Lighthouse ArtCenter Explores The Magic, Mystery And Folklore Of Indigo Dyeing With Suzanne Connors With Demo And Separate Workshop Opportunity

In today’s society, modern ways of production often cultivate uniformity, speed, efficiency and mediocrity.  On Thursday, October 19, 2017  celebrated fiber artist, Suzanne Connors, from Aya Fiber Studio, takes the stage in the Lighthouse ArtCenter as she discusses the Slow Cloth Movement and demonstrates Shibori dying techniques with indigo. Indigo is an ancient dye derived from the leaves of plants and surrounded by magic, mystery and folklore. Discover how the leaves “make blue” by learning about the character and chemistry of the natural indigo vat. In a reaction that startles the imagination, this color emerges as vivid chartreuse and turns to rich velvet blue before our eyes. This breath taking transformation introduces a new respect for the exquisite elements available in the natural world.  Suzanne will give a Workshop on November 18th where participants can actual dye cloth with indigo themselves! The Rickie Report shares the details and urges you to make a reservation!

 

 

 

373 Tequesta Drive    Tequesta, Florida 33469
(561) 746-3101

 

 

 

 

 

Suzanne Connors, from Aya Fiber Studio

Presents:

Slow Cloth Movement and Demonstration of Indigo Dying

Thursday, October 19, 2017

5:30-7:30 p.m.

Free to members, nonmembers $10

Enjoy the world class artwork in our current Faculty, Ceramics and 3D Exhibition, as well as delicious wines and hors d’oeuvres

3rd Thursday Events are sponsored by the generous support of the Meyer Law Firm

 

Photo courtesy of Aya Fiber Studio

 

 

The Slow Cloth movement provides a thoughtful approach to the making of textiles that connects us to our inner and outer worlds. Just as the Slow Food movement nourishes the body, the Slow Cloth Movement nourishes the soul; opting for creativity over efficiency. Slow Cloth is not about the time it takes to create textiles, but about how things are appropriately made. Slow Cloth is not a technique, it is an awareness of our creative process, and where our textiles come from. Slow Cloth is a connection to our past and our future. It is preserving cultural traditions while keeping in mind our sustainable future; It is focusing on process, quality, skill, mastery, joy, community, sustainability, contemplation, and preserving tradition all while honoring innovation and self-expression. For the Fiber Artist it is the journey, not the destination. If one seeks, recognizes, honors and develop these qualities in their work, then textiles become a source of meaning and deep satisfaction, connection and nourishment. This thoughtful approach lends itself naturally to all forms of fiber-art; weaving, knitting, sewing, embroidery, hand dyeing, quilting, printing, beadwork, or any other form of working with textiles.

 

 

In her studio Suzanne works mainly with natural indigo using traditional Shibori methods. Indigo is the true “living blue.” It is not just a color, but a sense of culture that has a mind of its own. Indigo is a challenging dye because it is not soluble in water. To be dissolved, it must undergo a chemical change called reduction. Reduction converts indigo into “white indigo” (leuco-indigo). When a submerged fabric is removed from the dyebath, the white indigo quickly combines with oxygen in the air and reverts to the insoluble, intensely colored indigo. When it first became widely available in Europe in the 16th century, European dyers and printers struggled with indigo because of this distinctive property Suzanne will be giving a demonstration on how indigo fabrics are dyed and show a few examples of traditional indigo dyed Shibori.

 

SUZANNE CONNORS DYEING WITH INDIGO WORKSHOP

 

Lighthouse ArtCenter School of Art

395 Seabrook Road  Tequesta, FL 33469

(561) 748-8737

NOVEMBER 18, 2017

10 AM – 3 PM   with a break for lunch

• Workshop Cost: $125.00 members / $150 nonmembers
• Materials fee: $15.00/ person (to be paid to instructor at class time)

To register or get more information contact:

Jennifer Chaparro  561-748-8737
Jennifer@LighthouseArts.org

The complex chemistry of the indigo vat is fascinating and students will soon appreciate how rituals have grown around the making and using of a successful vat. The unique ‘attaching’ of indigo to fiber means it is particularly suited to resist methods of dyeing, such as Shibori, where portions of cloth are closed off to the dye or where the flow of dye is restricted. Different shades of blue build on the fabric after several dips, exhibiting the beautiful graded hues which are so typical of indigo.

