Art Exhibit Takes Viewers Beyond The Individual: “When We See Further” Offers Unique Perspective Of Four Artists

The Wasmer Art Gallery at Florida Gulf Coast University (Fort Myers, FL) is offering viewers a unique experience.  Gallery Director, John Loscuito, has connected four disparate artists to pull together this deep-thinking exhibit, “When We See Further”.  Heather Couch, Marina Font, Renée Rey and Terre Rybovich offer four distinct ways of looking, feeling and thinking about the body. Each of their perspectives offers a unique tactile and psychological experience. The Rickie Report invites our readers to see the exhibit and urges you to listen to the Gallery Talk which are available online.  See beyond the individual and how those differences expand the definition of being human!

 

 

 

 

 

 

 

 

 

Gallery Talk interviews are also available on our website 
or the FGCU Arts YouTube channel

 

 

“Beyond the Individual”

 

Essay by John Loscuito, Gallery Director

 

The physical condition is a subject that artists have been reflecting on throughout history. While the human body is something that joins us, it is also something that divides us, or at the very least separates us. “When We See Further” is an exhibition about seeing beyond the individual and how those differences expand the definition of being human.

 

The artists in this exhibition, Heather Couch, Marina Font, Renée Rey and Terre Rybovich, offer four distinct ways of looking, feeling and thinking about the body. Each of their perspectives offers a unique tactile and psychological experience. They do this through their varied mediums that present the limits and potentials of the body’s physical and psychological state.  For these artists, depicting the body is just the beginning of a journey to something else. The works reveal many themes including impermanence, transformation, and resilience. Approaching their work for the first time is similar to encountering each other in life, it begins with a surface understanding of each piece that deepens through repeated encounters, and from the associations derived between the works.

 

 

John goes on to say”,The variety of approaches depicting the human body was the impetus for the exhibition, but through studio visits and group conversations, the artists revealed a different purpose. It became clear that a larger work was being created as each artist found connections and overlaps between the pieces they were creating for the exhibition. This was also during the first six months of the Covid-19 outbreak and the protests over racial inequities. It is impossible to separate the exhibition from the context in which it was created. The artists themselves see their work in new ways based on these events and through their collaboration. The human condition is clearly only limited by the context in which we choose to imagine it to exist. These artists provide ever-expanding hopes for that condition”.

 

 

 

“WHEN   WE   SEE   FURTHER”

 

 

 

 

Heather Couch uses clay, fibers and wood to create stand-alone objects and installations. Her ceramic forms range in size from a few inches to a few feet, but they all share evidence of her hands and fingers. Rather than smoothing the clay surface, Couch is purposely revealing her process and her body in the work. The bulbous forms of her sculptures are opened as though they once were occupied. They suggest the presence of a body while recording the body’s act of making. Couch also creates organic ladder structures with handles immersed in bundles of wool. They hang from the ceiling implying movement to another place. The combination of these elements creates a landscape of possibilities open to interpretation that we find repeated in the other artists as well.

 

 

 

 

Marina Font is explicit in her use of the human body in a different way. Photography is the basis of her work and an entry point for the viewer. The model she photographs can be seen as a representation of “any woman”. This model is used repeatedly throughout her work, but is always positioned in the same pose. Font then layers the photograph of the life-size nude with explosive patterns that recall star systems, energy and past generations.

 

These patterns are made using thread, fabric, and ceramics, creating a visceral juxtaposition against the photographic image. The abstract patterns exist in our physical space, more real and active than the photographic image itself, suggesting a static body that is in the process of exposing the emotional, spiritual and psychological being.

 

 

 

 

 

The large-scale paintings by Renée Rey are figurative and depict fantastical landscapes. Her paintings allude to an ethereal space of atmospheric beings that float and merge with each other and their surroundings. The physical laws break in a multitude of ways. The bodies themselves are fluid in gender, age and size. They intersect with each other, becoming one, as the sky and landscapes create symbolic forms celebrating this state of flux. Much like the abstract patterns in Font’s works, Rey’s bodies become the patterns, fragmenting into possibilities beyond the static form. Rey also describes her figures as self-portraits. They are interpretations of herself over the course of her life.

