Armory Art Salon Features Pip Brant And Duane Brant “Our Back Yard”

Featured Armory Art Salon Artists, Pip Brant and Duane Brant work independently and collaboratively on socially provocative installations and works in many media. Both grew up in the West and Mid-west and say that their experiences have profoundly influenced their work.  Armory ART SALONS offer stimulating conversations with other artists, in a relaxed setting. The discussions cover the gamut of contemporary art themes, including conceptual, cultural, socio/political, environmental, race and gender focused and aesthetic practices, the materials and techniques used to convey these ideas, and where we fit into the world of contemporary conceptual art. This is an opportunity to explore the practical side of being an artist, of professional development and sharing useful resources. The Rickie Report shares more details and some photos of Pip and Duane’s work. We applaud Art Salon facilitator, Elle Schorr, and urge you to attend this learning/networking opportunity.

 

 

 

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Armory Art Center Presents

ART SALON

Pip Brant and Duane Brant:

“Our Back Yard”

Tuesday, November 3

6:30 -8:30 pm

$10. to Attend, Pay at the Door

Armory Art Center Library

1700 Parker Avenue W. Palm Beach, FL 33401

 

 

 

The Armory Art Center hosts a variety of Art Salon groups. These groups hold meetings to discuss, display, and share the work of the participants and / or invited guests. All salons are $10 payable at the door and meet in the Armory Library. Enjoy stimulating conversations with other artists, in a relaxed setting. As a springboard to each of our explorations, professional artists from South Florida are invited to present their work, talk about what influenced them, and examine the work of influential artists showing in museums and galleries.  The Art Salon is curated by Elle Schorr.

 

 

PIP BRANT      AND     DUANE BRANT

 

 

Pip and Duane Brant work independently and collaboratively on socially provocative installations and works in many media. Both grew up in the West and Mid-west and say that experiences there have profoundly influenced their work.

 

 

ArmoryArtSalonPip-Brant-Arizona-Cavalry-stitch

Pip Brant  “Cavalry Stitch”

 

 

Pip Brant is primarily a fiber artist, and usually works on themes regarding social and environmental issues. Her works have been exhibited throughout the United States and abroad. Her Battlefield Re-enactment Series are embroideries that she says are a stage in a process of distancing the memories of battles fought in the 19th century, and now are full of suppositions and decomposed histories.  In her Hasenblut Series, (German for rabbit blood), Pip says she is “trying to honor the rabbit’s life with images made with its life-blood to create images of longing and perhaps a memorial to the animals that lent their life to mine.”

 

 

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“The Flying Carpet” by Pip Brant and Duane Brant

 

 

Pip has a BFA from University of Montana and a MFA from University of Wyoming. Since 1999, she has been Associate Professor in the Department of Art and Art History, Florida International University, Miami. She grew up and was educated in five different American Indian reservations, mostly Sioux, in the Dakotas and Montana, where her father worked for the Bureau of Indian Affairs. She states “They have a disconnection unlike any other place in the United States. They are vestiges of American Manifest Destiny and other bad deals”. She says “My summers on a German Immigrant Family farm, in South East North Dakota, also did their best to seek out a recreation of the connections of life and death and absurdity… Growing up there did result in a close relationship with the cycles of life. These include raising my own food. Art production and farming have been strong links in my work.”

 

 

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“Pink Lady” by Pip Brant and Duane Brant

 

 

 

Duane Brant has a BA degree in ceramics and metal smithing from the University of Montana and an MFA in printmaking, sculpture, and performance at the University of Wyoming. Duane has lived and worked in Ohio, Montana, Wyoming, and London, England, and since 1999 has been an adjunct teacher at Barry University and Florida International University, in addition to his studio time. He has exhibited nationally, and internationally. In 1993 his collaborative work was awarded a New Forms Regional Initiative program with funding from the National Endowment for the Arts and the Rockefeller and Andy Warhol Foundations He’s been awarded the Wyoming Visual Arts Fellowship, the Florida Follies purchase award by the Ft. Lauderdale Museum of Art, and Fulbright fellowships to England and Japan, studying contemporary art, performance art and pedagogy. Since 2002, he has worked with bonsai trees, and designs and creates all the pots for the trees in his collection.