 

SKILLS/TECHNIQUES COVERED
Students will initially learn how an indigo vat is made. A vat will be prepared in the morning and the basic chemistry explained. Natural indigo powder will be used, and the vat will be ‘reduced’ using a commercially available chemical. While the vat develops, students will be shown Shibori techniques: a folded and clamped method, and a twisted and tied technique. Students can expect to make several pillow or napkin sized samples

 

LEVEL
Beginner and intermediate

MATERIALS
• Instructor will provide (6) pieces sample materials for class but it is suggested that students also bring additional fibers
• Instructor will provide the appropriate # of indigo vats/ rinse buckets/ paper covering for tables
• Instructor will provide materials to create Shibori- wood blocks, clamps, sewing needles, rubber bands, rocks, marbles, arashi poles

 

 

PLEASE BRING WITH YOU:
• a pair of new rubber gloves
• cotton string
• a seam-picker or small pair of sharp scissors
• an old shirt or apron – and please wear old clothes
• closed-toe shoes
• (1) item of clothing you wish to “upcycle” with your new skills
• Various fabric samples in different fibers- 24” x 24” or a set of 100% cotton or linen napkins- PRE SCOURED
• PRE SCOUR ALL Fabrics before bringing to class (wash in Hot water with mild soap- boil for 20-30 minutes

 

For more information about this exhibit, upcoming events and classes:

Lighthouse ArtCenter

373 Tequesta Drive Tequesta, Florida 33469

(561) 746-3101

www.LighthouseArts.org

 

 

 

For coverage of your events, to place an advertisement, or speak to Rickie about appearing in The Rickie Report, contact:

Rickie Leiter, Publisher

Rickie@therickiereport.com   561-537-0291

17019 SW Sapri Way   Port St. Lucie, FL 34986

4th Annual Two-Day Sampler Workshop With Crystal Cawley Explores Paper, Fiber, Print & Stitch

The South Florida Basket and Fiber Guild announces their 4th Annual 2 Day Sampler workshop on January 14th & 15th with Crystal Cawley.  Participants will explore Paper, Fiber, Print  and Stitch in this exciting event!  Think of this workshop as a sampler — a place and time to explore the possibilities of combining paper with textiles to create unique tactile work. Think of hybrids and cross-pollination — how can materials and methods be combined and adapted to become more than the sum of their parts? The Rickie Report shares the details and some sneak peeks of not-your-grandmother’s-samplers!  This is open to non-members as well as members of the Guild.  What a perfect time to give a gift of creative exploration!  

 

 

 

 

 

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Armory Annex Gallery
1121 Lucerne Avenue Lake Worth, FL 33460

 

 

 

 

4th Annual Two-Day Workshop

 

 

Sampler: Paper, Fiber, Print & Stitch

with Crystal Cawley

Sat. & Sun. January 14 & 15, 2017

9 AM – 4 PM

Members $185.00

Non-Members $225.00
(eligible 12/31/16)

Materials Fee: TBD

~Workshop includes lunch~

Send Check to Kim Harty

Your check secures your place in this workshop. Please include your phone number and your email address:

Kim Harty 7186 Grassy Bay Drive WPB, FL 33411

Questions? Contact Erica Howat at ericahowat@mac.com

 

 

 

 

 

 

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  “Ghost Words” Close Up by Crystal  Cawley (Photo courtesy of Jay York)

 

 

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“Change Purse”  by Crystal Cawley (Photo Courtesy of Jay York)

 

 

Traditional embroidered samplers displayed the makers’ repertoire of stitches and their design and lettering skills. Think of this workshop as a sampler — a place and time to explore the possibilities of combining paper with textiles to create unique tactile work. Think of hybrids and cross-pollination — how can materials and methods be combined and adapted to become more than the sum of their parts?

