Deborah La Fogg Docherty Takes Pastels To The New Heights, Winning Two National Awards. Check Out Her Newest Classes For All Levels And Her Artworks

Deb La Fogg Docherty celebrates international recognition of her pastel art with 4th Place and Honorable Mention wins in the Pastel Journal’s 100 Pastels for 2022. Her love of the medium is apparent when you see her work. The inferences of a tree’s shadow, a dog’s eyes, or a cat’s hair distinguish her abilities. Not content to create art herself, Deb is a wonderful teacher, eager to share her methods with her students.  The Rickie Report shares an interview with Deb about “Patio Princess”, some sneak peeks, the class details and urges anyone who ever wanted to dip their toes into painting or pastels to take advantage of Deb’s class opportunities, as you read in the interview, teachers have influence of their students that follows them in their lives. 

 
 

 

 

 

 

 

 

 

 

Two of Deborah’s animal paintings recently won fourth place and honorable mention in the Pastel Journals Top 100 Pastels for 2022 international competition and have fetched substantial amounts in recent auctions. In 2021 her painting “Testing the Waters” was selected by the Timber Wolf Alliance for their Poster of the year.

 

 

 

 

 

 

 

 

 

“Patio Princess” by Deborah La Fogg Docherty. All rights reserved

 

 

 

Deborah LaFogg Docherty’s love for painting and nature began on a farm in Connecticut where she grew up. Besides the animals she encountered, her mother’s paintings inspired Deborah to continue in her footsteps. In grade school she had numerous watercolor one woman shows of the birds she had encountered on nature walks with her teacher Mrs. Harvey. Her formal training in illustration and commercial art began in college where she had a painting hanging in Yale University’s Art Gallery in her junior year and discovered the joy of pastels. After graduating with honors, she moved to South Florida where she landed a job with a large newspaper for 34 years, finding ways to use her art in and outside of work.  

 

 

During her art-related trips to Europe it was Degas’ pastel paintings that were as vibrant as the day he created them that fed her desire the most. In hopes of honing her skills and insight she took workshops and classes with Doug Dawson, Maggie Price, John Seery-Lester, Richard McKinley, Liz Haywood-Sullivan and Jan Martin McGuire. With the many things Deborah learned she loves to share her passion for pastels with beginners and intermediate students through workshops and classes.

 

 

 

 BEHIND  THE  SCENES

 WITH  

DEBORAH  LAFOGG  DOCHERTY

 
 

 

 

TRR:  Tell us about your exciting award winning piece!  How you approach a blank surface before you begin and how does the subject effect your work?

DEBORAH:

 

A blank piece of paper is an exciting opportunity to me. I can sketch it or take photos and play with compositions in photoshop, but this was a something I had seen almost daily that made me smile. The subject is one of my two cats, Boop. She and her sister were rescues.  Boop is a sun worshiper/ snuggler and her eyes light up every time she gets to go out into the patio.  At a certain time of day, the light would hit  Boop just right and the scene would sparkle!  That’s when I knew I had to paint it! To me when the composition, contrast, textures and colors come to life that gives me inspiration.

 

 

TRR:  You can sign up for classes with Deborah (Starting the beginning of October) by contacting the Boynton Beach Arts and Cultural Center.  Sign up for “Expressive Pastel”:  561.742.6221  Located at 1901 N. Seacrest Blvd.  Boynton Beach, FL 33435.  Click Here to register

Deborah will also be teaching “Expressive Pastels For Landscapes” at the Armory Art Center on October 17/18 and November 28/29.  Contact Deborah for details

 

 

 

“Dreaming of Flight” by Deborah La Fogg Docherty. All rights reserved

 

 

 

 

TRR: What is your working method?

DEBORAH:

Once the drawing is done, I will often do an under painting of large areas to establish where lights, darks and colors go. On this painting I choose to do each section independent of each other, allowing me more control. The different texture was exciting to me. The paper I use is 400 UART, it allows me to use many layers of color. The pastels I use range from hard Rembrandts and Giraults to buttery colorful Jack Richeson, Terry Ludwigs and Unisons. The pastel pencils I use are Faber-Castel.

 

 

 

 

“Assateague Island” by Deborah LaFogg Docherty. All rights reserved

 

 

TRR:  What is your focus when it comes to color, values, mark-making and textures?