 

 

 

 

 

Self-portraiture is seen again in Terre Rybovich’s process. She begins with placing her body directly onto the drawings. It is a performative act that creates a literal imprint or tracing of her physical self within the work. This ghost of her body begins the drawing.

 

From there, Rybovich generates infinite possibilities for her drawings, from formal investigations to morphological evolutions with animals. Birds are a recent addition to her work. Their larger than life depictions are gridded over her body print, morphing and transforming it. The body’s scale and form change in relationship to both the birds as well as her other additions. Out of this process new structures are defined that map out the body’s relationship to itself, to nature, and mythic narratives.

 

 

 

HEATHER COUCH

 

Heather Couch is an emerging south Florida artist working primarily in installation with ceramic forms, fiber, and raw construction materials. Her work plays with fragility in a way that brings liveliness and nonchalance through materials that are both timeless and ephemeral. The seemingly irrational ways in which we move and make decisions are echoed in the process of this work. Nurturing, caretaking, risk, and transformation are themes that repeat themselves in her work, informed by emotional, spiritual, and ideological tension. The forms inform each other in a dialogue of growth and discovery, responding to experiences in the artist’s life and in empathy to stories that resonate with her own.

 

Raw materials actively respond to the maker, as the artist indulges in the character of the material. The repetition of finger marks in wet clay, the warmth of billowed wool, the grittiness and raw presence of concrete and wood… these serve as grounding consistencies that allow for continued exploration and the expression of intuitive gestures. In this process is found comfort, fear and metaphor in repetitively approaching a dynamic precariousness. There is an underlying strength that sits beneath any fragility.

 

 

Heather Couch is an Assistant Professor of Art at Palm Beach Atlantic University. She earned a BA in Sculpture at Union University in 2007, and an MFA in Ceramics at Arizona State University in 2015. She also studied ceramics and sculpture at the University of Tennessee at Knoxville, the Chautauqua Institute of Art in upstate New York, Hong-Ik University in Seoul, South Korea, and Arrowmont School of Arts and Crafts in Tennessee. She has been a resident artist at the International Ceramics Studio in Kecskemet, Hungary, the Mesa Arts Center in Mesa, Arizona, and the Armory Art Center in West Palm Beach, Florida.

 

 

 

 

MARINA FONT

 

 

 

Marina Font was born in Argentina in 1970. She studied design at the Martin Malharro School of Visual Arts, Mar del Plata, Argentina. In 1998 she studied Photography at the Speos Ecole de la Photographie, Paris. She earned an MFA in Photography from Barry University, Miami in 2009. She has exhibited extensively at galleries, museums and cultural institutions in the US and abroad.

 

Her work is present in various public collections such as the MDC Museum of Art+Design, Miami, the Boca Raton Museum of Art, the Frost Art Museum at FIU, the LOWE Art Museum at The University of Miami, FoLA, Buenos Aires, Argentina, The Bunnen Collection in Atlanta, the Girls’ Club collection in Fort Lauderdale and various private collections throughout the world.

 

She is a multidisciplinary artist working in photography, mixed media, installation and video. Her studio practice explores ideas about identity, gender, territory, language, memory and the forces of the unconscious. Her visceral and intuitive works, strongly influenced by psychoanalysis, often focuses on women and the domestic sphere.

 

Her first monograph “Anatomy is Destiny” in collaboration with Minor Matters Books + Dina Mitrani Gallery was selected for the Photo Book Spotlight by Aperture at aipad The Photography Show, NY, 2019. Marina is also part of the multidisciplinary collaborative RPM Projects, as well as the Instagram-based collaboration “Instacorrespondences”. She currently lives in Miami Beach and works at her studio at The Collective 62, located in Liberty City, Miami.

