

SD:

I developed and taught a course for design students called:”Art Direction-Expanding Your Options” . The course explored different career paths that Design/Art  students could take.

 

"Spring Awakening"

“Spring Awakening”

 

TRR:   Were you artistic as a child? 

SD:

My elementary school teacher summoned my mother to the classroom to explain to her that she felt that I was very talented in Art. She offered to loan me her oil paints over the summer so that I could continue painting. My mother explained to her that she could afford to purchase a set of oil paints for me. Not only did my mother buy the paints, but she researched and found courses for me to take on Saturdays at The Brooklyn Museum Art School and Brooklyn College, which nurtured my life long passion for painting.

 

From an early age, I was always painting. After High School, I was fortunate to get accepted to The Cooper Union Art School. After Cooper, I pursued a long, successful career as an Advertising Creative/Art Director but during that time – I continued to paint. As my advertising career tapered off-my painting endeavors expanded.

"Across The Pond"

“Across The Pond”

In Florida, Stanley’s paintings have been exhibited at The Boca Museum of Art, The Coral Springs Center for the Arts, Loxahatchee National Wildlife Center, Lighthouse ArtCenter, The Armory Art Center and the Rosen Museum Gallery.  He was also featured in Travel Host Magazine.   He is a Participating Signature Member of the Boca Museum Artists’ Guild and a Founding Member of the Florida Scape Artists. Stanley’s work is represented in both Public and Private Collections.

 

For more information about Stanley Dornfest’s paintings, please visit   standornfest.com or call  561-865-7077

ARTISTS ALLEY is an independent group of accomplished artists collaborating to establish a grass roots working colony with a vibrant marketplace for “Art created in Delray Beach”. This exciting new, warehouse arts area is in the Pineapple Grove Arts District in downtown Delray Beach. Check out the website- ArtistsAlleyDelray.com

LOCATION – The alley runs north and south between NE 3rd and 4th Streets, east of 3rd Avenue and west of the RR tracks.

EASY DIRECTIONS – From Atlantic Ave. go north on Federal Hwy., go west on NE 4th St., cross the RR tracks, go 80 feet and make a left into Artists Alley. Make your second or third left into the warehouses. You can print a map at www.CacaceArt.com

FREE PARKING – in the city lot on NE 3rd Avenue just south of NE 4th St. This is the best parking for our events. It’s a well lit parking lot a half a block away.

 

 

For coverage of your events, to place an advertisement, or speak to Rickie about appearing in The Rickie Report, contact The Rickie Report at:

Rickie Leiter, Publisher

The Rickie Report

P.O.Box 33423

Palm Beach Gardens, FL 33420

Rickie@therickiereport.com

561-537-0291