DEBORAH:

 

Color obviously plays a major role in this piece. I love color. I had been told by one of my professors that I was a “colorist”. To me color is life. It expresses mood and invokes emotion in the viewer, things I want to share.  When I approach a painting, I note the shape and texture of each object. Is it fur? Is it a smooth surface like the sky, water, or is it a tree with many layers of textures? Each gets a different approach. Example: fur. You wouldn’t like to pet a cat going against how its hair grows… it would appear course and unnatural. You’d want to paint it going in the direction of how it flows over muscle and bone so it appears more lifelike. You’d use thin short strokes.

 

 

 

“Pelican Dawn” by Deborah LaFogg Docherty.  All Rights Reserved

 

 

 

TRR:  Are there ever any surprises as you work on a painting?

DEBORAH:

 

Mostly I paint wildlife and landscapes but I’ve been painting pets for other people ever since I finished college and moved to Florida. I will only paint pets for myself if I feel that the particular animal has importance to me. About surprises…YES!  I had gotten halfway done with “Patio Princess” when I dropped it. I was devastated… But I really wanted to finish it. After studying it for a week I noticed the cushions on the coach had been too vibrant. The pastel dust from other colors had neutralized the color helping me to see. It took almost destroying the painting, to turn it into a blessing in disguise!

 

 

TRR:  Is there anything else you’d like to add?

DEBORAH:

I am currently featured in a curated exhibit, “Dog Days of Summer…and Other Pets, Too” by Martin Arts at the Courthouse Cultural Gallery in Stuart, FL. which is available through October. For more details visit:  www.lafogg.com

 

 

 

 

Her paintings have won many other national and international awards and have been included in art museum shows in the US, the International Festival for Natural Ecology Convention at the Lanwan Art Museum in Qingdao China with the Artists for Conservation and has had paintings in New York City’s Salmagundi Club, Sotheby’s in Los Angles and the MEAM Museum in Barcelona Spain.  Membership affiliations include: Signature Member Pastel Society of America, Signature Member Artists for Conservation, the Salmagundi Art Club in NYC, Elected Member Audubon Artists, Society of Animal Artists, National Oil and Acrylic Painters Society, Oil Painters of America, and the International Guild of Realism.

For more information about Deborah’s paintings or classes:

Deborah LaFogg Docherty, AFC, IAPS/MC, PSA
Wildlife/Landscape Artist

www.lafogg.com

deb@lafogg.com

 

 

For coverage of your events, to place an advertisement, or speak to Rickie about appearing in The Rickie Report, contact:

Rickie Leiter, Publisher

Rickie@therickiereport.com   561-537-0291

17019 SW Sapri Way   Port St. Lucie, FL 34986

Sharing Art Career Expertise With The Rickie Report And Artsy Shark Plus A Call To Artists

Carolyn Edlund (Artsy Shark) and Rickie Leiter (The Rickie Report) share a Call to Artists plus Part I of an interview which focuses on increasing your art audience.  The Rickie Report shares both and hopes you will not only apply to the Call for Artists ( DEADLINE  is July 7, 2022  at midnight), but consider how to grow your business.

 

 

 

 

 

Clockwise from top left: Cheryl Magellan, Hannah Billingham, Jane Yuen Corich, Karen Rand Anderson, David Tulbert, Emma Cavell

 

 

 

 

Your artist feature is promoted to our large social media following (80,000+) and emailed to more than 25,000 subscribers, exposing your art to a vast audience.

After your feature publishes, you will receive a PDF copy of your portfolio article in magazine style format to use as marketing collateral that continues to promote you as an artist.

 

 

 

 

 

 

 

 

 

 

 

 

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The    Interview:

 

 

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Advice for Artists: Secure Opportunities and Promote Your Events

Arts advocate and marketing expert Rickie Leiter shares recommendations on how artists can make the most of opportunities and publicity.

 

Rickie Leiter, founder of The Rickie Report, covers the South Florida visual art scene. She publishes feature stories, presents upcoming events and opportunities, and provides helpful tips for artists of all types to publicize their work and further their art careers. Rickie outlines proven ways for artists to assess and successfully apply to calls, and gain exposure when accepted.

 

 

The Rickie Report

 

Why apply?

First, to determine why you are applying to a specific Call for Artists, ask these questions:

  • Do you have enough body of work to apply?
  • Has this been a successful show for you in the past?
  • If it’s a new venue, what are your goals?
  • How will being in this exhibit help your business grow?
  • Will it help you network with others to amplify your own work in the future?