 

 

 

 

RENÉE REY

 

Renée Rey is an award-winning painter and mixed media artist working in Southwest Florida and New York City. In large and intimate-scaled artwork, Rey challenges traditional landscape and human figuration. In alternate universes and transformative self-portrait, she explores movement, metamorphosis and the sublime. Existential and societal narratives of age/gender/cultural identity, cross-cultural connections, environmental sustainability, inclusiveness and equality flow through her artwork. As she intuitively applies, wipes, scratches and manipulates traditional and non-traditional materials, Rey investigates intersections between abstraction and realism, two and three dimension, and intensity and delicacy of materiality by the artist’s hand.

 

Rey’s artwork has been selected for numerous national exhibitions by museum curators and gallery directors including the exhibition Gateway to Imagination, Farmington Museum, Farmington, NM and Florida Contemporary Exhibition, Baker Museum, Artist-Naples, Naples, FL  Awards include Best of Show, Art Encounters National Competition by Alejo Benedetti, Curatorial Assistant, Crystal Bridges Museum of American Art, Bentonville, AK, Jade Dellinger, Director of Exhibits & Collections, Bob Rauschenberg Gallery at Florida Southwestern State College, Fort Myers, FL, and Mallory O’Connor, Professor of Art History Emerita (Santa Fe College, Gainesville,FL).

 

Rey was invited to the School of Visual Arts Summer Painting Residency, New York, NY in 2019 and Sun Peak Center for Art and Sustainability, Colorado Springs, CO in 2016. She has taught painting, drawing and creative thinking to adults and children for 8 years. The artist studied drawing, painting, 3D design, film, performance art, computer art and art history on the undergraduate and graduate levels in New York and Florida. Rey holds an MBA in Management, Rensselaer Polytechnic Institute, Troy, NY, an AAS in Interior Design, Parsons School of Design, New York, NY, an MA in Jewish Education, Jewish Theological Seminary, New York, NY and a BA in Judaic Studies, University at Albany, Albany, NY.

 

 

 

 

TERRE RYBOVICH

 

A third-generation native of West Palm Beach, Terre is a daughter of Tommie Rybovich, the noted sports-fishing boat designer/builder. Like her father, Terre opts to work at the edge of what she knows, in a process of continual questioning.

 

Her drawing technique came to her years ago, while delirious with the flu. “Drawing backward” was the initial idea. In other words, creating an image by removing charcoal from paper, instead of making marks on a clean page. Since that day, Terre has been drawing backward. She staples a large piece of paper to a sheet of plywood, then scrubs the entire surface with a thick stick of charcoal. Next, she works spontaneously to imprint her hands, limbs and torso in the charcoal. Her aim is to start the drawing with random marks.

 

 

Ultimately it is those marks that determine the outcome of the drawing. Spending as much time looking as she does drawing, Terre relies on her intuition and her drawing skills to find the final image in the spontaneous marks. Working without preconceived results allows her to draw imagery she never could have imagined.  Since becoming a serious birder, Terre also makes drawings of birds based on photos she takes. Increasingly, birds also appear in her figurative works.

 

 

Terre has her Bachelors in Politics and Economics from New York University. She has a Masters in Rural Sociology from Wisconsin-Madison. Her first career was in grassroots activism and grant-making. That experience forged an enduring commitment to this world. It also instilled a courageous drive that Terre now channels into art-making.

 

Terre now lives in Homestead, Florida with her husband Jon Ward. Her drawings have been exhibited widely in South Florida; they are in a number of private collections. Terre’s drawings have been part of the Viewing Program of the Drawing Center in New York City since 2004.

