Janet Gold’s SOLO Exhibit “Cages and Collages” Features Vintage Collage and Mixed Media Assemblage

Janet Gold’s SOLO Exhibit, ”Cages and Collages” at Art Gallery 21 opens Friday night February 13th with a pre-Valentines celebration from 7pm to 9pm.  Working with collage for its limitless possibilities, Janet created and curated a cohesive show of her recent work.  She has worked in South Florida for over thirty years, in addition to a thirty-five year teaching career. Janet’s artwork has been shown nationally and internationally in museums, galleries, Hollywood movies, and behind people’s couches. Calling herself a “book killer” intrigues the viewer, but we see her as an “up-cycler” and “recycler” with artistic vision. The Rickie Report is pleased to share a sneak peek and invite the public to this free event!  There will be an Encore Art Social on Friday, February 27th.

 

 

ConstanceArtGallery21WomansClubofWiltonManerslogotype

 

Invites The Public to a Free Art Event

“Cages & Collages” by Janet Gold

Opening Reception:

Friday, February 13th   7 – 9 pm

Encore Art Social:

Friday, February 27th  7 – 9 pm

Meet the Artist!  See the Art!

Exhibit runs through March 6th

600 NE 21st Court      Wilton Manors, FL 33305

954.661.4740

 

JanetGoldpostcard1

 

 

Janet Gold is an artist who has been working in South Florida for over thirty years, in addition to a thirty-five year teaching career. Her artwork has been shown nationally and internationally in museums, galleries, Hollywood movies and behind people’s couches”.

 

"Anatomy of a Collage" by Janet Gold

“Anatomy of a Collage” by Janet Gold

 

Janet Gold tells The Rickie Report, ” This is Confessions of a Bookkiller… For this exhibit, I have created and curated a cohesive show of my recent work. I work with collage for its limitless possibilities. I search for vintage papers combing old bookstores, antique stores, flea markets, and the inimitable and irreplaceable EBay for my materials. I work with old books, book covers, and papers combining them with string, text, calligraphy, thread, paper, paper dolls, fabrics, vitreous and detritus and an occasional rusty bottle cap and/or found object. Things bought and things found. The collages are then assemblages of paper history built with old books as their base, ledgers from the 1800’s, mixed with text and wallpaper from the 1930’s, and fabric from men’s silk shirts from the 1980’s”.

 

 

"Mixed Message" by Janet Gold

“Mixed Message” by Janet Gold

 

“The birdcages are the newest path in my evolution from 2-D to 3-D work. They are spontaneous, creative, and decidedly quirky. The birdcages show up at my studio, and then there is a period of pure unadulterated creativity, from beginning to end. Collecting paper, cutting, sewing, weights and counterweights, design, placement, and balancing, all orchestrated into a final product, which is always a surprise, even to me. Come see the show. Come see all of the old books and birdcages that have been rescued”.

 

 

"Enigma" by Janet Gold

“Enigma” by Janet Gold

 

Janet’s accomplishments are widespread. She received an MFA from Miami International University of Art and Design in addition to an M.Ed from Florida Atlantic University. A Signature member of the National Collage Society and honored Faculty of the Art Institute of Fort Lauderdale, her work has been widely exhibited. New Times has referred to Janet as “Best Visual Artist and Best Art Event”. 

 

 

"Rothko Series Green" by Janet Gold

“Rothko Series Green” by Janet Gold

 

 

Janet’s art affiliations include: 2+3 Artist Organization; National Association of Woman Artists/NYC/FL; Women in the Visual Arts; National Collage Association/signature member and American Creativity Association.

 

 

"Childsplay" by Janet Gold

“Childsplay” by Janet Gold

 

Janet’s artistry has been seen in many publications, including:  Inside Llewyn Davis/ Film; Best of Florida Artists; Best of Photography; Miami Magazine; Broward County Cultural Quarterly, Rag Magazine,  2013/14 National Collage Society Calendar, Florida League of Cities, 2009 New Times/Best Visual Artist/ Best Art Event, 2008 Cultural Quarterly/Fellowship profile, 2006 Best of Florida/Fairchild Books, 2004 Miami Magazine/Front cover, Contemporary Color, Theory and Use/Steve Bleischer, 2003 College Art Association Bulletin/Front cover, College Art Association/Article Illustration, 2002 Best of Photography Annual, 2001 ‘Cooking Disabled Dinner Party’/One Act Play, 1999 Cultural Quarterly/Fellowship profile and 1980-1990 Rag Magazine/writer,photographer.