Take moment to consider what being in an exhibit means for your business. While your goal is to sell and make a profit, you need to consider the exposure as part of your advertising and marketing budget. You have one, right?

Every successful business has a marketing plan, and it helps to create a two-year calendar for this purpose. The calendar will allow you to keep track of exhibits and shows you are in and those you are applying to and waiting to hear from.

Make an inventory list so you know which pieces may be committed to a certain exhibit or show. This prevents mistakes and avoids confusion.

Take note of exhibits and shows that have already occurred, but that you were interested in. Sign up for their mailing list to hear about future opportunities and place them on your calendar. Keep aspiring to reach new goals and grow your business—this means considering Calls to Artists that may be out of your current comfort zone.

The application process

Once you identify a Call you want to pursue, read every aspect of the application carefully. Many artists are not accepted because they miss small details in the application process. Make sure your jpegs are the correct resolution and are the best they can be. This is the first step of the jurying process that separates those accepted from those who are not.

Having juried online exhibits in the past, I can tell you that your images are your best shot (no pun intended) at presenting your work. If your artwork is textural, can the juror see the subtle changes in texture?  If the object is 3D, can the juror see all of it? Simple things like making sure your reflection doesn’t show in a photo say a lot about your professionalism.

On your calendar, note the details of drop off, set up, take down, and pick up. Will you need to designate someone else to drop off or pick up your work if you’re not available on the listed dates? Think about all the contingencies and have a plan.

When you are accepted

 

Your work isn’t over once you get accepted. Now is the time to tell the world how excited you are to be participating! Ask the convener of the exhibit or show for a press release and press kit so you don’t have to reinvent the wheel. Don’t rely on the show producer, exhibit coordinator, or gallerist to do all of the publicity work. This is a collaborative effort; each party has responsibilities to make the event as successful as possible. Contact your media list, social media list and email list. Share your excitement about the acceptance. And add information about the event to your website immediately, keeping your list of shows and exhibits up to date.

If this is a new show for you, decide how you are going to orient yourself before you arrive. Do you have a checklist of what to bring? (business cards and signage are the major items artists forget when I meet them at shows). Do you know anyone in the area? Are you involved in an organization that has a local chapter and can make some introductions?  If you have a specific theme, what local organizations might you partner with before you arrive? You may be an artist who works alone, but you need to enlist a team of supporters to be successful!

If you are not accepted

 

When you receive notice of non-acceptance, keep notes on any feedback that was provided by the juror. If none are offered, you can certainly ask! In my experience, sometimes an acceptance is merely a consideration of wall space. The juror liked your artwork and another person’s artwork. Their piece was a few inches smaller, so it was accepted and yours was not. Or theirs fit the theme of the exhibit better, once the jurying got underway. Learn from this experience. Otherwise, you will continue to throw your money out the window by applying for events with little understanding.

 

 

 

Art Gallery shot

 

Use your involvement to promote events and go beyond

 

 

Rickie’s 2-foot rule: Share your passion with anyone who comes within two feet of you! This includes your social media and your friends’ and colleagues’ social media. Include your compelling news in an email to everyone on your list. This is not the time to be shy. You are not asking for anyone to buy. You are sharing your passion.

Practice will help you feel comfortable with your elevator speech. Make it your own. As a jewelry artist, polymer clay creator, and mosaicist, I have changed my own delivery a number of times. What has not changed is my inspiration to create.

If someone in the grocery store asks how my day is going, I tell them how excited I am that I just was accepted into a national art show with my artwork! First, they are usually surprised that anyone actually responds to the question. Second, I find that most people are excited for me. Third, when they see me again, they are invested emotionally in how my art business is progressing.

I know you’re reading this and rolling your eyes. Will that clerk buy a $250 necklace from me? I don’t know. I never assume what people spend their money on or how much money they have. (A good book about this is The Millionaire Next Door). If that clerk isn’t interested, he or she may know someone who is. That is why you share your passion.

Impress the press

 

If the event you are doing involves a non-profit, make sure they have your press release to send out to their clients, volunteers, and board members. (A written agreement should delineate what they are responsible for and what you are responsible for).

Don’t wait until the “end of the year letter” to connect with everyone. Do it now. Include local media, such as local newspapers, arts newspapers, PBS radio, and local television. Don’t assume they won’t be interested. You cannot know what story lines they are currently developing, and yours might be perfect!

Get in touch with your network of contacts and ask them to share your exciting news with their friends and family (you’d do that for them, right?)