 

 

 

 

For more information about this exhibit:

Wasmer Art Gallery is located on the campus of Florida Gulf Coast University

10501 FGCU Blvd S, Fort Myers, FL 33965

Phone: (239) 590-7199

Website:  fgcu.edu

 

 

 

 

 

 

For coverage of your events, to place an advertisement, or speak to Rickie about appearing in The Rickie Report, contact:

Rickie Leiter, Publisher

Rickie@therickiereport.com   561-537-0291

17019 SW Sapri Way   Port St. Lucie, FL 34986

 

 

APBC Art On Park Gallery Calls For Portraits And Announces Next Exhibit Open To The Public

APBC Art on Park Gallery Presents “Portraits 2016 Exhibit”, celebrating portrait artists in Palm Beach County.  Submissions should be a painting, photograph, sculpture, collage or other artistic representation of a person or animal, in which the face and its expression predominates.  2D and 3D works are included.  Katie Deits will be the judge for prizes, including cash prizes.  Deadline for Entries: February 8, 2016.  Everyone is welcome to the Opening Reception on February 19th, with an Afterparty at the Brewhouse Gallery down the street.  The Rickie Report shares the details here. This Call For Entries is Open to non-Members who are residents of Palm Beach County.

 

 

 

 

APBCnewlogo

 

800 Park Avenue Lake Park, Florida 33403

561-345-2842

 

 

 

“PORTRAITS 2016 EXHIBIT”

CALL TO ARTISTS

Deadline: February 8, 2016

 

 

 

Opening Public Reception:

Friday, February 19, 2016

5 – 8 pm

 

 

 

AfterParty: Brewhouse Gallery

8pm

720 Park Ave, Lake Park (on the next block east of Art on Park Gallery)

 

Exhibit runs: February 16 to March 31, 2016

 

 

 

Art on Park Gallery

Hours: Monday through Saturday Noon – 6 PM

 

 

AWARDING

* $50 for First Place * $25 for Second Place * Honorable Mention *

 

 

 

 

Our judge is Katie Deits: sculptor, Master Photographer, educator, and writer, who studied art in New York City and Florence, Italy. She has a bachelor of fine arts degree from University of South Florida, holds the Florida Degree of Photographic Excellence and a Master of Photography from Professional Photographers of America. She has been on the art faculties of Barry University and Palm Beach Community College and is a former Director of the Lighthouse ArtCenter.

 

 

 

To access the submission form go to:

http://www.artistsofpalmbeachcounty.org/eventdetail.php?272

 

DETAILS:

 

  • Open to all artists who live in Palm Beach County, Florida

 

  • Submissions should be a painting, photograph, sculpture, collage or other artistic representation of a person or animal, in which the face and its expression predominates.

 

  • Submissions must be by artists who live in Palm Beach County, FL.

 

  • Multimedia , 2D and 3D work welcomed.

 

  • Maximum Size: 36″ wide x 60″ high.

 

  • Submission deadline: Monday, February 8, 2016

 

  • Please do not submit work that is not ready to hang.

 

  • There is no time to have work finished before the drop off date.

 

  • Submissions and payments to be sent in electronically via our website.

 

  • APBC Members non-refundable entry fee: $15 for up to three pieces (.jpg up to 3 MB)

 

  • Non-Members non-refundable entry fee: $25 for up to three pieces (.jpg up to 3 MB)

 

  • IMPORTANT: Members will receive 75% of the gross sale.
  • Non-Members will receive 65% of the gross sale.

 

  • Please price your work accordingly.

 

  • Juried by the Art on Park Gallery Management Committee

 

  • Notification to artists on or before Saturday, February 13, 2016

 

  • Hand delivery of artwork, Monday, February 15 from 12:00 pm to 5:00 pm

 

  • Art Pickup: Saturday, April 2, 12:00 noon to 5:00 pm

 

 

 

Please read these entire instructions before you proceed:

 

If you want to join APBC please follow the “Become a Member” link BEFORE you enter the exhibit. After you pay the membership fee ($50 for one year), please make sure you complete the registration process by following the provided links and email instructions to fill in your user name/password and contact details. Or you can renew your membership if it has lapsed.

 

 

Go to the “APBC Exhibitions” tab on the left side column of the Home page. Go to the BEST OF 2016 event and click on the provided link. Please check the appropriate link for member or non-member submission fee.

 

 

After you enter/edit the information fields, go to the bottom of the page to: “Exhibition Name” “Select an Exhibition Name.” Select PORTRAIT 2016, then click the last link: “proceed to Submit . . .”

