Barry Greff Details His Interesting Journey Up The Fine Art Photography Ladder. Here’s What Happened When You Give A Kid An Instamatic And A Few Flash Cubes!

Barry Steven Greff details his journey up the Fine Art Photography ladder with plenty of name-dropping, a bit of adventure and a vision of what can happen when you give a kid an Instamatic and a few flash cubes!  The Rickie Report shares an overview from behind-the-scenes as well as his mind-blowing images

 

 

 

How     It     All     Started…..

 

Kodak Instamatic Pocket Camera with Flashcube

 

 

 

 

Barry Greff  “On Top of the World” Scene on
Glacier in British Columba reached by Helicopter ©

 

 

TRR:  Your photographs are truly awe inspiring!  How did you get started using photography as a creative medium?

BSG:

I grew up on Long Island, NY into a family that traveled a great deal. While I remember them having cameras (the old Argo which you looked down into the raised hood), it wasn’t until well after both of them had passed that I opened some of their old photo albums and realized that one of my parents, in addition to taking family photos, also took a significant amount of Landscape images. I can’t help but believe that my young impressionable self, saw them taking these photographs and subconsciously followed in their footsteps… 

 

 

 

 

“African Crowned Crane” by Barry Steven Greff©

 

 

 

My first camera was a Kodak Instamatic with flashcubes. I remember feeling that those little cubes were so valuable, only getting four flashes per cube. While at the University of Miami I first rented professional Nikonos underwater equipment from Pro, Stephen Frink in Key Largo. He shot for magazines and National Geographic and was an early inspiration. After shooting for a while underwater, I eventually stayed top side and began shooting with Minolta equipment (7000i and 7xi film cameras, usually Fuji Velvia 50 slide film). If you fast-forward, National Geographic has recognized my work on their website.

 

TRR:  How did you transfer to digital cameras and how did you make this into your career?

BSG:

In 2004, the quality of digital cameras had finally matched or overtaken film cameras, so I purchased my first digital camera (a 6.3 mega pixel Canon Digital SLR). Digital was so liberating! I could see the images after I took them and erase what I did not like, saving on hundreds of dollars in film on each trip. While 6.3 mp was not a huge sensor, this camera took some beautiful images, many of which I can still use today. Canon Cameras USA has since licensed an image from me to sell their cameras.

 

 

 

 

 

 

 

I had always been artistic, drawing since I was very young. So, after submitting a few images to my first photo contest, I was thrilled when I not only was recognized in the contest (twice), but the Editors used my image for a ½ page Ad inside the magazine (no credit, no payment, and the magazine soon folded, but that was the catalyst for me…seeing my work published, I was hooked.  

 

 

I continued to submit what I considered good “stock” photography at the time, for magazines, books and advertising. As a result, I became widely published (interior images, covers, advertisements, travel magazines and books, wildlife, and landscapes). My images were in many of those hard cover books you find in hotels. Digital photography changed the way images were sent, too. Instead of labeling slides and sending them with a delivery memo in a plastic sheet…now image files could simply be sent online – Wow!  That was so much easier and faster! 

 

“Bent Banyan Way, Stuart, FL” by Barry Steven Greff©

 

 

 

 

 

As time went on, my desire to get more out of my photography grew. I believed that some of my best work could be considered Fine Art”. I wanted to be considered an “Artist,” understanding full well that it is a subjective title. My goal, was to be considered such… by legitimate, well respected people in the industry. I remember visiting the Center for Fine Art Photography in Ft. Collins, CO and saying to the people I was with, that I would be exhibited there. Fast forward, I have since been exhibited there six different times. 

 

TRR:  We tell our readers that artists may live “locally” but many have a national or international presence, such as yourself.  Was there a pivotal moment when you saw your career change?

BSG:

To move my career forward, I attended top-of-the-line Photography Reviews, showing my work to the best in the industry. I chose the toughest critics first, the ones that other photographers avoided for fear that they would be brutally honest, and therefore, brutal. I, on the other hand, wanted just that. I was well past hearing how good my work was from family and friends. I wanted to hear the unvarnished truth from those that were at the top of their game… and their game was the Fine Art Photography world.