My own publication, The Rickie Report, has a production calendar that is often booked by organizations 6-9 months in advance for articles. While I have openings, it is best to contact me 6-8 weeks in advance to book a publication spot. Please don’t wait until the week before the exhibit to ask for one. That said, there are sometimes cancellations, so it never hurts to contact media resources at the last minute just in case.

Send out your press release and then follow up. Emails can get lost or go to spam, and are often unopened. You work too hard to let this slip through the cracks. If you don’t feel comfortable calling to see if they received it, send a text and a jpeg as a reminder.

You can also make an impression by sending a snail mail invitation. If you’re presenting a lecture at a local restaurant, for instance, send an invitation with one tea bag (in sturdy packaging) and ask the person to join you. Even if they can’t attend, you have caught their attention with your creativity and by going an extra step!

 

 

 

 

For more information :

 

Want to stay current on cutting edge business articles from Artsy Shark, plus artist features, and an invitation to the next Call for Artists? Subscribe to twice-monthly Updates, and get a free e-book on Where to Sell Art Online right now!

Carolyn Edlund:  410.977.2915

Carolyn@ArtsyShark.com

www.ArtsyShark.com

 

 

 

For coverage of your events, to place an advertisement, or speak to Rickie about appearing in The Rickie Report, contact:

Rickie Leiter, Publisher

Rickie@therickiereport.com   561-537-0291

17019 SW Sapri Way   Port St. Lucie, FL 34986

 

 

Sculptor, Kinetic Creator, And Fine Artist Debbie Lee Mostel Shares Her Quirky New “Wonder Sponge” Bringing Delight To Our Chores

Debbie Lee Mostel is a science-based thinker/designer/artist who sees wonder in every drop of water and behind every blade of grass.  Her awards for kinetic designs, art-in-public places commissions, forward-looking  jewelry, sculptures, and paintings all point to her drive for innovation. Her inventive nature and lack of tolerance for wastefulness has culminated in “Debbie’s Wonder Sponge”!  Debbie shows us how to take the drudgery out of cleaning up a mess by adding her unique twist of creativity.  The Rickie Report shares the details and photos here while we marvel at this serious artist’s unending capacity for joy, humor and practicality!

 

 

 

 

 

Debbie Lee Mostel’s training with master goldsmith Ellen Broker and master silversmith Hans Christensen of Denmark gave her the base for transforming her creative ideas into solid businesses. Early in Debbie’s career, after a stint at Tiffany’s, she formed her own company. Her work in the wholesale jewelry business brought her acclaim with designs being carried by Bloomingdales, Nordstrom, Macy’s, Henri Bendel, and Saks Fifth Avenue. Her jewelry was seen in many Richard Avedon fashion photographs. Debbie has sold her one-of-a-kind pieces of jewelry (many made from lamp worked glass she created) at the prestigious juried Annual Palm Beach Fine Craft Show.

 

 

 

Debbie Lee Mostel’s Wonder Sponges!

 

 

 

Debbie tells The Rickie Report, “I’m the type of artist/designer that thrives on exploring new mediums. Like the shark…I have to keep moving. My formal education started with Metal and Glass, decades later I found myself in a fruitful career of painting and sculpture as well.  My sense of curiosity is what I thrive on, exploring new mediums and continually growing as an artist”.

 

 

 

 

 

 

 

 

 

TRR:  Your formal education (BFA California College of the Arts and Pratt Institute in New York) began in metal and glass, under the tutelage of glass visionary Marvin Lipofsky (student of Harvey Littleton) and included workshops with Dale Chihuly. You have a fruitful career that has incorporated painting, sculpture, and kinetics! Most of us know you as a fine artist who has garnered awards and accolades to fill albums.  What brought you to designing a sponge?

DLM:

So remember that floor mop in the form of slippers? Good concept but ugly and inconvenient. Enter my beautiful sloppy dog named Lucky. He drinks from his bowl, slobbers down his chin, drips all over the house and looks at me, and says “Mom help, I’m a mess. My face is wet, the floor is an embarrassment, what can you do?” After years of exhaustingly wasting paper towels, bending, and wiping,  I thought of that slipper and said to myself “ I can design something better. Something easy to use, cost-effective, and aesthetically appealing”.

 

 

Debbie Lee Mostel’s Wonder Sponges!

 

 

TRR:  Taking spinning VCR motors, trap doors, wind-up toys, and even a Slinky, you caught the attention of Tom Shadyac, director of many Jim Carey movies with one of your Globe series.  Please take us through your process with these sponges.