 

 

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Crystal Cawley sewing skirt

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Crystal Cawley “Skirt”

 

 

 

 

Activities and demonstrations will include laminating paper and fabric together, printing images onto fabric and paper, machine and hand stitching, spinning paper thread, methods of transferring images and text onto fabric and paper, and more as time and interest allow. Participants will have time to investigate demonstrated techniques and materials on their own, to make personal discoveries and connections for their own work.

 

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“Love Letter Sweater” by Crystal Cawley (Photo Courtesy of Jay York)

 

Crystal Cawley is a skillful and established artist who lives and works in Portland, Maine. Crystal has a voice that she annunciates clearly through her work. Her approach pushes the boundaries while speaking truth from her heart and life experience.

 

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“Change Purse” Open by Crystal Cawley (Photo Courtesy of Jay York)

 

Crystal will join SFB&FG to teach this workshop that will challenge us toward pushing beyond our own boundaries with new perspective toward our own work and medium. This is a workshop not to be missed! A list of materials and class details will be sent to you prior to the workshop.

 

 

 

 

 

For more information about the South Florida Basket and Fiber Guild:

The South Florida Basket and Fiber Guild, founded in 2013, is a non-profit organization comprised of fiber artists and enthusiasts from around South Florida who share diverse, but allied, interests in the fiber arts including basketry, weaving, knitting/crochet, needlework, felting and textile design. Our mission is to promote a community that inspires interest and creativity in basketry and the fiber arts among both emerging and seasoned artists through networking, educational programs and exhibitions.

 www.southfloridabasketandfiberguild.org 

 

 

 

For coverage of your events, to place an advertisement, or speak to Rickie about appearing in The Rickie Report, contact:

Rickie Leiter, Publisher

Rickie@therickiereport.com  561-537-0291

17019 SW Sapri Way  Port St. Lucie, FL 34986

 

 

Boca Arts Center 1st Annual Juried Art Festival Calls For 2D, 3D Artists, Musicians With No Application Fee

The Boca Arts Center announces it First Annual Juried Arts Festival Show and Sale on December 10th.  This one-day event will feature art of all types, including 2D and 3D art, plus performing artists.  The Rickie Report shares the details, reminding ART PATRONS to MARK THE DATE and ARTISTS to APPLY By November 15th.  This is a Free event, open to the public.  Artists: There is NO Application fee!  There will be a special “Winners” Gallery Show at the Boca Arts Center through the month of December, with a FREE Public RECEPTION on Sunday, December 18th.  The Rickie Report shares the details

 

 

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 Boca Arts Center

1st Annual Juried Art Festival Show and Sale

Saturday, December 10, 2016

10 am – 5 pm

Free Admission, Open to the Public

Located in the heart of Boca at  I-95 and Palmetto Park Road

 

 

This Event Continues At:

 

 

 

Free, Public Reception

“Meet the Winners”  

Sunday December 18    1-3 pm

 

 

 

Artists, sculptors, jewelry artisans, photographers, glass artisans, crafts and musicians may also apply to perform and sell their CD’s

This will be an advertised event with food trucks and live music

For more information call Talin: 561-573-0123

DETAILS   FOR   ARTISTS:

 

Entry Fee: FREE

Submit two samples via email to talin@talinsstudio.com

ONCE YOU ARE ACCEPTED, THE BOOTH FEE IS $125.00
Spaces: 10’x10′ You will need your own tent, chairs, and table

Important Dates to Remember:

Registration Deadline Tuesday November 15 2016. (form sent via email: talin@talinsstudio.com)
Booth Setup: Saturday December 10, 2016 from 6am-9am
Winners in each category will be announced at 6pm.
All Booths must be cleared, cleaned up, all trash and debris removed, and all artwork removed by 8pm the day of the show.

Before entering artwork, entrants need to read and understand contest rules:

 

Winners’ Show:

If your entry wins any Award, it is eligible and will be taken to the Winner’s Show in Boca Arts Center Gallery. Entrants must specify if entries should not be taken to this show.