 

 

Barry Steven Greff’s photography in print

 

 

 

Then, it happened! I was attending Portfolio Reviews at Photo Expo Plus in New York City. Epson Printers had a special guest, iconic photographer, Joyce Tenneson. As an artist, it is important to know the Art history in your genre and I knew that she had over 150 exhibitions and numerous Photo Books with iconic portraits of the most famous people in the world. She was selling her latest book at the time, signed for $40 at New York City’s Javits Center/Photo Expo Plus. I stood on line, eagerly waiting my turn. But when it was my turn to have her sign her book, simultaneously, I artfully pushed my book of images in front of her and asked: “what do you think of mine?” Her immediate response was “Beautiful,” then she turned the page and said, “gorgeous”….this was from a world-renowned Artist…about my work. I will never forget that feeling. Pure, unadulterated VALIDATION.

 

 

She didn’t know me… I had just walked up to buy her book… She could have said “nice” or even “very nice” which I would have translated as “OK”. But she said “beautiful,” then “gorgeous”, those were real responses about my work, independent reviews from one of the best in the world…It was like having Michael Jordan tell you that you had a “sweet jumper” (jump shot, for you non-Basketball readers). Once we were done, I proceeded to walk toward the windows of the building and stepped behind the floor to ceiling curtains, …because this 6’0, 200 plus lb. tough guy, literally got weak in the knees for the first (and only) time in my life.  It was the best $40 I’ve ever spent… Joyce is not only one of the most talented artists on the planet, but one of the most generous, and has since placed two of my images into a Gallery Exhibition (in a juried event, not knowing they were mine and has also signed another one of her books to “Barry, a great photographer”)!

 

 

 

Detail from “Beaded Web” by Barry Steven Greff©

 

TRR:  Tell us more about “Portfolio Reviews” and why they are important to building a career and a body of work ?

BSG:

These are set up like “speed dating” but you bring your portfolio of images instead of your best pick-up lines. I attended portfolio reviews in NYC, Palm Springs, CA, West Palm Beach, FL, and more.  They were reviews by major Gallery owners, curators, and well respected  photographers. Since the day I met Joyce, 9 times out of 10, I didn’t just get a favorable review, but I often “blew them away.” I’ve had some very animated responses to my 17 x 22 Hahnemuhle prints in a clam shell box (the 400 year old Hahnemuhle Paper Company has since used my work to show off their Fine Art paper). Some verbatim examples of Reviewers’ responses were: the Publishers of Photo District News (PDN), the “Bible” of photography (“something I very rarely say at these things, I’m surprised” and “strong body of work”); Chris Pichler, Publisher of the most respected Fine Art Photography books on the planet, Nazraeli Press (Michael Kenna, Lee Friedlander) (“spectacular, the images are stunning”), Chris’s review was my favorite to date.

 

 

 

 

Barry Steven Greff’s SOLO Exhibition at 25CPW, New York City

 

 

When he came to my iconic animals, Of the Wild, he got so excited that he started cursing. “Holy S_ _t”, or something along those lines. He asked me to send him two prints and he sent me a box of signed collector’s edition books. The sales manager of the Howard Greenberg Gallery in NYC (he is one of the 10 most influential people in photography), which sells the Masters’ such as Ansel Adams, called my prints “magic”; David Fahey, of the famous Fahey/Klein Gallery (“if I gave him 18 more like my “Niagara,” he would give me a show”); renowned Curator/Collector WM “Bill” Hunt, formerly of the famous NYC Hasted/Hunt Gallery, actually juried “Niagara” into an exhibition in Seattle and Dr. Anthony Bannon, the Director of the Eastman Museum asked to use it in his next book; The King of Pop, Michael Jackson’s personal photographer, Harrison Funk, chose some of my work for a gallery exhibition. The late Hal Gould, (Camera Obscura Gallery in Denver, CO) was a contemporary of Ansel Adams and Edward Weston. He told me a story of how Adams and Weston originally couldn’t sell their work for the asking price of $25.00. Their work now sells posthumously for as much as $500,000. Imagine, my work has hung in the gallery with that of Ansel Adams, Edward Weston, Sebastio Salgado, Ruth Orkin.  Iconic Photographer Robert Farber ,whose first book was with Jackie Kennedy Onassis, came to the Artist Reception at my Solo Exhibition in NYC. When asked why he was there, he stated, “why not, this work is beautiful”. Dr. Sylvia Earle, the foremost expert on Jellyfish on the planet at National Geographic called my Jellyfish “Magnificent.”