 

 

You should have your image ready to upload (JPEG format only, no larger than 3 MB). After you have chosen your image click the UPLOAD button. You will then be asked to fill in the name, medium, size and price of the image. When this is complete you have reached the final step. Click the button. You should receive an email telling you of the successful submission.

 

 

IF YOU HAVE ANY TROUBLE WITH THIS PROCESS or have any questions, please call John Palozzi at the Gallery for help, 561-345-2842

Art.on.Park@artistsofpalmbeachcounty.com

Terms:

 

 

 

1) No late entries accepted.

2) Original ideas only – no copying of works. Only original works will be accepted. While digital photography and digital painting is allowed, we will not accept giclees of original paintings or other 2D works.

3) Maximum Size: 36″ wide x 60″ high.

4) Entry fees are not refundable.

5) The decision of the jurors is final.

6) Images of works must be submitted to be juried in an electronic JPG format, no larger than 3MB, via the link on the APBC.org website. File names should contain name of the work. Make sure the file names match the names listed on entry form.

7) Unframed oils and acrylics must be finished on all sides – no staples showing.

8) No damaged frames or mats; mats must be clean.

9) All installation methods, such as wire attached to frames, must be secure. All 2D pieces MUST be wired on the back.

10) All entries must be labeled on the back of the work, base of sculpture, or somehow attached to artwork with artist name and title of work.

11) Members will receive 75% of the gross sale. Non-members will receive 65% of the gross sale. Please price your work accordingly.

12) APBC, Inc. carries liability insurance for the Art on Park Gallery which does not extend to your artwork. APBC, Inc. will do its best to safeguard against theft, loss, breakage, or other damage, but will not be financially responsible for reimbursement of lost or damaged work.

 

 

 

 

For more information please contact:

APBC Art on Park Gallery
800 Park Avenue, Lake Park FL 33403
561-345-2842
http://www.artistsofpalmbeachcounty.com/

 

 

For coverage of your events, to place an advertisement, or speak to Rickie about appearing in The Rickie Report, contact:

Rickie Leiter, Publisher

The Rickie Report

P.O.Box 33423

Palm Beach Gardens, FL 33420

Rickie@therickiereport.com

561-537-0291

Armory Art Salon Features Pip Brant And Duane Brant “Our Back Yard”

Featured Armory Art Salon Artists, Pip Brant and Duane Brant work independently and collaboratively on socially provocative installations and works in many media. Both grew up in the West and Mid-west and say that their experiences have profoundly influenced their work.  Armory ART SALONS offer stimulating conversations with other artists, in a relaxed setting. The discussions cover the gamut of contemporary art themes, including conceptual, cultural, socio/political, environmental, race and gender focused and aesthetic practices, the materials and techniques used to convey these ideas, and where we fit into the world of contemporary conceptual art. This is an opportunity to explore the practical side of being an artist, of professional development and sharing useful resources. The Rickie Report shares more details and some photos of Pip and Duane’s work. We applaud Art Salon facilitator, Elle Schorr, and urge you to attend this learning/networking opportunity.

 

 

 

Armory-Art-Center-Logo-2012

 

 

Armory Art Center Presents

ART SALON

Pip Brant and Duane Brant:

“Our Back Yard”

Tuesday, November 3

6:30 -8:30 pm

$10. to Attend, Pay at the Door

Armory Art Center Library

1700 Parker Avenue W. Palm Beach, FL 33401

 

 

 

The Armory Art Center hosts a variety of Art Salon groups. These groups hold meetings to discuss, display, and share the work of the participants and / or invited guests. All salons are $10 payable at the door and meet in the Armory Library. Enjoy stimulating conversations with other artists, in a relaxed setting. As a springboard to each of our explorations, professional artists from South Florida are invited to present their work, talk about what influenced them, and examine the work of influential artists showing in museums and galleries.  The Art Salon is curated by Elle Schorr.