The show will be held during the month of December 2016.
A reception will be held celebrating the winners and show Sunday December 18 from 1pm-3pm. Please plan to attend. The public is encouraged to attend.

Info you need to know:

 

For installation and identification purposes, all pieces must include the title of the work, category entered and your name in the upper right hand corner on the back side.
Special attention should always be paid to the presentation of your art work.

 

The Boca Arts Center and or Talin’s Studio are not responsible for loss or damage of any artwork. Any work deemed inappropriate Boca Arts Center and or Talin’s Studio standards will not be displayed.

Divisions and Categories for 1st Annual Boca Arts Show and Festival:

 

  • Visual Art: Cartoon/Comics, Digital Art, Drawing, Mixed Media, Painting, Watercolor and 3-Dimensional/Sculpture.
  • Artisan Crafts: Crochet/Knitting/Needlework, Quilts, Jewelry, Pottery and Wildcard (for entries that don’t fit anywhere else in this division.)
  • Photography: Action, Animals, Black and White, Landscapes, Cityscapes, Light, Elements of Design, Macro, Northwestern Campus Life, People, Plants and Wildcard (for entries that don’t fit anywhere else in this division.) Special Photography Category is “13.” Open to interpretation – depict the number 13 in some manner to help NAS celebrate the 13th annual art show.

Musicians:

An audio sample of your work needs to be emailed to: talin@talinsstudio.com along with your instrument and or vocal information.

You will be scheduled to perform live the day of the Festival.

Please plan on having your flyers, business cards and of course your CD’s for sale!

 

Boca Arts Center’s 1st Annual Art Show Entry Form

Please fill out the form below to enter:

The Boca Arts Center and Talin’s Studio are not responsible for loss or damage of any artwork.

 

To Enter to have a 10’x10’ booth at the BAC Art Show and Festival, there is no charge.

If you are accepted, the charge for the space is $125.00
10% of all of your sales the day of the show will go to Boca Arts Center.\
Each artist must supply their own tent, chairs, display items, tables, and anything needed to display and sell your work.

 

 

Date Entry Form Submitted*  _____/_____/_____
                                                         Month/Date/Year

Entrant’s Name ____________________________
Address (Street) _______________________________________________

 City:_____________________________      State:_____      Zip Code:___________

Phone Number _(______)___________________

Email Address ___________________________________

Your entry confirmation will be sent via email.

 

Please choose which area you are competing in:

Please number each line and provide: Your name, the name of the Division, Category, the title of your art piece and what size it is. (Example: Jan Smith 1. Photography, Landscape, “Snow,” 8×10 2. Drawings, “Cat,” 16×20)

 

  • Remember, all photos must be at least 5×7 and should be matted/mounted. \
  • No frames.
  • You may only enter two items per category. (See rules for exception on entry number for Paintings and Watercolor)
  • No art piece may be cross-entered in multiple categories.
  • Categories within Visual Arts Division include Cartoon/Comics, Digital Art, Drawing, Mixed Media, Painting, Watercolor and 3-Dimensional/Sculpture.
  • Categories in Artisan Crafts Division include Crochet/Knitting/Needlework, Quilts, Jewelry, Pottery and a Wildcard category for entries that don’t fit anywhere else in this division.
  • The Photography Division categories include Action, Animals, Black and White, Cityscapes, Landscapes, Light, Elements of Design, Macro, People, Plants and Wildcard category for entries that don’t fit anywhere else in the Photography Division. Special Photography Category is “13.” Open to interpretation – depict the number 13 in some manner to help BAC celebrate the annual art show.

 

 

 

Permission Signature _________________________

Yes ____

No  ____

 

By choosing “YES,” you agree that you have read and understand all rules, information, requirements, category descriptions, etc., for entering Boca Arts Center Art Show and Festival, and agree to terms that Boca Arts Center and Talin’s Studio are not held responsible for any damages or loss to artwork. If you choose “NO,” your artwork will not be displayed.