 

 

 

 

 

“Ascension” from the Series FLOW by Barry Steven Greff©

 

 

 

 

 

TRR:   This is all quite heady stuff!

BSG:

To be very clear, I am extraordinarily grateful for all of the recognition. I don’t take any of it for granted. I worked very hard, traveled many miles on the Road Less Traveled to create the work and with similar effort and fortitude, put it in front of the right people in the industry. I try to create images that capture moments in time, never to be repeated. I seek to capture transitory conditions of light and atmosphere, subtle moments where elements collide to form moody, ethereal and dramatic scenes. Then, with my close-up, intimate portraits of Animals, I confront the dignity, personality and identity of these magnificent creatures to remind the viewer why it is so important to protect them. If that sounds like my artist statement, it is! From that first publication of an animal image (the winning photo contest entry turned 1/2 page ad)…I have since been named in Popular Photography Magazine on their Editors List of Great Wildlife Photographers. From those early publications in travel guides for AAA and others…I have also been named in Popular Photography Magazine on their Editors List of Top Travel Photographers.

 

TRR Where do you go from here?

BSG:

 

So …from that wide eyed kid with a Kodak Instamatic with flash cubes, I have since honed my craft so much that the camera company that I use (Canon Cameras USA) and the Fine Art Paper upon which I print (Hahnemuhle) have utilized my images to exhibit the quality of their products. My images have gone from my childhood bedroom (with a Raquel Welch poster from One Million Years B.C.) in Long Island’s Elmont, NY to have been published throughout the U.S., to as far away as London, England and Brisbane Australia. My work is collected from NYC to Westchester, from Portland, OR, to a yacht in Baton Rouge, LA; Pennsylvania, North Carolina; Stuart, FL, and many others. Ogilvy and Mathers, one of the largest advertising companies in the world, has licensed an image of mine for an entire wall in one of their main offices. Recently, I have sold an image for a large piece of glass in Australia and been recognized by the Houston Center of Photography for images I took of the cruise ships off Miami Beach during the Pandemic. 

 

 

 

“Five Lined Up” from Series: Ghost Ships on The Horizon by Barry Steven Greff©

 

 

 

 

So far, it has been a very interesting career, but I am always looking to improve, to continue to create  images that move people. Now, again, I begin a new chapter in my photographic career. After having a Portfolio site for more than a decade where people could only email me to buy the work, I am starting a new, sales oriented Gallery site that can bring my work to more people due to new, more robust marketing efforts. And, while I will maintain the original site (www.barrystevengreff.com) and continue to sell my Signed, Limited Edition prints, this new site will offer more affordable Open Edition pieces on Print, Canvas, Metal and Acrylic. Finally, I anticipate that once we regain some normalcy in the word, I will again travel to pristine locations, to capture iconic images and share them with people around the world that care to see what exquisite beauty still exists on the planet. For my attempts at memorializing that beauty, I hope you will visit my website www.barrygreff.com.

