Using Zoom To Your Best Advantage And Some Pitfalls To Avoid

The Rickie Report shares some helpful hints to make a Zoom experience more productive for you and your fellow ‘Zoomers’.  If you’re not familiar with Zoom as a face-to-face meeting platform in current time, you’ll need to get up to speed (pun intended).  This easy-to-use app allows you to collaborate with others for work as well as celebrate events with others who are far flung.  The Rickie Report shares some blips we’ve experienced as well as technical tips.

 

 

 

 

Using Zoom

To Enhance Communications For

Artists, Arts Organizations, Art Patrons, Anyone

 

Photo Courtesy of Anna Shvets

 

 

 

Think of a Zoom meeting like being face-to-face

Eliminate distractions and focus on the agenda.

 

 

Download the free Zoom app days before your scheduled meeting.

 

If you are a newbie, make sure you familiar/comfortable using the features (mute/unmute, start/stop video, screen share, raise your hand).

 

Join the Zoom session early – up to 5 minutes before the meeting start time.

 

Notifications from messaging applications, ringtones, and applications running on your desktop can be distracting, which can make your attendees feel disrespected and undervalued. Mitigating these distractions helps keep the meeting focused and free from interruption.

 

Zoom amplifies everything!  From smiles to frowns, from inescapable noises to your behavior.

Be aware!

If you are the host, offer an agenda with the Zoom invitation

(Attendees – be prepared)

Make sure to introduce everyone at the beginning.

 

Just like an in-person meeting or social event, you would initiate a conversation between two acquaintances who haven’t met by introducing them. The same principle applies to a virtual meeting. Be sure to introduce all parties you are hosting at the beginning to create a welcoming environment and stimulate engagement toward a common goal.

 

Photo Courtesy of Ivan Samkov

 

 

 

 

Show Up At Your Best (Meeting Etiquette)

 

There are some general rules of courtesy for virtual (and in person) business meetings.

Be ready – just as if this meeting was taking place in person!

Wear appropriate clothing ( PJ’s are not OK unless this is a Zoom PJ Party).

Loud clothing or sparkling accessories will distract from the message you’re sharing during the Zoom session.

No Nudity ( Did I really have to say that ??  From experience, yes…yes, I did!)

Background

 

Photo Courtesy of Harry Page

 

 

You want everyone’s focus to be on the meeting content.  Have a clean setting with work-appropriate art and decorations to reduce the chance that attendees will get distracted.  Your surroundings say a lot about you and you want to make a good impression, just as if you were hosting at your home!  Showing dirty clothes in a pile and an unmade bed make people wonder if you can be professional and trusted with serious work.

 

Clean up and have a simple background (a plain wall, a potted plant, or a bookshelf works perfectly, a wall filled with artwork).Zoom also provides virtual backgrounds to help you avoid the most cluttered environments.

Some people change their background with a photo.  Zoom’s virtual background feature is an easy way to eliminate background distractions when you have to meet in a messy or busy location.

A few words of caution about virtual backgrounds:

Avoid bright colors which distract from your face

Avoid video beach scenes with waves that actually move, which make some people nauseous.

 

Photo Courtesy of Steve Johnson

 

Lights, camera, action! Note, the first item here is about LIGHTING. Position yourself so that most of the light is coming from in front of you (behind your monitor), instead of behind you. If you have a window behind you, shut the blinds. Otherwise, you will be backlit.

Volume/Mute  &  Audio/Video

Photo Courtesy of Pressmaster

 

Video is crucial in building trust and engagement in virtual communications.

Test your video and audio before your meeting at zoom.us/test.

 

 

 Look into the camera when talking instead of looking at yourself.

 

If you’re looking at yourself on the screen while you’re talking, it will seem like you are distracted.  Direct eye contact into the camera while speaking gives attendees the impression that you are looking at them rather than off to the side, which creates an environment where everyone feels engaged and involved in the current conversation.

 

Be sure to position your web camera and monitor at eye level so you can look into the camera and simulate that eye-to-eye connection with other attendees.