 

Winners’ Show Permission*

Yes ___
No ___

 

By choosing “YES,” if your artwork receives any prize, you will allow your artwork to be moved to the Winners’ Show In Boca Arts Center Gallery.

 

By choosing “NO,” your winning artwork will not be taken and you will pick it up at the end of the show on Saturday, December 10, 2016 at 6pm.
Are you Currently enrolled in art classes at Boca Arts Center?
Would you like Visual Art Program Information?
Have you taken Visual Art Classes? If so, please describe in a few paragraphs:

 

If you are a professional teacher in the arts and are interested in bringing your classes to Boca Arts Center, please let us know what type of class you would like to teach, your fee, and approximate days and times.

 

 

Please email this application to:
talin@talinsstudio.com
or if you prefer to mail:

Boca Arts Center
Att: Talin Lyman, Art Director
2 SW 12th Avenue
Boca Raton, Fl 33486
561-573-0123

 

 

 

For coverage of your events, to place an advertisement, or speak to Rickie about appearing in The Rickie Report, contact:

Rickie Leiter, Publisher

The Rickie Report

17019 SW Sapri Way

Port St. Lucie, FL 34986

Rickie@therickiereport.com

561-537-0291

 

 

South Florida Basket And Fiber Guild Shares Call For Entries For Juried Exhibition

The South Florida Basket & Fiber Guild is a non-profit organization of fiber artists and enthusiasts who share diverse, but allied, interests in the fiber arts including basketry, weaving, knitting/crochet, needlework, felting and textile design. Their mission is to promote a community that inspires interest and creativity in basketry and the fiber arts among both emerging and seasoned artists through networking, educational programs and exhibitions.  The Rickie Report shares a CALL for ENTRIES for the Guild’s upcoming”Perspectives in Fiber: Moving Beyond Tradition” a juried exhibit.    ART LOVERS: Mark your calendars for January 6th, when this Exhibit Opens to the Public!

 

 

 

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“Perspectives in Fiber:

Moving Beyond Tradition”

Opening Reception:

Friday, January 6, 2017,        6:00 – 8:00 pm.

It is free and open to the public

Exhibit runs  January 7, 2017 to February 10, 2017

The Armory Art Center Annex

 1121 Lucerne Avenue, Lake Worth, FL 33460

 

 

Call to Artists:

The South Florida Basket and Fiber Guild invites artists 18 years of age or older who reside in Florida (full and part-time) to submit up to three pieces of recent work for a juried exhibition showcasing original artwork that represents contemporary approaches to fiber art and that pushes the boundaries and/or traditions in media and execution. Emerging, mid-career, and established artists are encouraged to apply.

 

DEADLINE:  November 1, 2016

Work completed after January 1, 2014, will be accepted in these categories :

 

 

 

  • Wall Works: Two-dimensional works that are intended for wall display
  • Sculptural Works: Three-dimensional works that may be free-standing or suspended
  • Vessel Forms/Basketry: Functional work and sculptural expressions of the vessel form
  • Wearables: Body adornments, including wearable art clothing, accessories and jewelry.

 

All work must be primarily natural or synthetic fiber in content or executed using traditional fiber techniques and be original in concept, design and execution.

 

 
The non-refundable entry fee is $40 for up to 3 works

 

Jurors for the exhibition are:

Jon Eric Riis, noted contemporary tapestry artist whose work has been shown in more than 50 exhibitions around the world and is found in numerous prestigious museum collections.
Lois Russell, nationally recognized basket maker, instructor and past president of the National Basketry Organization. Her award-winning work is in private and museum collections and has been featured in books and magazines..
Benjia Morgenstern, sculptural basket maker who uses natural materials to create non-traditional vessels. Her work has been shown in juried exhibitions and galleries throughout the country and featured in basketry books.

 

 

 

Cash prizes will be awarded: Best in show: $500; Best in Category: $250

 

 

The awards judge is Keidra Daniels Navaroli, Assistant Director and Curator for the Ruth Funk Center for Textile Arts at Florida Institute Of Technology.