 

 

 

“Super Storm Sandy, Coral Cove Park Tequesta, FL” by Barry Steven Greff©

 

“Neptune’s Reach” Gilbert’s House of Refuge Stuart, FL by Barry Steven Greff©

 

 

 

 

Awards:

2012 FotoDC International Awards Competition, Washington DC

2011 Black & White Spider Awards; International Color Awards, Photography Masters Cup

2010 Artslant, Contemporary Art Network; Black & White Spider Awards

2009 International Color Awards, Photography Masters Cup

2008 International Photography Awards

 

“30 Rock, Touch The Sky, NYC” by Barry Steven Greff©

 

 

 

 

 

A condensed overview of Barry’s Exhibitions / Recognitions / Publications:

2020 HOUSTON CENTER FOR PHOTOGRAPHY, Togethering, “Ghost Ships on the Horizon”

2019 LENSCULTURE  “Niagara”, Black & White Photography Awards 2019 Competition Gallery

2017 SILVERSHOTZ, The Contemporary Photography Magazine: Cover and 16 page feature portfolio;
INTERNATIONAL COLOR AWARDS: “Pelican’s Rest”

2016 PHOTO+, PDN’s EXPOSURE Awards; winner: Force of Nature: “Niagara”

NATIONAL GEOGRAPHIC Daily Dozen Editor’s Favorites: Flamingo Preening; PDN (Photo District News) September Print Issue: Cab Ride in the Rain; PDN Photoserve; MAGNUM PHOTOS Editor’s Awards Photos Competition Gallery: “Ascension”

2015 YourDailyPhotograph, Duncan Miller Gallery (Daniel Miller, owner/curator), Santa Monica, CA
LICC, London International Creative Competition; Series: “FLOW”

2014 Forgotten Exhibition, A Smith Gallery (Blue Mitchell, juror), Johnson City, TX; Natural World, Center for Fine Art Photography (Susan Spiritus, juror), Ft. Collins, CO; Black & White, PhotoPlace Gallery, Middlebury, VT; (Karen E. Hass, Lane Curator of Photographs, Museum of Fine Arts, Boston, juror);

2013 Solo Exhibition, 25CPW Gallery, Central Park West, NYC (Curators Beth Greenberg/Abby Verosky)

2012 FotoWeek DC (Washington, DC); Hahnemuhle Booth at PhotoPlus Expo (Javits Center, NYC); Terrain, Kiernan Gallery, Lexington, VA (Sean Kernan, juror); Equivalents, Photo Center NW, Seattle, WA (W.M. Hunt, juror); Black & White, Center for Fine Art Photography, Fort Collins, CO (Susan Spiritus, Susan Spiritus Gallery, Newport, CA, juror)

2012 Black and White Magazine; The Big Picture (Boston.com); Featureshoot; Lenscratch; Trendhunter.com;
The Center for Fine Art Photography Portfolio Showcase No.5; PDN on-line Photo of the Day

2011  SHUTTERBUG Magazine; PDN on-line Photo of the Day; Featureshoot

2011 Portfolio Showcase Volume 5, Center for Fine Art Photography, Fort Collins, CO (Chris Pichler, Publisher Nazraeli Press, juror); Dreams, Center for Fine Art Photography (Aline Smithson, juror);

2010 Art of Photography 2, Camera Obscura Gallery, Denver, CO (Hal Gould, owner/juror); Natural World, Center for Fine Art Photography (Susan Spiritus, juror); Infocus, Palm Beach Photographic Centre, West Palm Beach, FL (Harrison Funk, juror); Animalia, Center for Fine Art Photography (Karen Irvine, juror);
Dennis Dean Gallery, Ft. Lauderdale, FL (Joyce Tenneson, juror)

2010 COLOR Fine Art Magazine, Portfolio Edition; Photoserve, (PDN on-line), Editor’s Choice; COLOR Fine Art Magazine; Popular Photography, Editors List: Great Wildlife Photographers; Popular Photography, Editors List: Top Travel Photographers; Silvershotz Fine Art Magazine, Atlanta Showcase

2009 Black & White Magazine; Silvershotz Fine Art 2009 Portfolio Journal

2009 Mason Murer Fine Art, Atlanta, GA (Clive Waring-Flood, juror)

 

Barry Steven Greff is a proud member of the Jensen Beach Fine Art League, Soul Arts Society of Stuart, and Martin Artisan Guild.