 

 

 

 

Photo Courtesy of Julia M Cameron

 

Before you go into the Zoom meeting, notice where your screen is placed.

Especially take note of the angle of your laptop screen if using the built-in camera.

If you place your iPad on the table, with you looking down at it, please note: No one wants to look up into your nostrils.

We also don’t want to see your ceiling!

Even when your screen is in a separate room from other people, remember that if your door is open and the screen is at the proper angle, we should not be able to see anyone leaving the bathroom wrapped in a towel.

Have your video on unless you are experiencing technical issues.

Find a quiet space without interruptions or background noise.

Mute your microphone when not talking.

Avoid talking over or at the same time as other participants.

Keep your hands down, away from your face and mouth. Not only is this distracting, but it muffles your voice when you want to speak.

Behavior

 

Photo Courtesy of Juan Pablo Serrano Arenas

 

Be aware that you are on camera and try to avoid doing other tasks, checking emails, looking at your phone.

Please mute yourself  (I would say “Stifle yourself, Edith”, but many of you will not get the reference to “All In The Family”) so we don’t hear your phone ring, dog bark, or kids scream.

Please refrain from having a side conversation with someone in the actual room with you.

If you are using Zoom in a more casual setting, please be aware of your body language and how you sit.

If you decide to play Candy Crush while watching the Zoom meeting, please block your video. (I got dizzy yesterday from watching you move your thumbs and a bit annoyed that you were not paying attention).

If you can, avoid eating meals during your meeting. Imagine how unappealing it would be to watch someone up close slurping a plate of spaghetti on a big screen. If you can, wait until your meeting is over.

 

 

Stay or Leave

Photo Courtesy of Bongkarn Thanyakij

Leaving the frame without explaining why

 

If you need to get up from a meeting for any reason ( bathroom break, get a drink, or focus on a child or pets), be courteous, just as you would be in an in-person situation.  Leave a message in the chat option to indicate you will be back and have not left the meeting.

Turn off your video camera until you return

Turn off your volume until you return

Recording

 

 

 

Photo courtesy of 500photos.com

 

 

Often, meetings are recorded. In this case, your words and your actions. Just be aware that even though you may be sitting in your home or personal space, you are participating in a somewhat public event.

Refrain from private behavior (picking at your toes, scratching your armpits, picking your nose) (Again, I mention these specific behaviors because I have observed them in other Zoom meetings).

What you say, how you react, how to look will be saved for posterity!

 

 

Chat Room

 

Even though there is a “chat” function, please keep comments to a minimum.

It is distracting for others in the meeting and just as rude as if you were face-to-face and interrupting the speaker.

 

The host leaves last

 

 

Photo Courtesy of Matilda Wormwood

As hosts to any meeting or party, we usually stay until everyone else leaves.  Zoom is no different.  Attendees may use this time to socialize or get a few words in before the session ends. For stragglers, you may have to remind them that the session is about to end.

 

 

 

 

For more information about Zoom:   zoom.us

Google articles about Zoom – they abound on the internet

 

 

For coverage of your events, to place an advertisement, or speak to Rickie about appearing in The Rickie Report, contact:

Rickie Leiter, Publisher

Rickie@therickiereport.com   561-537-0291

17019 SW Sapri Way   Port St. Lucie, FL 34986

 

Doug Marlowe Helps Harness The Power Of Technology For Individuals And Businesses, With A Specialty Niche For Artists. “teachITnow” Alleviates Frustration And Confusion

Doug Marlowe describes himself as “a curious sort”. His passion with art began at age 10, with the first roll of film he developed. That led him to the Rochester Institute of Technology with a degree in Photo Science and Engineering. He pioneered many of the processes used to go from the camera to the computer and from the computer to the printing press. Doug moved to telecommunications and was a “midwife” at the birth of the public Internet. Doug’s communication skills led him to decades of engineering project management and workplace education. Who has not dealt with some type of  technology issue?  Through teachITnow,Inc., Doug can help individuals, groups, and businesses corral their technology dysfunction and move forward with a sense of confidence toward success.