 

 

PIP BRANT      AND     DUANE BRANT

 

 

Pip and Duane Brant work independently and collaboratively on socially provocative installations and works in many media. Both grew up in the West and Mid-west and say that experiences there have profoundly influenced their work.

 

 

ArmoryArtSalonPip-Brant-Arizona-Cavalry-stitch

Pip Brant  “Cavalry Stitch”

 

 

Pip Brant is primarily a fiber artist, and usually works on themes regarding social and environmental issues. Her works have been exhibited throughout the United States and abroad. Her Battlefield Re-enactment Series are embroideries that she says are a stage in a process of distancing the memories of battles fought in the 19th century, and now are full of suppositions and decomposed histories.  In her Hasenblut Series, (German for rabbit blood), Pip says she is “trying to honor the rabbit’s life with images made with its life-blood to create images of longing and perhaps a memorial to the animals that lent their life to mine.”

 

 

ArmoryArtSalponPip-and-Duane-Brant_The-Flying-Carpet.jpg

“The Flying Carpet” by Pip Brant and Duane Brant

 

 

Pip has a BFA from University of Montana and a MFA from University of Wyoming. Since 1999, she has been Associate Professor in the Department of Art and Art History, Florida International University, Miami. She grew up and was educated in five different American Indian reservations, mostly Sioux, in the Dakotas and Montana, where her father worked for the Bureau of Indian Affairs. She states “They have a disconnection unlike any other place in the United States. They are vestiges of American Manifest Destiny and other bad deals”. She says “My summers on a German Immigrant Family farm, in South East North Dakota, also did their best to seek out a recreation of the connections of life and death and absurdity… Growing up there did result in a close relationship with the cycles of life. These include raising my own food. Art production and farming have been strong links in my work.”

 

 

ArmoryartsalonDuaneBrant-Pink-Lady

“Pink Lady” by Pip Brant and Duane Brant

 

 

 

Duane Brant has a BA degree in ceramics and metal smithing from the University of Montana and an MFA in printmaking, sculpture, and performance at the University of Wyoming. Duane has lived and worked in Ohio, Montana, Wyoming, and London, England, and since 1999 has been an adjunct teacher at Barry University and Florida International University, in addition to his studio time. He has exhibited nationally, and internationally. In 1993 his collaborative work was awarded a New Forms Regional Initiative program with funding from the National Endowment for the Arts and the Rockefeller and Andy Warhol Foundations He’s been awarded the Wyoming Visual Arts Fellowship, the Florida Follies purchase award by the Ft. Lauderdale Museum of Art, and Fulbright fellowships to England and Japan, studying contemporary art, performance art and pedagogy. Since 2002, he has worked with bonsai trees, and designs and creates all the pots for the trees in his collection.

 

 

 

ART SALONS

 

Art Salons offer stimulating conversations with other artists, in a relaxed setting. As a springboard to each of our explorations, professional artists from South Florida are invited to present their work, talk about what influenced them, and examine the work of influential artists showing in museums and galleries. Our discussions cover the gamut of contemporary art themes, including conceptual, cultural, socio/political, environmental, race and gender focused and aesthetic practices, the materials and techniques used to convey these ideas, and where we fit into the world of contemporary conceptual art. They’re also an opportunity to explore the practical side of being an artist, of professional development and the sharing of useful resources. Salons are facilitated by Elle Schorr.

 

 

TRAVEL DIRECTIONS:

 

All Salons meet in Library on Belvedere Blvd. Turn left at the light on to Parker Avenue. Continue north to Park Place, just before the fire station. The entrance and main parking lot of the Armory Art Center is halfway up the block on the left side.

If you’re driving South on I-95, turn left / east on Okeechobee Blvd. Turn right on Parker Ave, just before the Convention Center. Continue south past the fire station and turn left on Park Place. The entrance and main parking lot of the Armory Art Center is halfway up the block on the left side.

 

For more information:

Please visit www.armoryart.org for more information about classes, workshops, lectures and exhibits.