 

"Landscape of My Mind" by Janet Gold

“Landscape of My Mind” by Janet Gold

 

Her artwork is also in many private and corporate collections, including: Time Inc, Lauryn Hill, Chevron USA, Elaine Baker, Bloomingdales, Radisson Hotel, Wolf Kahn, David Schluss, Jackson Browne, Francie Bishop Good, Boca Museum of Art, Lauryn Hill, Bruce Helander and the Coral Springs Museum.

 

 

"Animal Attraction" by Janet Gold

“Animal Attraction” by Janet Gold

 

For more information about Janet’s artwork please contact:  janetegold@aol.com

(H) 954-753-4608 (C) 954-465-3033

or visit: www.janetgold.com

 

 

 

For coverage of your events, to place an advertisement, or speak to Rickie about appearing in The Rickie Report, contact The Rickie Report at:

Rickie Leiter, Publisher

The Rickie Report

P.O.Box 33423

Palm Beach Gardens, FL 33420

Rickie@therickiereport.com

561-537-0291

Janet Gold
10253 Vestal Court
Coral Springs, FL 33071
(954) 753-4608
(954) 975-5609 Fax

You Are Invited: Art Show Benefits Center for Great Apes!

The Rickie Report urges you to attend this benefit, not only to meet some of the famous Highwaymen artists, but to see what this amazing organization is doing!  The Center for Great Apes has rescued many large primates who were used in entertainment and movies such ‘Any Which Way But Loose’,’ Ace Ventura’, and ‘Seinfeld’. Many of these apes were deserted by biomedical labs and roadside zoos or sold to exotic pet dealers when the entertainment industry could no longer use them. One of the residents is Michael Jackson’s former chimp, Bubbles.  The Center is a permanent sanctuary.

The Center for Great Apes

 

Invites You To

 

An Evening of Celebration

 

Saturday, October 26, 2013

 

7 – 9 pm

 

Bear Lakes Country Club

 

1901 Village Boulevard

 

W. Palm Beach, FL

 
Center for Great Apes Event West Palm Beach

The Center provides these primates with the ability to live out the rest of their lives in peace and with dignity. With over a mile of an aerial chute travel system connecting all the outdoor play areas, the apes have the unique opportunity to explore the woods and sanctuary grounds safely as they visit other groups and different habitats.

 

 In the wild, infant orangutans and chimpanzees nurse on their mothers for five or six years and stay with their mothers for up to eight or nine years. During this time, they learn the skills needed to socialize and interact with their own species.

 

When great apes are worked in entertainment or sold as pets, infants are pulled away soon after birth and raised to be more human-like. They’re used as babies, but by the time they are six or seven (and still juveniles), young apes are incredibly strong with great intelligence and cannot be handled safely by trainers or pet owners.

 

With this working “shelf-life” of only 6-7 years and a life expectancy of over 50 years, these former stars and pets are often sent to small, unaccredited roadside zoos, biomedical labs, or breeder compounds since accredited zoos rarely can accept them. Some ex-actors and former pet chimps lead very lonely lives, never adapting to other chimpanzees because they lack the social skills they would have learned as infants from their own mothers.

 

clyde_before_after_caption

But with the Center for Great Apes’ mission of providing care and rehabilitation to great apes who need a permanent home or who have special psychological or physical challenges, the chimpanzees and orangutans at the sanctuary have found care with dignity and finally companionship with their own species.

 

 

Several of the former pets at the sanctuary were rescued from tiny cages in garages and basements where they had not seen sunlight for 10 to 20 years. Clyde, a 47-year-old chimpanzee was captured in Africa as an infant and sold as a pet. He was kept for more than 40 years alone in a small garage cage, never seeing another chimpanzee. Rescued by the Center just two years ago, Clyde was skeletal, atrophied, could barely walk, and had bedsores covering his body. But today, this elder chimpanzee is strolling through the chutes in the sunshine and learning how to interact and socialize with other chimpanzees.