 

 

 

 

 

 

 

Could   you   benefit   from   Technotherapy?

 

 

 

 

 

 

 

 

With the rapid development of the Internet, computers, digital cameras, and cell phones, Doug was driven to educate those who are confused and frustrated with these technologies; especially artists, whose existence revolves around communications.

 

 

 

I don’t know if anyone else – no matter how creative she might ”think” she is – doesn’t arrive at the Wall of Exasperation! “What am I missing? I need a new set of eyes!” That’s how I felt when I called Doug to walk me through some various social media platforms for my very busy real estate career. Two days later, I took all my questions, my media campaigns, branding questions and sat with my ever patient brain trust named Doug Marlowe. Whether its formatting local or global campaigns or analyzing where the “new frontier” of promotion might be, I thank Doug for opening some areas to explore.
 
 
image002.jpg 
Toni Lee Real Estate

 

 

Doug helps to “Do it better, Do it faster, and Deliver results.”

 

 

 

 

 

Doug’s company, teachITnow, Inc. has been helping the “bewildered and confused” harness the power of their technology since 2008. 

 

 

 

Doug Marlowe has been my IT guy for ten years. His creative and patient teaching style has enabled me to feel confident in my ability to control the technologies I need to create my art. I trust Doug implicitly with many aspects of my gallery’s operations, social media, and marketing. I recommend Doug highly.

Yaacov Heller, Artist and Gallery Owner 
Gallery 22 International, Inc    

 

 

 

 

 

 

For the art community, and assistance with PC & Mac issues, Adobe Creative Suite, Microsoft Office, Facebook, Instagram, Twitter, Web Sites (new and updates), Online Stores and Sales (Square, PayPal, etc.), and, of course, training.

 

 

I was in desperate need of revising my web site in time for my SOLO show and knew it needed professional help. My anxieties were dashed within days and my web site looks great at a reasonable cost.  I will continue to call on Doug for help with marketing on social media.  He was a pleasure to work with.  I highly recommend Doug!

 

 

 

 

 

 

Kitty Burri

Kitty Burri Fine Art

 

 

 

 

 

A portion of Doug’s client list includes: Ingrid Robinson, Artists and Charities Hand in Hand, Karen Lynne Gallery, Yaacov Heller Gallery 22, Kitty Burri Fine Art, Marian Kraus Photography, PC Professor, Toni Lee Real Estate, ArtsPlosure Decorating, ArtRageous Art & Frame, and many more.

 

 

 

 

 

 

For more information and to get in touch with Doug:

 

 

 

 

 

 

 

 

 

 

For coverage of your events, to place an advertisement, or speak to Rickie about appearing in The Rickie Report, contact:

Rickie Leiter, Publisher

Rickie@therickiereport.com   561-537-0291

17019 SW Sapri Way   Port St. Lucie, FL 34986

Cornell Museum Of Art Opens An Exciting New Exhibition, “eXXpectations” With Internationally, Nationally Acclaimed Artists

The Delray Beach Center for the Arts announces a provocative new exhibit at the Cornell Museum of Art, opening October 29th. “eXXpectations” is a group show of contemporary art created by 18 women who defy expectations.  The public is welcome to view the artwork, which has been shown in galleries and museums worldwide. The Rickie Report shares details, sneak peeks about this exhibit plus information about the FIRST FRIDAY ART WALK on Nov. 6th.

 

 

DBCAimage001

561-243-7922
51 N. Swinton Ave.   Delray Beach, FL 33444

 

Cornell Museum  

Presents:

 

 

 

“eXXpectations”

 

Opening Celebration

Thursday, October 29th

6:30 p.m. to 8:30 p.m.

 

 

 

 

Museum hours:

Tuesday-Sunday, 10 a.m.-4:30 p.m.

 

Admission is a suggested $5 donation

 

Exhibit Runs October 29, 2015-January 3, 2016

 

Join In The First Friday

Art Walk

 

Mark your calendar for First Friday Art Walk on November 6th, 6 to 9 p.m. It’s an open house for all the galleries in downtown Delray Beach. Start your evening at the Cornell Museum of Art!