 

 

DLM:

After months of trial and error, I came up with Debbie’s Wonder Sponge. Friends and neighbors all wanted one (or two), so I introduced the Sponge at trade shows where I exhibit my Designer Jewelry. When I demonstrated the sponges on a piece of linoleum, they started flying out the door!

 

 

 

 

 

 

 

TRR: In between exhibits, you worked for Tom Matthews, an event planner in Palm Beach as their Resident Artist creating hanging light sculptures at Mar a Lago and mosaic topiaries for the Surf Club. You’ve created specialty environments for the Flagler Museum, Breakers, Brazilian Court, and Colony Hotel, to name a few. Debbie’s Wonder Sponges ARE clever and pretty.  How have people reacted?

 

 

DLM:

 

The only complaint I’ve gotten so far is that some people think they are too pretty to get dirty. Nonsense! It’s functional art.  Now customers are buying 6 or 8 at a time to give as gifts.

Debbie’s Wonder Sponge! “You’ll wonder how you lived without it!”

Don’t waste money on paper towels for all those little clean-up needs.

Machine wash and dry. Handpainted with acrylic fabric paint so will NEVER run, fade or crack.

A functional piece of little art that helps you enjoy a happy, healthy home.

Leave it by the sink for a quick cleanup of water spots then spray a little disinfectant on the counter and WOOSH…happy and healthy.

Leave it on the floor, step on it and PUSH!!!!…water spots and spills instantly gone. From water dispenser to sloppy dog!

 

 

 

Debbie Lee Mostel’s Wonder Sponges!

 

 

TRR:  Where are you selling them?

DLM:  On my Etsy site – and shipping is free!

 

 

More about Debbie Lee Mostel:

 The Norton Museum of Art has featured Debbie in their Art After Dark series. She is a member of National Association go Women Artists (NAWA), Lighthouse ArtCenter, Cultural Council of Palm Beach County, and Artists of Palm Beach County.

 

 

 

 

 

 

For coverage of your events, to place an advertisement, or speak to Rickie about appearing in The Rickie Report, contact:

Rickie Leiter, Publisher

Rickie@therickiereport.com   561-537-0291

17019 SW Sapri Way   Port St. Lucie, FL 34986

WITVA (Women In The Visual Arts) Starts Season Off With Zoom Seminar Focused On Good Business Practices For Artists Featuring Rickie Leiter

Women In The Visual Arts (WITVA) announces their kick off meeting on Friday, September 25 via Zoom.  Rickie Leiter, publisher of The Rickie Report will present two topics: “Why You Need An Artist Statement” and “Marketing During A Pandemic”.  There will time for questions and answers from participants.  This event is Free but you must RSVP by September 22 to receive the Zoom link information.  WITVA grants art scholarships, holds an annual competitive exhibition with awards, offers educational forums relating to specific forms of art,  presents art exhibitions and competitions, and serves as a networking forum for members and guests.  WITVA also donates group art to other non-profits. Join WITVA today!

 

 

 

 

 

 

 

 

 

 

Rickie Leiter,  Publisher of The Rickie Report 

Presents:

 

 

“Why You Need An Artist Statement”

&

“Marketing Art During A Pandemic”

 

 

FRIDAY, SEPTEMBER 25

1:00 pm

Via Zoom

 

RSVP to get the Zoom link:  KGHENKE@gmail.com

 

 

 

 

 

 

Rickie Leiter has always been fascinated by the creative process. A former art consultant in her native Massachusetts, her instinct to connect with creatives in her new Florida home led her to found The Rickie Report in 2011. This free online publication features artist stories, helpful tips for marketing, a calendar of upcoming art events, and calls to artists/artisans for both juried and non-juried shows. Rickie’s goal is to help artists, galleries, and visual arts-related organizations achieve their potential by connecting with other artists, art lovers, and patrons. Rickie’s mission is to help emerging artists achieve meaningful careers and to guide professional artists in finding their niches. She has juried exhibits, offered Art Marketing Seminars, and been a featured speaker at many art-related events. Rickie is an active member of numerous art coalitions in southeast Florida. She is always looking for a way to connect emerging artists, established artists, art promoters, and art patrons together, sometimes in the most unexpected ways.