 

 

 

ART SALONS

 

Art Salons offer stimulating conversations with other artists, in a relaxed setting. As a springboard to each of our explorations, professional artists from South Florida are invited to present their work, talk about what influenced them, and examine the work of influential artists showing in museums and galleries. Our discussions cover the gamut of contemporary art themes, including conceptual, cultural, socio/political, environmental, race and gender focused and aesthetic practices, the materials and techniques used to convey these ideas, and where we fit into the world of contemporary conceptual art. They’re also an opportunity to explore the practical side of being an artist, of professional development and the sharing of useful resources. Salons are facilitated by Elle Schorr.

 

 

TRAVEL DIRECTIONS:

 

All Salons meet in Library on Belvedere Blvd. Turn left at the light on to Parker Avenue. Continue north to Park Place, just before the fire station. The entrance and main parking lot of the Armory Art Center is halfway up the block on the left side.

If you’re driving South on I-95, turn left / east on Okeechobee Blvd. Turn right on Parker Ave, just before the Convention Center. Continue south past the fire station and turn left on Park Place. The entrance and main parking lot of the Armory Art Center is halfway up the block on the left side.

 

For more information:

Please visit www.armoryart.org for more information about classes, workshops, lectures and exhibits.

 

 

 

For coverage of your events, to place an advertisement, or speak to Rickie about appearing in The Rickie Report, contact:

Rickie Leiter, Publisher

The Rickie Report

P.O.Box 33423

Palm Beach Gardens, FL 33420

Rickie@therickiereport.com

561-537-0291

Norton Museum Collaborates with Andy Warhol Museum in Premiere Exhibit “Baby” Jane Holzer

Palm Beach native Jane Holzer was Andy Warhol’s first and most glamorous superstar, as well as a lifelong intimate.  She offers a singular insight into understanding  Warhol as a “prescient artist, media star, and focus of the 1960s cult of personality”.  The Norton Museum of Art, in collaboration with the Andy Warhol Museum, will present the first exhibit to focus on the relationship between the artist and his muse.  A special “Warhol and Film” panel discussion takes place on February 2nd.  The Rickie Report shares more details in this article.

 

 

 

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The Norton Museum of Art

 

Presents a Major Exhibition

 

on  

 

Andy Warhol’s First Superstar, “Baby” Jane Holzer

 

Warhol and Film panel discussion at 3 p.m. Sunday, Feb. 2, 2014

 

Art 101 mini-course, Warhol’s ‘60s:  Feb. 26, March 5, and March 12

To Jane, Love Andy Curator’s Conversation at 6:30 p.m. on Thursday, Feb. 27, 2014

Exhibit will be on view  Feb. 2 – May 25, 2014

 

 

 

The Norton Museum of Art, in collaboration with The Andy Warhol Museum, is presenting the first exhibition to focus on the relationship between artist Andy Warhol and his muse Jane Holzer – popularly known as “Baby Jane.” To Jane, Love Andy: Warhol’s First Superstar, will be on view Feb. 2 – May 25, 2014 and explores the Holzer’s rise as well as Warhol’s art, emphasizing the period of 1962-1965.  The exhibition will include films featuring Holzer, paintings, sculpture, and prints, as well as rarely seen material from Warhol’s own “Time Capsules.”  A Warhol and Film panel discussion is set for 3 p.m. Sunday, Feb. 2, featuring Holzer and prominent curators familiar with Warhol’s films.

 

 

Jane Holzer - Warhol film still

Jane Holzer – Warhol film still

 

“As Andy Warhol’s first and most glamorous superstar, as well as a lifelong intimate, Jane Holzer offers singular insight into understanding  Warhol as a prescient artist, media star, and focus of the 1960s cult of personality,” said Cheryl Brutvan, Director of Curatorial Affairs and Curator of Contemporary Art at the Norton. “The Norton is delighted to celebrate Jane Holzer who is a Palm Beach native and continues to have close associations with the community.”

 

 

 

The exhibition examines the rise of “Baby Jane,” a nickname given to Holzer by a Women’s Wear Daily columnist in 1962. Through fashions Holzer wore during the height of her modeling career for Vogue (among other publications), fashion layouts, and photographs of Holzer, her  early, independent identity and associations with the fashion world will be explored. The frenzied attention paid to Holzer prompted author Tom Wolfe to profile her in his 1964 essay, “The Girl of the Year.”