 

 

 

The public is welcome to the Opening Celebration on Thursday, October 29th from 6:30 p.m. to 8:30 p.m. Exhibit dates are October 29, 2015-January 3, 2016. Museum hours are Tuesday-Sunday, 10 a.m.-4:30 p.m. Admission is a suggested $5 donation. The museum is located on the campus of Delray Beach Center for the Arts at Old School Square, 51 N. Swinton Avenue in downtown Delray Beach. Follow the Cornell Museum of Art on Twitter and Instagram, @DBCornellMuseum. Follow Delray Center for the Arts on Facebook.com/DBCenterForArts and Twitter/@DBCenterForArts.

 

 

 

 

 

 

Artistically Speaking

One gallery will be dedicated to Artistically Speaking, a major exhibition project being produced by Florida Atlantic University’s Jupiter Library Gallery. This is a travelling show, with the first stop at the Cornell Museum, with larger versions of the show being exhibited in two locations in Miami during 2016-2017, respectively.

 

 

 

The project was initiated by visual artists Diane Arrieta (the art and science outreach coordinator for FAU libraries) and Jacqueline Kern (Adjunct art faculty at Palm Beach State College) who wish to explore the following:

1) How psychological and emotional phenomena can influence the outcome of production, self-promotion, and self-reflection of women artists.
2) How women artists perceive their connections to the world.
3) How the study of women artists as a profession can influence or compare to the study of other professions.
4) The understanding of women artists and their identities: how their creative processes in the contemporary art and technological world enhance their value as artists and their place in the world.

Select women artists from all levels and disciplines were hand-picked to have a conversation on film about their own personal journey as a creative and what struggles and triumphs they have encountered along their paths of living as a creative.  Each artist will also be exhibiting their artwork. Participating artists include T J Ahearn, Francie Bishop Good, Carol Jazzar, Alette Simmons-Jimenez, Leah Brown, Tina La Porta, Raheleh Filsoofi, Giannina Coppiano Dwin, Diane Arrieta (aka Birds are Nice), Jacqueline Kern, Dana Donaty, Adrienne Rose Gionta and Sibel Kocabasi.

 

 

 

 

 

 

 

02_CornellMuseum_eXXpectations_Marilyn-Minter_Manicure

 

”Manicure,” C-print by Marilyn Minter

 

 

 

About the eXXpectations artists:

 

 

TRACEY ADAMS As a musician and a conductor who received her Master’s degree from the New England Conservatory of Music, the work that Tracey Adams creates is inspired by her experiences with music.  Adams was drawn to both art and music since the age of three, and these creative inclinations were supported by her parents, themselves art lovers.  While studying for her Master’s, Adams was also studying painting at the School of the Museum of Fine Arts in Boston.  Adams quotes jazz musician Charlie Haden on her online statement page: “The artist’s job is to bring beauty into a conflicted world.”  Her work reflects this quote accurately; her works expresses a form of serenity, and strives to show an internal calm, an environment that she wants to externalize.  Adams has had solo shows at the Monterey Museum of Art, the Fresno Museum of Art, and the Santa Cruz Museum of Art and History.  She exhibited at the Andy Warhol Museum in Medzilaborce, Slovak Republic in 2003.  She was also recently awarded a 2015 Pollock-Krasner Foundation Grant.  Her work is included in collections at the Bakersfield Art Museum, the Crocker Museum, the Hunterdon Art Museum, the Monterey Museum of Art, the Fresno Art Museum, the Tucson Art Museum, and the Santa Barbara Museum of Art.

 

 

 

 

HELEN BAYLY has said that her creative process starts with a concept or a question, and then the visual aspects stem from various thoughts and ideas based on her environment, depending on anything ranging from her conversations to how much sleep she is getting. She wants her work to have meaning not only for herself, but also for her audience.  Bayly studied painting at the San Francisco Art Institute from 2001-2004.  She has been included in several exhibitions, including Flower Pepper Gallery, La Luz de Jesus Gallery, art works downtown, and Project One.