 

 

 

Rickie earned an MSW and worked as a psychiatric social worker before changing professional paths as an art consultant. While her own creativity includes a successful career as a jewelry artist and a mosaicist, she is open to new knowledge, growth and experiences. Rickie has served as a long-time volunteer in national and international non-profits, providing her with a solid on-the-ground education for marketing, communication and leadership training. She and her husband, Jeff, publish The Rickie Report while enjoying the cultural bounties around them. Being involved with her community is important to Rickie, as she volunteers with the Ft. Pierce Jazz Society and co-chaired a juried art show in PGA Village Verano. She previously worked in Development with Dana Farber Cancer Institute and is a long- standing leader with Hadassah.

 

 

 

 

For more information on events, membership, or supporting WITVA, Inc. please visit:

 

www.witva.org

 

 

For coverage of your events, to place an advertisement, or speak to Rickie about appearing in The Rickie Report, contact:

Rickie Leiter, Publisher

Rickie@therickiereport.com   561-537-0291

17019 SW Sapri Way   Port St. Lucie, FL 34986

 

A Top Artist Advocate, Rickie Leiter, Is Interviewed By Artsy Shark Founder, Carolyn Edlund. Meet Rickie On November 2-3 At Artists And Charities Hand In Hand Event At Palm Beach County Convention Center

Artsy Shark, a leading art blog, recently interviewed Rickie Leiter, publisher of The Rickie Report about what artists need to know to thrive in today’s changing art market. Founder, Carolyn Edlund, asked about the biggest challenges that artists face, how to stand out, and more.  We are honored to share this interview with you and we suggest you add your name to Carolyn’s blog of helpful resources for all artists who want to build better businesses! Come to the Artists and Charities Hand in Hand Fine Art Show on November 2-3 at the Palm Beach County Convention Center to meet Rickie.  Stop by and introduce yourself!

 

 

 

 

 

 

A Top Artist Advocate, Rickie Leiter,  Speaks

by Carolyn Edlund

 

 

 

Carolyn Edlund Graham

 

 

 

Arts advocate Rickie Leiter has worked tirelessly to provide support and resources for artists of all types. She offers her views on the current state of the industry, and what artists must know.

 

 

 

 

Rickie Leiter leads conversation at an arts industry networking event. Photo courtesy of Samantha Castro

 

 

AS:  In your experience, what are the biggest challenges visual artists face today? Have they changed significantly in recent years?

RL:  The biggest challenge visual artists face is deciding how and where to market their artwork. Because most artists have little or no business background, it is easy to fall into the “starving artist” syndrome, which is truly unnecessary. There are so many vetted resources that can guide them! Some major challenges they face are:

  • Maintaining a business model (updated website, constant social media about their artistry, marketing, and advertising, expenses to apply to exhibits, insurance of their artwork, how to pay themselves)
  • How to decide which gallery is the best fit for their artwork
  • Pricing their work
  • Maintaining an inventory
  • Standing out in the crowd
  • Understanding their niche market (if you try to be everything to everyone, you will burn out).

The proliferation of online art sales has become a reality. Brick and mortar galleries are folding under severe economic pressures to maintain the quality of art being offered, engaged art patrons, and continual sales.

Clients are eager to see the newest artwork available, which gives digital marketing an edge. Virtual galleries are being born constantly which eschew the normal expenses that physical galleries have. These expenses include electricity, water, property insurance, and insurance for the art, among others.

Even with virtual art marketing websites, artists must read the fine print of every contract! Does the artist maintain ownership of their images? How are sales tracked? How does an artist enter an art piece in another exhibit that just became available and fits their niche market?

In essence, artists have to ask themselves who their advocate will be. If they are relying on themselves, they must have reliable legal and financial advisors. It all boils down to a business plan. Creating is the “fun” part. You have to do the “hard” business part too, in order to be successful.

AS:  With galleries in decline and the art market in transition, individual artists must become self-determining. How do you view this trend?

RL:  Self-determination allows artists to network more freely, which I strongly believe is the ultimate marketing tool.

Artists need to do their homework, and move forward with a flexible but anchored plan. Go to a physical gallery and see if your work will fit in. See how the gallery staff responds to art lovers (not all of whom will be art patrons). Go to an opening reception and see who the clientele is. Do you see yourself there? Then, make an appointment to show your work; never just show up with a portfolio. If you are interested in a virtual gallery, contact some of the artists who use it, and ask for their feedback.

AS:  What is your best advice for artists entering the market today? How can they get ahead?