 

 

 

For coverage of your events, to place an advertisement, or speak to Rickie about appearing in The Rickie Report, contact:

Rickie Leiter, Publisher

The Rickie Report

P.O.Box 33423

Palm Beach Gardens, FL 33420

Rickie@therickiereport.com

561-537-0291

Trend-Setting Ceramic Artists’ Exhibit Open to the Public with “SoFlo: On and Off the Wall” At Palm Beach State College

Fourteen ceramic artists will exhibit at Palm Beach State College art gallery in “SoFlo: On and Off the Wall”.  The public is invited to see 40 pieces of  both sculptural and functional work from these ceramic trend setters who are based on the east coast of Florida.  Artwork will be for sale.  Both the reception and exhibit are free and Open to the public.  The Rickie Report shares the details here with a sneak peek.

Palm Beach State College

Art Gallery

Presents:

“SoFlo: On and Off the Wall”

Opening Reception:

February 18th

 

5:30 – 8:00 pm

 

Exhibit runs    2/18  through  3/21

Free and Open to the Public

 

 

3160 PGA Boulevard

 Palm Beach Gardens, FL

 

 

SoFloInvitationwebemail

 

 

Fourteen south Florida artists will feature their latest ceramic works in an exhibit titled “SoFlo: On and Off the Wall” at the Art Gallery at Eissey Campus at Palm Beach State College Feb. 18 to March 21. The opening reception will be from 5:30 to 8 p.m. Feb. 18.

 

"Fancy Teapots" by Bonnie Seeman

“Fancy Teapots” by Bonnie Seeman

 

 

The exhibit will feature 40 pieces of sculptural and functional work, each offering a perspective of current trends in south Florida. Both the reception and the exhibit are free and open to the public. Artwork will be available for purchase. Prices range from $200 to $6,000.

 

 

 

"Specimen #19" by Judith King

“Specimen #19” by Judith King

 

 

SoFlo is a group of artists and educators working at institutions from Jupiter to Miami. The exhibitors are Deborah Adornato, Shannon Calhoun, Angi Curreri, Angel Dicosola, Nazare Feliciano, Rebeca Gilling, Bryan Hiveley, Judith Berk King, Justin Lambert, Victoria Martin, Chris Riccardo, Bonnie Seeman, Gerbi Tsesarskaia and Karla Walter.

 

 

"Heart of Hearts" by Angi Curreri

“Heart of Hearts” by Angi Curreri

 

SoFlo: On and Off the Wall is an invitational exhibition that highlights South Florida’s thriving ceramics community. The art showcases talented ceramic artists in a wide range of sculptural and functional work, offering a perspective of current trends in South Florida. SoFlo is a group of artists and educators working at institutions from Miami to Jupiter, such as Miami International University, Barry University, Florida Atlantic University, and Palm Beach State College. 

 

"Baby Blanket" by Nazare Feliciano

“Baby Blanket” by Nazare Feliciano

The gallery is located in the Palm Beach Gardens campus’ BB building, Room 113 and hours are 9 a.m. to 5 p.m. Monday, Wednesday, Thursday and Friday and 9 a.m. to 8 p.m. Tuesday. For more information, call Art Gallery Specialist Karla Walter at 561-207- 5015 or email walterk@palmbeachstate.edu.

 

Deborah Adornato

Deborah Adornato

 

Serving 48,000 students annually, Palm Beach State College is the largest institution of higher education in Palm Beach County, providing bachelor’s degrees, associate degrees, professional certificates, career training and lifelong learning. Established in 1933 as Florida’s first public community college, it offers more than 100 programs of study at locations in Lake Worth, Boca Raton, Palm Beach Gardens and Belle Glade. 

 

 

Victoria M

Victoria Martin

 

 

For coverage of your events, to place an advertisement, or speak to Rickie about appearing in The Rickie Report, contact The Rickie Report at:

Rickie Leiter, Publisher

The Rickie Report

P.O.Box 33423

Palm Beach Gardens, FL 33420

Rickie@therickiereport.com

561-537-0291