The audience will have the opportunity to meet Founder, Patti Ragan, as well as Florida Highwaymen artist Jimmy Stovall. It will feature artwork by Nathaniel Gold, Garry Kravit, Isabel Du Toit and others.  Artwork will be for sale to benefit The Center for Great Apes.  For more information about this event, please contact Wally Baldwin at 561-667-1099 or baldwinwally@gmail.com

Bubbles, the Chimpanzee

Membership Levels & Benefits:

The sanctuary is not open to the public as an attraction or zoo. However current yearly members and supporters of the Center are invited to attend our annual Member Day in the spring.  Joining at the $50 membership  or above entitles you to a year-long membership to the Center for Great Apes, including a subscription to our e-News and PrimeApes Newsletter, and invitation(s) to our two member events per year.

 

Family Membership (with a private tour for 4)……………$250

Family Membership (for 4)…………………………………………$150
Couple Membership………………………………………………….$75
Individual Membership………………………………………………$50
Student (High School & College)…………………………………..$25

 

Bam Bam

 
Please visit their web page: http://www.centerforgreatapes.org/

For coverage of your events, to place an advertisement, or speak to Rickie about appearing in The Rickie Report, contact The Rickie Report at:

Rickie Leiter, Publisher

The Rickie Report

P.O.Box 33423

Palm Beach Gardens, FL 33420

Rickie@therickiereport.com

561-537-0291

Where to Get Your Work Published

The Rickie Report is waiting to hear from those of you who get the nod to be included in any of these publications!    More publication opportunities will follow, so stayed tuned to The Rickie Report!

Stampington Company

www.stampington.com

Stampington & Company offers anyone the opportunity to get their creations published in our standing or special publications. For all publications, please follow the General Artwork Submission Guidelines as follows:
GENERAL ARTWORK SUBMISSION GUIDELINES

All artwork must arrive at our offices on or before the published deadlines.  We prefer submissions of original art.  If original art is not available, our next preference is hi-res digital images (300 dpi at 8½” x 10″).  If hi-res digital images are not available, we will very rarely consider professional-quality transparencies or color slides.  Color-copy submissions are not accepted.

All artwork must be identified with the artist’s name, address, e-mail and phone number clearly printed on a label attached to each sample.  As artwork often gets separated from instructions during our selection process, we ask that you also inscribe your name and address somewhere on each piece of art.  If you desire acknowledgment of artwork receipt, please include a self-addressed stamped postcard.

For  collaborative projects, it is the responsibility of the submitting artist to obtain permission from each participant prior to submission.  In addition, each  piece of the collaborative must be labeled with contact information of the artist who created it.  Please be aware that the collaborative project in its entirety will only be returned to the submitting artist and must have sufficient return postage.

If the artwork is three-dimensional, please attach your identification with a removable string, or pack the sample in a plastic bag with your identification. Artwork without proper identification will not be considered

Depending on the publication, concise yet thorough instructions must accompany each art sample. Attach individual sample instructions to each piece of artwork and include credits for art stamp images used, as well as any other products of note. If you are able, please keep an electronic version of your instructions, as you may be requested to send those in if your work is selected for publication.Please send submissions to:   (Name of Magazine Title)             22992 Mill Creek, Suite B             Laguna Hills, CA 92653ARTWORK MANAGEMENT POLICY Sometimes, a piece of artwork submitted for one issue may be better suited for an upcoming issue. Other times, submissions are forwarded for consideration to the editors of our sister publications. For these reasons we may hold your sample for an extended period of time — 9-12 months is common.Rest assured that we will take excellent care of your artwork, but Stampington cannot be held responsible for damage or loss due to circumstances beyond our control. In the meantime, if you move, please send a postcard or e-mail to the editor with your new address.Due to the large volume of artwork we receive, Somerset Studio will return only those submissions accompanied by sufficient postage in the form of cash, check or money order made out to Stampington & Company. We can not offer delivery confirmation; however, we are happy to put insurance on the submission. If you wish to have your artwork insured for the return journey, please include sufficient funds and indicate your preference in a postcard or letter enclosed with your submission. Please do not attach postage to packaging, and do not send loose postage stamps. Contributors from outside the US, please send cash, check, or money order in US funds to Stampington & Company.
For those titles that run feature articles, please see the following Writers’ Submission Guidelines:
WRITERS’ SUBMISSION GUIDELINESIf you have a unique artistic technique you’d like to share with others, please send samples of your artwork accompanied by a query letter outlining your article idea to the respective Managing Editor at:(Name of Magazine Title) 22992 Mill Creek, Suite B   Laguna Hills, CA 92653.  Managing editors also welcome brief e-mail queries. (E-mail address can be found on the masthead of each publication.)  No telephone calls, please.  Please note that the artwork itself often sells the article. Managing editors seek first-rate projects and encourage artists who have not published articles before to submit ideas, as editorial assistance will be provided. Competitive editorial compensation is provided for all published articles.Depending on which magazine you are most interested in submitting artwork to, you are encouraged to review any additional guidelines that are unique to each magazine, which are published in each issue of all standing titles.