 

 

 

 

For more information about Barry’s images, how to purchase them, and how to connect with Barry, please visit:

barrystevengreff@gmail.com

Fine Art Photography:  305.609.7729

Portfolio: www.BarryStevenGreff.com

Sales: www.barrygreff.com

 

 

 

 

For coverage of your events, to place an advertisement, or speak to Rickie about appearing in The Rickie Report, contact:

Rickie Leiter, Publisher

Rickie@therickiereport.com   561-537-0291

17019 SW Sapri Way   Port St. Lucie, FL 34986

 

 

 

 

Frank Baer’s Abstract Photography Is A Show Stopper, Capturing Light And Color In The Most Imaginative Ways! Meet Him February 23 & 24 At The Stuart Art Festival

When we saw Frank Baer‘s artwork, we stopped in our tracks!  This abstract photographer captures light and color in ways in the most astonishing way!  A lifelong creator, Frank will be at the Stuart Fine Art Festival on February 23 & 24 locally.  The Rickie Report shares an interview with Frank, some sneak peeks, and his schedule, as he continues to exhibit around the country.

 

 

 

 

 

 

 

M  E  E  T        T  H  E      A  R  T  I  S  T:

 

February 23 &  24            Stuart Arts Festival    Stuart, FL

March 2 & 3                      Bonita Springs National Art Festival              

                                                                                   Bonita Springs, FL

March 9 & 10                    Rio Grande Arts and Crafts Festival                          

                                                                                  Albuquerque, NM

March 29 – 31                    Tempe Festival of the Arts     Tempe, AZ

 

 

 

“There’s Evidence” by Frank Baer

 

 

Frank Baer tells The Rickie Report, “I am an abstract photographer based in Denver, CO.   While I started composing and selling my photographs in 2016, my career in art started much earlier.  I began creating art when I was young, selling two multicolored tie-dyed pillows when I was 6.  I sold them to my mother’s best friend and those pillows lived for years in their pool house.  Now, the pillows have been handed down to their grandchildren and they are still around.  That was just the beginning of my creative endeavors”.   

 

 

 

He explains, “I’ve always liked color and organic shapes in nature.  I loved cutting out odd and abstract shapes from colored construction paper and making collages as a youngster.  Whenever I worked with clay, I invariably assembled some oddly multi-colored coiled clay cups and bowls that reminded me of snakes.  When I was 10, I tried to learn to use a potter’s wheel and the only thing I made was a vase that resembled a coiled cobra and I made a separate head for the stopper.  My mother kept that for me, (and all my other art projects), which I still display it in my home”.   

 

 

“Ring of Fire” by Frank Baer

 

 

 

Frank speaks about the importance of exposing children to art at an early age, including visiting art museums. He was encouraged to create in school and at home. ” I started collecting coffee table art books in high school and still do.  I learned about art and art history in college for my electives.  I’ve traveled extensively all over the world and I always seek out the art museums and art attractions where ever I go.  Art has always been and will always be a large part of my life”.   Frank is inspired by a wide range of styles and mediums, including:  Claude Monet, Camille Pissarro, Andrew Goldsworthy, Dale Chihuly, Victor Vasarely, Rene Magritte, Yaacov Agam, Pieter Breugel, Peter Paul Rubens, and especially Hieronymus Bosch.  He says, “Don’t get me started on my favorites of classical art and architecture of France and Italy.  I appreciate all art, but the more modern and contemporary resonates with me strongly”.

 

 

 

He has worked with many types of media.  In addition to the tie dye, Frank has created through textile weavings, pottery, fused glass and painted frames embellished with polymer clay canes and stamped tiles.  He generated a 35 square foot mosaic “made to look like a river running through cracked earth in my back yard and incorporated this mosaic into a larger stone patio and into the entire back yard”.