 

 

 

 

 

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”Red White & Blue,” Helen Bayly

 

 

MADELINE DENARO describes herself as a process artist: Her art is secondary to the process, as that is what the work evolves from. Her creations are sensory, requiring the audience to feel and not necessarily to interpret. Denaro is from the Bronx and currently resides and works in Fort Lauderdale. She studied at the South Florida Art Institute, and she travelled extensively through Europe.  She was particularly inspired by art in Germany, one of her main influences being German artist Joseph Beuys.  She has exhibited her work in New York, Atlanta, Germany, and throughout South Florida.

 

 

 

HOLLY FARRELL is a self-taught artist who has been painting professionally since 1995.  Her work is influenced by her experiences of growing up in northern Ontario and of small town life.  Farrell says that her work is driven by nostalgia, showing the connections we all have to the subjects in her paintings. Farrell has exhibited in Canada, the USA, and Japan.  Her paintings are in collections both private and corporate throughout North America, Europe, and Japan.

 

 

 

 

HAYLEY GABVERLAGE’S three word description of her art reads: “Contemporary.  Humorous.  Slightly Southern.” Originally from Alabama, Gabverlage attended SCAD in Savannah, and she currently resides and works in New Orleans. Her work is inspired by the people, neighborhoods, and experiences in New Orleans.  Gabverlage contemporizes the outdated. She has a distinct color palette, and gravitates towards turquoise blues, mint greens, and muted tones. Her work is inspiring, and possesses a whimsical spirit.

 

 

 

 

 

 
ISABELLE GARBANI’S current work, “Love and Death: Archiving the 21st Century”, takes the digital communications from emails and social media sites and seeks to chronicle them in a tangible form.  The lace technique she uses to thread together Facebook posts, Tweets, and texts is reminiscent of a computer using complex operations to lace together the same information. The lace she uses is recycled plastic shopping bags, as she feels that plastic is the material that best represents our culture.  Originally from France, Garbani came to the USA as a young woman ready to realize her artistic passion.  She received her MFA in sculpture from the New York Academy of Art in 2004. She currently resides in Brooklyn.

 

 

 

01_CornellMuseum_eXXpectations_PerSchwartz

“Studio XXIV,” oil on canvas by Peri Schwartz

 

 

 

JAMIE KIRKLAND is a prominent abstract landscape artist, who lives and works in Santa Fe, New Mexico. Her work creates a calm, meditative, reflective mood. The color palettes she uses have been known to be described as “quiet” and “harmonious.” Though she now resides in Santa Fe, she once lived in Crestone, Colorado, which is one of the quietest places on earth. Kirkland strives to channel the memory of this calm and quiet place into her work.  Kirkland’s paintings have been shown by several prominent arts organizations, including the Utah Arts Council; the Museum of Fine Arts in Santa Fe; and the Pensacola Museum of Fine Art. In 2007, she was invited to become a member of the National Association of Women Artists, which was founded in 1889 and is the oldest professional women’s fine art organization in the US. Her work hangs in many prominent public, corporate, and private collections throughout the United States.

 

 

 

 

MIRA LEHR uses nontraditional media for her nature-based imagery, such as resin, gunpowder, fire, Japanese paper, and more. As a young female artist in the ‘50s and ‘60s, Lehr was at the forefront of abstract expressionism and also helped mobilize the female voice in cities such as Miami, where she co-founded the first women’s co-op in the southeast. A New York native, Lehr serves as mentor and collaborator to young artists. She teaches master classes with the National Young Arts Foundation, and she has been the artist in residence at the Bascom Summer Programs.  Lehr’s solo and group exhibitions number over 300. These include the Bass Museum of Art, the Miami Art Museum, the New Museum, the Smithsonian Museum of American Art, and American Embassies around the world.