Belle Armoire

Inspired Artisan Designers of art-to-wear garments and accessories can find inspiration from almost anywhere. For Susanna Gordon, in our March/April 2008 issue of Belle Armoire, it was the floor-to-ceiling chalkboard menu from French cafés that inspired her handbag design. We challenge you to keep your eyes open to observe things on the ground, in the air, in and around buildings… or any other place you find yourself, to get inspired for your next art-to-wear design.  For your creation to be considered for publication for future installments of The Inspired Artisan, please send a hi-resolution digital image (300 dpi at 8″ x 10″) of the inspiration (either e-mailed to the Editor-in-Chief at beleditor@bellearmoire.com or burned on a CD) along with your actual art-to-wear creation to Belle Armoire by following the Submission Guidelines. Deadline: Ongoing.

 Student Runway Belle Armoire seeks original, handmade artwear by students and working apprentices to present as part of the Student Runway Department. To be considered for publication, please see top of page for details on mailing artwork and ensuring its return. Artwear may include garments, jewelry and accessories, and projects and techniques may encompass sewing; knitting and crochet; mixed-media adornment of clothing, jewelry and accessories; surface embellishment; beading; wirework; glass; and polymer and art metal clay. Submissions should include information on apparel, textiles, jewelry or other classes taken, as well as contact information for an instructor or professor overseeing your studies. The editor welcomes brief e-mail queries at beleditor@bellarmoire.com. Deadline: Ongoing.

On the Surface           You can’t go wrong with playing with surface treatments on a piece of fabric or favorite garment. From dyeing to painting to burning and so much more, surface treatments are an easy way to personalize an artistic garment. Whether you’re a pro at a surface treatment, or have never tried before, we’d like to see what you can do on the surface. Play with one treatment or several, show it off with a jacket, dress, or scarf — however you decide  to do it, we can’t wait to see what you can do with surface treatments! Deadline: Ongoing.

Mingle

Unique gatherings take center stage with our newest publication, Mingle! From unique theme ideas to unexpected exchanges to artistic retreats and adventures, Mingle will provide the alluring tales and extraordinary techniques of hosting exceptional gatherings with an artistic flair. For this new publication, we are looking for photos and stories from unique gatherings, inventive invitations, party planning tips, table setting designs, and any other details from get-togethers with friends and fellow artists — both large and small! Submissions can be emailed to the editor at mingle@stampington.com, or saved on a disc and sent to our physical mailing address. If selected, we will need hi-res versions of your photographs. Deadline for artwork to be received: Semiannually every May 15th and November 15th.

Somerset Studio

     It’s nearly impossible to hear Edgar Allan Poe’s name without thoughts  of ravens and ghosts coming to mind. From “The Tell-Tale Heart” to “The  Fall of the House of Usher” to “The Raven” we’re all familiar with his  bone-chilling work.
For our next Halloween issue of Somerset Studio, we thought that Edgar  Allan Poe’s great work would be the perfect inspiration. It’s time to  brush the dust off his books and find a story to inspire your  Halloween-themed inspirations. His work is also readily available  online. We can’t wait to see what you come up with! Deadline for artwork to be received: October 15, 2012.