RL: I am not a car mechanic. When my car needs servicing, I take it to a dealership whose reputation I trust. I am not a web designer. When I gave birth to The Rickie Report, I surrounded myself with a knowledgeable webmaster who speaks in plain language, a business manager, an accountant who set up our billing and payment systems, and a graphic designer. I still rely on these experts at different times.

Take a business class. Make a business plan. Have a business consult.

AS: What are your best tips for standing out from the crowd?

RL:  I believe in dreaming big. And I dream “out of the box.” Here’s how to get started:

  • Make a list of the people you know in your life (living anywhere).
  • Share your passion (i.e. your artistry) with them.
  • Follow my two-foot rule: share your passion with anyone who comes within two feet of you.
  • Remember this is a moment for sharing, not selling.
  • When people feel your passion, they are eager to share it.
  • How can they help you? First you must tell other people about your work!

AS: Who else can an artist share their work with?

RL:  Think about different, unexpected ways your artwork intersects with other people’s lives.

Are you a member of Costco? Send a link to your art website with a short note about how much you enjoy the Costco experience. You might be chosen for a highlight in their member’s magazine. This kind of publicity…. wow!

Are you exhibiting at a unique event? Contact AAA (Automobile Association of America) and ask about a virtual listing of your event, with a link to your website. They have lots of readers and give you lots of exposure, even if they can’t make the event.

Partner with a charity who invites their patrons to an event. When you sell your artwork, offer a portion of the sales to the charity. This is a win/win and the art patrons will feel good about it! Give out business cards that offer a percentage of the next sale to the charity as well. That brings repeat clients and helps you build a collector relationship.

Do you understand your market niche? I know an artist who creates hearts in her paintings. Who can she network with, knowing clients will be in tune with her artistry? Connections I suggest include the American Heart Association, medical practices of cardiologists, Valentine’s Day events, Red Dress events for women’s heart health, hospital gift shops, etc. I could go on and on with ideas, which is why I enjoy doing consults with artists.

AS:  Your online newsletterThe Rickie Report   provides opportunities, publicity and updates for artists in the South Florida region. What other resources do you recommend to artists?

RL:  Artsy Shark is one of the best resources I know. Besides websites which are specific to art exhibits and entry opportunities, I find some of my best kernels of creative ideas from business magazines. They may or may not be art related, but I read them and take notes. Here’s my top list:

Additionally, I recommend that artists refer to publications, especially Entrepreneur Magazine, Inc. Magazine, and Handmade Business, which often have great articles for artists and other creative business people. They can often be read free of charge at libraries.

Stay in touch with Rickie Leiter by subscribing to The Rickie Report, and following her on Facebook.

 

 

Interview link: https://www.artsyshark.com/2019/10/02/a-top-artist-advocate-speaks/

Want to stay current on cutting edge business articles from Artsy Shark, plus artist features, and an invitation to the next Call for Artists? Subscribe to our twice-monthly Updates, and get a free e-book on Where to Sell Art Online right now!

YES PLEASE!

Carolyn Edlund:  410.977.2915

Carolyn@ArtsyShark.com

www.ArtsyShark.com

 

 

 

MEET  RICKIE  AT  THIS  EVENT:

 

Saturday, November 2, 2019

Sunday, November 3, 2019

    11 am – 5 pm

 

Benefits:

Armory Art Center

Dreyfoos School of the Arts Foundation

Peggy Adams Rescue League

 

 

artistsandcharities.com

 

 

For coverage of your events, to place an advertisement, or speak to Rickie about appearing in The Rickie Report, contact:

Rickie Leiter, Publisher

Rickie@therickiereport.com   561-537-0291

17019 SW Sapri Way   Port St. Lucie, FL 34986

Town Of Jupiter Announces Free Classes/ Events January Through March, 2018 For “Celebration Of The Arts”

The Town of Jupiter Art Committee aims to keep you busy! Learn a new art skill or hone one you already have! FREE classes ( only a few have supply fees): Fused glass pendant, jewelry making, paper sculpture, oil painting, basket weaving, mixed media painting. Take the family to the Free  Jupiter Jubilee.  Stop by the Free Meet the Authors Night.  Jupiter’s “Celebration Of The Arts” January through March, 2018 begins now!  The Rickie Report shares the details and information about registration.

 

 

 

 

 

“CELEBRATION   OF   THE   ARTS”

 

January through March, 2018

 

 

 

CLASSES  FREE/EVENTS  NO  CHARGE

*All Art Classes held in Room 113 Community Center with the exception of the Oil Painting Class held at Angilen Gallery, Tequesta

**The Authors Program is held in Room A – Auditorium

PLEASE  REGISTER  AHEAD  OF  TIME  FOR  CLASSES!