 

 

 

Application is online via CaFÉ :

 

https://www.callforentry.org/festivals_unique_info.php?ID=3663

 

 

About the SFBFG:

 

The South Florida Basket and Fiber Guild, founded in 2013, is a 501(c)(3) non-profit organization comprised of fiber artists and enthusiasts from around South Florida who share diverse, but allied, interests in the fiber arts including basketry, weaving, knitting/crochet, needlework, felting and textile design. Our mission is to promote a community that inspires interest and creativity in basketry and the fiber arts among both emerging and seasoned artists through networking, educational programs and exhibitions.

 

For more information about the South Florida Basket and Fiber Guild or to download the prospectus

visit: www.south floridabasketandfiberguild.org

 

 

 

For coverage of your events, to place an advertisement, or speak to Rickie about appearing in The Rickie Report, contact:

Rickie Leiter, Publisher

The Rickie Report

Rickie@therickiereport.com

561-537-0291

Where to Get Your Work Published

The Rickie Report is waiting to hear from those of you who get the nod to be included in any of these publications!    More publication opportunities will follow, so stayed tuned to The Rickie Report!

Stampington Company

www.stampington.com

Stampington & Company offers anyone the opportunity to get their creations published in our standing or special publications. For all publications, please follow the General Artwork Submission Guidelines as follows:
GENERAL ARTWORK SUBMISSION GUIDELINES

All artwork must arrive at our offices on or before the published deadlines.  We prefer submissions of original art.  If original art is not available, our next preference is hi-res digital images (300 dpi at 8½” x 10″).  If hi-res digital images are not available, we will very rarely consider professional-quality transparencies or color slides.  Color-copy submissions are not accepted.

All artwork must be identified with the artist’s name, address, e-mail and phone number clearly printed on a label attached to each sample.  As artwork often gets separated from instructions during our selection process, we ask that you also inscribe your name and address somewhere on each piece of art.  If you desire acknowledgment of artwork receipt, please include a self-addressed stamped postcard.

For  collaborative projects, it is the responsibility of the submitting artist to obtain permission from each participant prior to submission.  In addition, each  piece of the collaborative must be labeled with contact information of the artist who created it.  Please be aware that the collaborative project in its entirety will only be returned to the submitting artist and must have sufficient return postage.

If the artwork is three-dimensional, please attach your identification with a removable string, or pack the sample in a plastic bag with your identification. Artwork without proper identification will not be considered

Depending on the publication, concise yet thorough instructions must accompany each art sample. Attach individual sample instructions to each piece of artwork and include credits for art stamp images used, as well as any other products of note. If you are able, please keep an electronic version of your instructions, as you may be requested to send those in if your work is selected for publication.Please send submissions to:   (Name of Magazine Title)             22992 Mill Creek, Suite B             Laguna Hills, CA 92653ARTWORK MANAGEMENT POLICY Sometimes, a piece of artwork submitted for one issue may be better suited for an upcoming issue. Other times, submissions are forwarded for consideration to the editors of our sister publications. For these reasons we may hold your sample for an extended period of time — 9-12 months is common.Rest assured that we will take excellent care of your artwork, but Stampington cannot be held responsible for damage or loss due to circumstances beyond our control. In the meantime, if you move, please send a postcard or e-mail to the editor with your new address.Due to the large volume of artwork we receive, Somerset Studio will return only those submissions accompanied by sufficient postage in the form of cash, check or money order made out to Stampington & Company. We can not offer delivery confirmation; however, we are happy to put insurance on the submission. If you wish to have your artwork insured for the return journey, please include sufficient funds and indicate your preference in a postcard or letter enclosed with your submission. Please do not attach postage to packaging, and do not send loose postage stamps. Contributors from outside the US, please send cash, check, or money order in US funds to Stampington & Company.
For those titles that run feature articles, please see the following Writers’ Submission Guidelines:
WRITERS’ SUBMISSION GUIDELINESIf you have a unique artistic technique you’d like to share with others, please send samples of your artwork accompanied by a query letter outlining your article idea to the respective Managing Editor at:(Name of Magazine Title) 22992 Mill Creek, Suite B   Laguna Hills, CA 92653.  Managing editors also welcome brief e-mail queries. (E-mail address can be found on the masthead of each publication.)  No telephone calls, please.  Please note that the artwork itself often sells the article. Managing editors seek first-rate projects and encourage artists who have not published articles before to submit ideas, as editorial assistance will be provided. Competitive editorial compensation is provided for all published articles.Depending on which magazine you are most interested in submitting artwork to, you are encouraged to review any additional guidelines that are unique to each magazine, which are published in each issue of all standing titles.