A Somerset Summer To me, there is no season more inspirational than summer. Nights spent outdoors, fireflies flickering in the sky, running barefoot through the grass – there’s nothing better. For the July/August 2012 issue, we’re asking for you to look past the sometimes oppressive summer heat to the beauty found only in summertime. Are you moved by the cool blues of the ocean, or do you love the look of your July garden? Whatever it is – journals, assemblages, altered books – we want to see artwork inspired by summer.  Deadline for artwork to be received: February 15, 2012.

 Cards Thank you to all artists who continue to submit dimensional works for Somerset Studio. Please also note that we have an on-going need for cards and other smaller flat works of art. This is an on-going call for each theme as outlined above. Deadline: Ongoing.

Stamper's Sampler

Put a Cork on It! Corkboard has so many crafting possibilities and creative uses. We challenge you to come up with a unique and interesting way to incorporate corkboard with stamping. Purchase thin sheets and die-cut it, cut out cute shapes, add a corkboard border to a card like Amanda B. Jones in the card pictured below, stamp onto it, use it as a panel, paint it, tear it, shred it and sprinkle it, or find another original way to add it as an embellishment. We can’t wait to see what you come with it for the July/August/September issue! Absolute Deadline — January 15, 2012

Skipping Stone Gray  Last year, we wanted to see the brightest and boldest stamped artwork you could create with sunshine yellow, and we received such an amazing assortment of cards and projects. Our annual color challenge is back, and time around, we want to tone it down a tad with the refreshing shade of skipping stone gray. Due to a printing error, the color shown in the December/January Issue doesn’t match the title. But, as it turns out, we do like the color. Moving forward, incorporate the shade of blue shown or a pale (skipping stone) gray into your cards for this challenge. The choice is up to you. Absolute Deadline is January 15, 2012

Themeless Artwork   As part of our shift to quarterly and the new and larger size of The Stampers’ Sampler, we would love to make our Feeling Themeless a recurring department! So, create to your heart’s content, free of any restraints, and remember to share the results with us. Absolute Deadline — Ongoing

A Call for Articles   We are always looking for new and innovative stamping articles. If you’re interested in submitting an idea for an upcoming issue of The Stampers’ Sampler, we would love to see it. Just send us 5–10 cards that demonstrate the same theme, a new stamping technique, a unique usage of an unexpected or interesting material, or an exciting project. Just make sure it has stamping on it! Absolute Deadline — Ongoing

Art Doll

Shelf Sitter Challenge    We love Amy Fowler-Farrell’s darling felted Knee Hugger dolls that are in our Winter issue. These cute little dolls with bendable knees are often called shelf sitters. They perch on mantles, shelves, a stack of books or wherever they can find a place to land. Shelf sitters can be created out of felt, cloth,  clay, wood, and more. So here’s our challenge to you: create a shelf sitter doll out of your preferred medium making sure it can stably sit with bended knees.  Send your doll to us at Art Doll Quarterly, Shelf Sitter Challenge, 22992 Mill Creek, Suite B, Laguna Hills, CA 92653 or email a hi-res image to artdollquarterly@stampington.com for publication consideration in the Autumn 2012 issue. For complete guidelines, visit www.stampington.com. Deadline: March 15, 2012.

Paper Personas  Inspired by Judith Thibaut’s doll “George in Drag” (Spring 2010) and in the spirit of Lynne Perrella’s book Beyond Paper Dolls, we’ve created a new department in Art Doll Quarterly that will feature one fabulous, artistic and beautifully executed paper doll in each issue. We’re looking for expressive paper personas crafted with innovative techniques and art mediums — over-the-top imaginative interpretations of the human form. Send us your thought-provoking and innovative paper personas for publication consideration. Please note “Paper Personas” on your submission. Deadline: Ongoing.

More publication opportunities to come.  Stay tuned to The Rickie Report!

For coverage of your events, listing of announcements in our events section, to place an advertisement, or speak to Rickie about appearing in The Rickie Report, contact The Rickie Report at:

Rickie Leiter, Publisher

The Rickie Report

P.O.Box 33423

Palm Beach Gardens, FL 33420

Rickie@therickiereport.com

561-537-0291