 

 

 

“Curvaceous Undulation” by Frank Baer

 

 

 

Frank’s favorite creative medium is the camera, as it allows him to capture light and colors in a way that is unique and inspiring.  “I started taking pictures with a Kodak Instamatic with the square flash bulbs in the ’70s.  I still have some of those old pictures.  I always had a camera with me on any travels or adventures.  While I’ve always enjoyed taking landscapes and sunsets and nature shots, I most enjoy taking abstract photographs of colored lights at night.  I developed proprietary techniques using the camera to enhance what my eyes see, and this has been the focus of my passion”.  

 

 

 

The focus of Frank’s photography is all about capturing and displaying light and colors.  “I showcase the colors and movement and bring attention to various shapes and patterns that I capture in a moment of ‘color brilliance’.  The streaks and patches of color are chaotic, ordered, patterned and calming.  These images are an expression of how I see color and light.  I imagine that if my thoughts were colors, they would look like this”. 

 

 

“Wild Iris” by Frank Baer

 

 

 

 His photographs also include contrast:  the contrast of the colors, light and dark, smooth and textured, the different shapes and intensities of color, the thicknesses of the lines and the sharpness of the curves in contrast to the black background.  The continuous movement in his work, with a variety of visual texture, and flowing patterns, give his work an organic and natural feel.  The textures provide depth and movement while the color transformations are mesmerizing.  The viewer feels the energy, dynamic movement, and flow, as if he or she were part of it.  One of my early water images, ‘There’s Evidence,’ was named because I immediately knew that I was meant to develop these techniques and capture these incredible images! I now travel all over looking for sources for my images.  When I find colored lights, I am happy and when I find light reflected on water, I am ecstatic.” 

 

 

 

 

Though art has always been a part of Frank’s life,  he wasn’t expecting it to be his career.  He studied business, worked in Information Technology for 35 years, and been a part of a dynamic nonprofit organization in Denver. ” I had taken these great new photographs and I had them printed and mounted on wood.  I was excited to show them to friends and family.  While I was displaying them all over the kitchen at my mother’s house for her to see, one of her friends dropped by to say,’ hello’.  She asked if I would be interested in a one man show, introduced me to a curator, and I had my first SOLO exhibit at the Church Health Center in Memphis!  I knew then I was not going back into IT and since then I’ve shown all over the country.  My art has been on display in California at Stanford University School of Medicine, private homes, and corporations.” 

 

 

 

 

“Monet Today” by Frank Baer

 

 

 

An outdoor enthusiast and adventurer, some of Frank’s favorite activities are hiking, cycling, mountain biking, kayaking, scuba diving, fly fishing, geocaching and zip lining.  In the winter he telemark skis and snow bikes in Colorado.  He’s happy to chat about any of these activities as well as his artwork. 

 

 

Contact Frank:

Phone: 720 985-8436

Email: frankbaerphotos@gmail.com

Web: www.frankbaerphotos.com

Instagram: www.instagram.com/frankbaerphotos

 

 

 

For coverage of your events, to place an advertisement, or speak to Rickie about appearing in The Rickie Report, contact:

Rickie Leiter, Publisher

Rickie@therickiereport.com   561-537-0291

17019 SW Sapri Way   Port St. Lucie, FL 34986

Photography With a Different Point of View

S. Aaron Hopkins stopped at the Art Synergy booth during Art Palm Beach asking how to become more involved in the local art scene, as he was new to the area.  He had come to the right place!  In this article, The Rickie Report shares his good news of being accepted into a juried photography exhibit.  He is an accomplished photographer whose work has been described as “gritty, vivid and humanistic. We urge you to stop by the “World Through the Lens” at A Unique Art Gallery  May 14 – June 6th to see Mr. Hopkins’ work!

 

S.A. Hopkins

 

“World Through The Lens”

A Unique Art Gallery

 

Opening Reception – Public Welcome!