 

 

 

 

ASHLEY LONGSHORE has said that her art is representative of the world as she sees it, and she has been recognized as “a modern Andy Warhol.”  Her art focuses on American consumerism, pop culture, and Hollywood glamour. Longshore’s work often takes a satirical approach, using fashion icons as the means to make a statement. Her client base includes Blake Lively, Salma Hayek, and Penelope Cruz. Her gallery, Longshore Studio Gallery, is located on Magazine Street in New Orleans. She has exhibited in the US and Europe, and has been featured in such magazines as Elle, Forbes, Vogue, Marie Claire Belgium, Elle Décor Belgium, Vie Magazine, SPUR, Hollywood Reporter, and Matchbook Magazine.

 

 

 

04_CornellMuseum_Exxpectations_Jane Maxwell

“Why is Life a Free Fall,” mixed media on panel by Jane Maxwell

 

 

CHERYL MAEDER uses her camera “as an instrument to convey the world through painterly eyes.”  Through her photography, she shows that what is clear and in focus is actually only one’s perception.  Her study of photography began while she was living in Switzerland, and upon her return to the US, she opened a studio in San Francisco.  Maeder has worked as a national fine art and advertising photographer, and she has shot campaigns for a number of clients, including Sony, AT&T, Visa, Calvin Klein, and Marriott Hotels.  Her work inspired the Dove Campaign on Real Women, Real Beauty, which has been shown worldwide.

 

 

 

 

 
KAREN MAINENTI says that her art “wrestles with the definition of femininity, unrealized dreams, and impossible ideals – both childish and adult.” Her Color Me Beautiful series is no exception: From cheeky oil paintings that express sentiments such as “Gentlemen Prefer Pink” to graphite drawings of certain beauty products showing the sad yet humorous absurdities involved in marketing, Mainenti’s art has a real sense of humor that struggles with feminine identity.  Mainenti has been included in numerous group exhibitions throughout New York City, as well as solo exhibitions.  For 10 years she was the Creative Director at Martha Stewart Living, and she currently is the Creative Director for Alene Candles in New York City.

 

 

 

 

 

JANE MANUS is an internationally renowned sculptor, who characterizes herself as a Constructivist-turned-Minimalist. Creating abstract sculptures, Manus decided early in her career to work exclusively with aluminum.  In her works, she explores symmetry, balance, and form through carefully positioned geometric shapes, often squares and rectangles, and linear forms. At once industrial and organic, the hard angles and highly finished surfaces of her pieces are softened by references to the human body and nature.  Manus has been exhibited in both group and solo shows around the US, and her work resides in numerous public collections across the US as well.

 

 

 

 

JANE MAXWELL is a mixed media artist from Boston, Massachusetts. Her work focuses largely on women, body image, and the feminine ideal.  Maxwell has a passion for vintage materials, modern fashion, and design, as well as a fascination of pop culture and female icons. She creates deeply layered collages, with female figures surrounded by choice images and words that harbor themes of perfection and feminine beauty. Maxwell’s work has been exhibited in New York City, San Francisco, Napa Valley, Newport, RI, London, and at Miami Art Fairs.  Her work has been collected by buyers worldwide. She has been a guest lecturer on the topic of body image and art at Wellesley College, Stonehill College, and the New England Art Institute.

 

 

03_CornellMuseum_eXXpectations_Holly-Farrell_Barbie

”Barbie,” acrylic & oil on Masonite by Holly Farrell

 

 

 

MARILYN MINTER is a painter and photographer whose hyperrealistic paintings and richly-colored photographs feature uncomfortably close-up views of the human body, covered in beads, glitter, or pearls.  Her work examines the concepts of “glamour” and “beauty”, with many of these bordering a pornographic edge. Her work is sexy, intriguing, and erotic, and seemingly asks the audience to challenge societal definitions of beauty and femininity.  Minter’s work has been exhibited all around the world, including at the Whitney Biennial, Art Basel, and the San Francisco Museum of Modern Art.  Her video “Green Pink Caviar” was exhibited in the lobby of MoMa for a year, and excerpts were used by Madonna in her opening performance on the Sticky & Sweet tour. Minter currently lives and works in New York City.