 

 

 

Holzer’s entry into Warhol’s circle and her role as a member and muse who contributed to the early years of his New York studio, The Factory, is seen through Warhol’s art and, especially his films which were of primary concern to him at the time.  Warhol created many of his iconic works, including the various series of paintings titled, Flowers, Jackie, and Death and Disasters during Holzer’s association with the studio from approximately 1962-1965. He also produced many films during this time with Holzer’s participation, including Kiss (1963-1964), Soap Opera (1964), Batman and Dracula (1964), and eight Screen Tests (1964-1966), among others.

 

 

 

“Holzer provides a significant counterpoint to many of the other visitors to Warhol’s studio,” Brutvan said. “She entered The Factory as an established, successful model. Warhol benefitted from her ‘it’ girl status and social connections. Holzer, in turn, benefitted from Warhol’s filmmaking, which fulfilled her early ambition to be in movies.”

 

 

 

“Andy Warhol and Baby Jane Holzer hold a special place in American pop culture,” said Norton Museum Executive Director Hope Alswang. “He was the epitome of the avant-garde and she was the epitome of style. The Norton is honored that Jane entrusted the Museum to draw back the curtain on this very public, yet intimate friendship to better understand this rich period in Warhol’s life and in American art.”

 

 

 

With updated technology by The Andy Warhol Museum, visitors will have the opportunity to create their own “Screen Test” while experiencing one of the challenges Warhol’s stars faced – sit for three minutes without blinking. Each visitor’s screen test will be posted on a custom web page where it can be shared with various social media outlets.

 

Exhibition-related programs include:

 

Warhol and Film panel discussion at 3 p.m. Sunday, Feb. 2, 2014: The panel features distinguished museum curators familiar with Warhol’s contributions to film, including Stuart Comer, Chief Curator of the Department of Media and Performance Art at The Museum of Modern Art; Claire K. Henry, Senior Curatorial Assistant, The Andy Warhol Film Project at the Whitney Museum of American Art; and Geralyn Huxley, Curator of Film and Video at The Andy Warhol Museum in Pittsburgh.  Jane Holzer is the panel’s special guest. The program is free with Museum admission.

 

 

Art 101 mini-course, Warhol’s ‘60s: This three-part course looks at the heyday of Warhol’s Factory, and other contemporary approaches to art that continue to resonate today; gallery discussions and power-point presentations led by Museum staff, 1 to 3 p.m. on three consecutive Wednesdays: Feb. 26, March 5, and March 12. Registration is $75 for members and $100 for non-members. Call (561) 832-5196, x 1113.

 

 

 

To Jane, Love Andy Curator’s Conversation at 6:30 p.m. on Thursday, Feb. 27, 2014: Organizing curator for the exhibition, Cheryl Brutvan, leads a discussion of the exhibition during Art After Dark.

 

 

 

Cinema of the ‘60s series, beginning 6:30 p.m. March 20, 2014: Film scholar, author, and former Palm Beach Post Books Editor Scott Eyman screens cutting-edge films by some of the most daring filmmakers working in New York during the 1960s. Each screening will be followed by a discussion. The series opens during Art After Dark with D.A. Pennebaker’s Don’t Look Back, a documentary about Bob Dylan’s 1965 UK concert tour, and closes on April 17 with films by Warhol. This program is made possible in part through the generosity of the Gayle and Paul Gross Education Endowment Fund.

 

 

About the Norton Museum of Art

The Norton Museum of Art is a major cultural attraction in Florida, and internationally known for its distinguished Permanent Collection featuring American Art, Chinese Art, Contemporary Art, European Art and Photography. The Norton is located at 1451 S. Olive Ave. in West Palm Beach, FL., and is open Tuesday, Wednesday, Friday and Saturday, 10 a.m. to 5 p.m.; Thursday, 10 a.m. to 9 p.m.; and Sunday, 11 a.m. to 5 p.m. (Closed on Mondays and major Holidays). General admission is $12 for adults, $5 for students with a valid ID, and free for members and children ages 12 and under. Special group rates are available. Admission is half-price for all on Thursdays. West Palm Beach residents receive free admission every Saturday with proof of residency. Palm Beach County residents receive free admission the first Saturday of each month with proof of residency. For additional information, please call (561) 832-5196, or visit   www.norton.org.

 

For coverage of your events, to place an advertisement, or speak to Rickie about appearing in The Rickie Report, contact The Rickie Report at:

Rickie Leiter, Publisher

The Rickie Report

P.O.Box 33423

Palm Beach Gardens, FL 33420

Rickie@therickiereport.com

561-537-0291