Belle Armoire

Inspired Artisan Designers of art-to-wear garments and accessories can find inspiration from almost anywhere. For Susanna Gordon, in our March/April 2008 issue of Belle Armoire, it was the floor-to-ceiling chalkboard menu from French cafés that inspired her handbag design. We challenge you to keep your eyes open to observe things on the ground, in the air, in and around buildings… or any other place you find yourself, to get inspired for your next art-to-wear design.  For your creation to be considered for publication for future installments of The Inspired Artisan, please send a hi-resolution digital image (300 dpi at 8″ x 10″) of the inspiration (either e-mailed to the Editor-in-Chief at beleditor@bellearmoire.com or burned on a CD) along with your actual art-to-wear creation to Belle Armoire by following the Submission Guidelines. Deadline: Ongoing.

 Student Runway Belle Armoire seeks original, handmade artwear by students and working apprentices to present as part of the Student Runway Department. To be considered for publication, please see top of page for details on mailing artwork and ensuring its return. Artwear may include garments, jewelry and accessories, and projects and techniques may encompass sewing; knitting and crochet; mixed-media adornment of clothing, jewelry and accessories; surface embellishment; beading; wirework; glass; and polymer and art metal clay. Submissions should include information on apparel, textiles, jewelry or other classes taken, as well as contact information for an instructor or professor overseeing your studies. The editor welcomes brief e-mail queries at beleditor@bellarmoire.com. Deadline: Ongoing.

On the Surface           You can’t go wrong with playing with surface treatments on a piece of fabric or favorite garment. From dyeing to painting to burning and so much more, surface treatments are an easy way to personalize an artistic garment. Whether you’re a pro at a surface treatment, or have never tried before, we’d like to see what you can do on the surface. Play with one treatment or several, show it off with a jacket, dress, or scarf — however you decide  to do it, we can’t wait to see what you can do with surface treatments! Deadline: Ongoing.

Mingle

Unique gatherings take center stage with our newest publication, Mingle! From unique theme ideas to unexpected exchanges to artistic retreats and adventures, Mingle will provide the alluring tales and extraordinary techniques of hosting exceptional gatherings with an artistic flair. For this new publication, we are looking for photos and stories from unique gatherings, inventive invitations, party planning tips, table setting designs, and any other details from get-togethers with friends and fellow artists — both large and small! Submissions can be emailed to the editor at mingle@stampington.com, or saved on a disc and sent to our physical mailing address. If selected, we will need hi-res versions of your photographs. Deadline for artwork to be received: Semiannually every May 15th and November 15th.

Somerset Studio

     It’s nearly impossible to hear Edgar Allan Poe’s name without thoughts  of ravens and ghosts coming to mind. From “The Tell-Tale Heart” to “The  Fall of the House of Usher” to “The Raven” we’re all familiar with his  bone-chilling work.
For our next Halloween issue of Somerset Studio, we thought that Edgar  Allan Poe’s great work would be the perfect inspiration. It’s time to  brush the dust off his books and find a story to inspire your  Halloween-themed inspirations. His work is also readily available  online. We can’t wait to see what you come up with! Deadline for artwork to be received: October 15, 2012.