 

 

 

 

EKATERINA PANIKANOVA transforms vintage books into provoking works of art, by painting meticulously beautiful watercolors directly onto the pages of these antiquated volumes. Viewers become transfixed by these works of art.  Ekaterina studied at the School of the Art of the State Hermitage Museum in St. Petersburg. Her works has been exhibited in the Russian Union of Artists, at the Academy of Fine Arts, in St. Petersburg and Moscow.  She was born in St. Petersburg, Russia in 1975. She currently lives and works in Rome.

 

 

 

 

MARGARET ROLEKE boldly states “I create politically aware work.” This statement speaks to her creations; with the use of children’s toys, Roleke creates pieces that include themes of consumerism, gender, and war. Using toy soldiers, Barbie Dolls, and other various children’s toys, Roleke’s work comments on the disorder of the world, and questions what belongs to girls, as opposed to what belongs to boys.  Roleke’s work has been exhibited throughout the US in group and solo exhibits. Her travels in Europe, Asia, Central America, and South America have influenced her practice, as well as her three year stay in London.

 

 

 

08_CornellMuseum_BrendaZappitell_LettingGo

”Letting Go,” flashe & acrylic with cold wax, Brenda Zappitell

PERI SCHWARTZ creates self-portraits, still life images and studio interiors that focus on composition, color, light and space. Schwartz prefers to work directly from life, and the objects in her studio, as well as the studio itself, become the subjects of her works. She uses painting, drawing, and monotype prints, and has said that each time she returns to one, she feels as though she is rediscovering it.  Schwartz has said that she strives for balance between representation and abstraction in her work.  In order to do so, she uses a grid technique, which she learned in the basics of composition. Her grids extend beyond the canvas or paper and onto the walls, tables, and books in her studio, thus turning the space into a real-life grid with intervals on the walls and in the painting. Schwartz studied at Boston University’s School of Fine Arts and received her MFA at Queen’s College.  Her work is collected in both the US and Europe.  She currently lives and works in New Rochelle, NY.

 

 

 

 

 

BRENDA ZAPPITELL is an abstract artist who states that she “creates abstract expressionist works not only born out of intuition but also serendipitously influenced by nature and life experiences.” A mostly self-taught artist, Zappitell didn’t realize that she wanted to create until she was 25. After spending time in an art gallery in Mexico in 1990, she realized her passion and was inspired to create. Zappitell’s work is inspired by life and by nature. The choices she makes artistically come to her naturally, and it isn’t until a work is finished that she reflects upon where these choices came from.  In this way, much of her art is in the discovery of the work, with the creation of her intention coming during the process, not before. Thus, her work is intuitive.  Zappitell’s work is in both private and public collections, including the Boca Museum of Art and St. Regis Hotel, NYC. She currently lives and has her studio in Delray Beach, Florida.

 

 

 

This project is sponsored in part by the City of Delray Beach, the Delray Beach Community Redevelopment Agency, the Palm Beach County Tourist Development Council and the State of Florida through the Florida Department of State, Division of Cultural Affairs, and the Florida Council on Arts and Culture.

 

 

About Delray Beach Center for the Arts:

 

Delray Beach Center for the Arts offers “a total arts experience™” through events, theater, exhibits and learning opportunities. Celebrating 25 years of arts excellence, the historic campus includes the intimate Crest Theatre (in the restored 1925 Delray High School building) the Cornell Museum of Art (in the 1913 Delray Elementary building), and the Vintage Gymnasium (c. 1925). The Pavilion, which opened in 2002, hosts outdoor concerts and festivals. The School of Creative Arts (located on the second floor of the Crest Theatre) offers art, photography, writing and performance classes. The Center also serves as a venue for community, corporate, private and media events. For information on performances, exhibits, classes or facility rentals, call 561-243-7922 or visit DelrayArts.org.

 

 

 

 

 

For coverage of your events, to place an advertisement, or speak to Rickie about appearing in The Rickie Report, contact:

Rickie Leiter, Publisher

The Rickie Report

P.O.Box 33423

Palm Beach Gardens, FL 33420

Rickie@therickiereport.com

561-537-0291