Wednesday, May 14th

5:30-7:30 pm

226 Center Street – Suite 8       

Jupiter, Florida  33458

561-529-2748

 
 
S.A. Hopkins will be showing his photography as part of the juried exhibit, “The World Through the Lens”.  The show takes place at A Unique Art Gallery located in Jupiter, FL and is hosted by the Artists Association of Jupiter. The judge for this show is Durga Garcia.
"Savannah Morning" by S.A. Hopkins

“Savannah Morning” by S.A. Hopkins

There will be a public reception on Wednesday, May 14th from 5:30 to 7:30 pm.  The exhibit will run through June 6th.  A Unique Art Gallery is located at  226 Center Street, Jupiter, Suite 8.  For more details about this exhibit please call 561.529.2748.

 

"Reading" by S.A.Hopkins

“Reading” by S.A.Hopkins

 Aaron tells The Rickie Report, “I can’t remember if there was a moment when I decided to become a photographer. I’ve been shooting since I had my first camera, a simple Kodak Instamatic. In fact, through the years, photography has been the one constant in my life.”
"Aaronnoire" by S.A. Hopkins

“Aaronnoire” by S.A. Hopkins

He goes on to share, ” I’ve spent nearly four decades walking around with my camera, taking pictures — or ‘making pictures’ as Ansel Adams once said.  Many of my photographer friends refer to my work as ‘vivid, humanistic, gritty or sublime’. I will let you be the judge.”
"Lincoln Road" by S.A.Hopkins

“Lincoln Road” by S.A.Hopkins

Some of Aaron’s favorite work includes photos he made in downtown Miami and South Beach many years ago – before the glitz and glamour.  He is fascinated by the contrast between then and now.  He says, “As a published cartoonist and illustrator, I also look for more amusing juxtapositions, especially in my street photography.”
"Window Face" by S.A. Hopkins

“Window Face” by S.A. Hopkins

“What I hope my photography captures a moment of visual poetry.  Sometimes it is a bit of irony, other times it is simply a face that catches my interest.  I shoot with intention, but I’m often pleased with the accidental or unexpected that many arise. In the end, it is my hope that these photographs will make you think, feel ….and at least put your cell phone down for a few minutes.”
"Old Man and Mannequin" by S.A.Hopkins

“Old Man and Mannequin” by S.A.Hopkins

Marianne V. is an avid follower of Aaron’s work.  She states, ”  It’s a rare occasion that you come across a photographer that really makes a difference.  I’d like you to look at the work of such a photographer, S.A. Hopkins.  I came across his work on one of the photo sharing sites and I’ve been following  his work for quite some time now. I’ve seen the impact his images have on his audience.  So what makes this photographer so unique? He doesn’t just register the world around him. He photographs with engagement, a close personal connection to his subjects, whether it’s on the streets or more personal subjects and with a passion and a keen and unique eye that makes his oeuvre so compelling… his work is subtle, humorous or gritty at times, but always has the power to evoke emotions to the viewer.”
 
 
Mr. Hopkins’ book “Faces and Places” is in the “Staff Picks” section of the Blurb Bookstore and can be found here:
 
 Blurb’s review:
“It’s hard to choose just one image from S.A. Hopkins’s collection “Faces and Places,” but this one is a real standout for us [photo of the man with hat, shown in this article]. From analog street photography to digital landscapes, the range in this book is fascinating. Though it covers 40 years, there’s a remarkable consistency to the work, but also a sense of personal innovation and exploration. Congrats on a great book!”
 

For comments, general inquiries, or on publishing / purchasing his work please contact Mr. Hopkins at: photesthesia@comcast.net or 804-901-1909  or visit photesthesia.com

To purchase prints: http://society6.com/sahopkins (or call 804-901-1909)

 

For coverage of your events, to place an advertisement, or speak to Rickie about appearing in The Rickie Report, contact The Rickie Report at:

Rickie Leiter, Publisher

The Rickie Report

P.O.Box 33423

Palm Beach Gardens, FL 33420

Rickie@therickiereport.com

561-537-0291