A Somerset Summer To me, there is no season more inspirational than summer. Nights spent outdoors, fireflies flickering in the sky, running barefoot through the grass – there’s nothing better. For the July/August 2012 issue, we’re asking for you to look past the sometimes oppressive summer heat to the beauty found only in summertime. Are you moved by the cool blues of the ocean, or do you love the look of your July garden? Whatever it is – journals, assemblages, altered books – we want to see artwork inspired by summer.  Deadline for artwork to be received: February 15, 2012.

 Cards Thank you to all artists who continue to submit dimensional works for Somerset Studio. Please also note that we have an on-going need for cards and other smaller flat works of art. This is an on-going call for each theme as outlined above. Deadline: Ongoing.

Stamper's Sampler

Put a Cork on It! Corkboard has so many crafting possibilities and creative uses. We challenge you to come up with a unique and interesting way to incorporate corkboard with stamping. Purchase thin sheets and die-cut it, cut out cute shapes, add a corkboard border to a card like Amanda B. Jones in the card pictured below, stamp onto it, use it as a panel, paint it, tear it, shred it and sprinkle it, or find another original way to add it as an embellishment. We can’t wait to see what you come with it for the July/August/September issue! Absolute Deadline — January 15, 2012

Skipping Stone Gray  Last year, we wanted to see the brightest and boldest stamped artwork you could create with sunshine yellow, and we received such an amazing assortment of cards and projects. Our annual color challenge is back, and time around, we want to tone it down a tad with the refreshing shade of skipping stone gray. Due to a printing error, the color shown in the December/January Issue doesn’t match the title. But, as it turns out, we do like the color. Moving forward, incorporate the shade of blue shown or a pale (skipping stone) gray into your cards for this challenge. The choice is up to you. Absolute Deadline is January 15, 2012

Themeless Artwork   As part of our shift to quarterly and the new and larger size of The Stampers’ Sampler, we would love to make our Feeling Themeless a recurring department! So, create to your heart’s content, free of any restraints, and remember to share the results with us. Absolute Deadline — Ongoing

A Call for Articles   We are always looking for new and innovative stamping articles. If you’re interested in submitting an idea for an upcoming issue of The Stampers’ Sampler, we would love to see it. Just send us 5–10 cards that demonstrate the same theme, a new stamping technique, a unique usage of an unexpected or interesting material, or an exciting project. Just make sure it has stamping on it! Absolute Deadline — Ongoing

Art Doll

Shelf Sitter Challenge    We love Amy Fowler-Farrell’s darling felted Knee Hugger dolls that are in our Winter issue. These cute little dolls with bendable knees are often called shelf sitters. They perch on mantles, shelves, a stack of books or wherever they can find a place to land. Shelf sitters can be created out of felt, cloth,  clay, wood, and more. So here’s our challenge to you: create a shelf sitter doll out of your preferred medium making sure it can stably sit with bended knees.  Send your doll to us at Art Doll Quarterly, Shelf Sitter Challenge, 22992 Mill Creek, Suite B, Laguna Hills, CA 92653 or email a hi-res image to artdollquarterly@stampington.com for publication consideration in the Autumn 2012 issue. For complete guidelines, visit www.stampington.com. Deadline: March 15, 2012.

Paper Personas  Inspired by Judith Thibaut’s doll “George in Drag” (Spring 2010) and in the spirit of Lynne Perrella’s book Beyond Paper Dolls, we’ve created a new department in Art Doll Quarterly that will feature one fabulous, artistic and beautifully executed paper doll in each issue. We’re looking for expressive paper personas crafted with innovative techniques and art mediums — over-the-top imaginative interpretations of the human form. Send us your thought-provoking and innovative paper personas for publication consideration. Please note “Paper Personas” on your submission. Deadline: Ongoing.

More publication opportunities to come.  Stay tuned to The Rickie Report!

For coverage of your events, listing of announcements in our events section, to place an advertisement, or speak to Rickie about appearing in The Rickie Report, contact The Rickie Report at:

Rickie Leiter, Publisher

The Rickie Report

P.O.Box 33423

Palm Beach Gardens, FL 33420

Rickie@therickiereport.com

561-537-0291