For more information or to RSVP:

  (561) 329-5007
faye.schrecengost@gmail.com

 

Community Center

200 Military Trail,  Jupiter  FL. 33458

 

 

FUSED  GLASS  PENDANT  JEWELRY

SATURDAY, JANUARY 27, 2018

12 – 3 PM

Lynda Koehler, Instructor assisted by Lou Ann Berkley

Explore Glass fusing.  Student will go home with a pendant.  Supplies provided.

 

 

 

 

 

TOWN OF JUPITER ANNUAL JUBILEE

SATURDAY, FEBRUARY 3rd  

FREE

11 – 4 

 

The Jupiter Jubilee is an annual community event put on by the Town of Jupiter for area residents. The Jubilee typically has entertainment, civic, educational, and cultural components.

The Town of Jupiter has been holding the Jubilee the first week of February since 2003. Its genesis was the town’s 75th Anniversary Celebration in 2000, when a community event was held at the municipal complex. This original event brought the community together to celebrate life in Jupiter, and was so successful that town leaders began planning for an annual event.

Each year, the Jubilee highlights Jupiter’s unique character, history, community and natural treasures. In the spirit of conservation, the Jubilee is a Green event, and vendors, exhibits and attendees are encouraged to recycle, re-use, and conserve.

Free parking is available at Jupiter High School, just south of the Jupiter Community Center, on Military Trail. Free shuttles will operate continuously throughout the event, back and forth from the high school and the Jubilee.

For more Jubilee Information:  info@jupiter.fl.us  or Call (561) 741-2400

 

 

 

 

 

MEET THE AUTHORS 

Wednesday FEBRUARY 7th

6 – 9 PM

No Admission Charge But You MUST  R.S.V.P.

 

 

 

**Jupiter Community Center Room A Auditorium

Light refreshments

Meet the authors:

• Patricia Benedetto, Rick Bennette
• Donna Carbone, Jay Gilbert
• Master of Ceremonies Author Jim Snyder

 

 

 

PAPER SCULPTURE

FRIDAY, FEBRUARY 9th

6 – 9 P.M.

Nina Fusco, Instructor

Learn how to bring paper to life by scoring, bending and sculpting.  You will own a sculpted piece of art ready to frame.

Supplies provided EXCEPT:

BRING:  Pencil, scissors, glue

 

OIL PAINTING

SATURDAY, FEBRUARY 10th

*Class meets at Angilen Gallery, 150 N. US Hwy. One   Suite B Fashion Mall Plaza, Tequesta, FL

Len Mykietyn, Instructor

9 am – Noon

Beginner to advanced students. Individual attention given to all levels.

Supplies provided

 

JEWELRY CLASS

SATURDAY, FEBRUARY 17th

Lou Ann Berkley, Instructor assisted by Lynda Koehler

Noon – 3 PM

Supplies Provided

 

 

BASKET  WEAVING – CAT’S  MEOW BASKET

SATURDAY, FEBRUARY 24th

Joan Stoneham, Instructor

9 AM- 5PM

Bottom of basket resembles two pairs of cat ears.  Basket will sit on four points.

 Supplies:  $65.

BRING: old towel, lunch, beverage

 

MIXED MEDIA PAINTING ( STUDENT SELECTS MEDIA)

SATURDAY, MARCH 3rd

Brenda Nickolaus, Instructor

10 AM – 2 PM

Focus will be Soul, Art and nature. Be creative! Make your own Wit and Wisdom inspiration cards

Supplies Provided

 

BASKET WEAVING – NANTUCKET TWILL VASE

WEDNESDAY, MARCH 7th

9 am – 5 pm

Joan Stoneham, Instructor

Create a beautiful Nantucket Twill Vase, one of the world’s oldest handcraft!  

A wood base will be offered for a more unique look.

Supplies:  $65.

BRING: old towel, lunch, beverage

OIL PAINTING

SATURDAY, MARCH 10th

*Class meets at Angilen Gallery, 150 N. US Hwy. One   Suite B Fashion Mall Plaza, Tequesta, FL

Len Mykietyn, Instructor

9 am – Noon

Beginner to advanced students. Individual attention given to all levels.

Supplies provided

 

 

 

For more information or to RSVP:

  (561) 329-5007
faye.schrecengost@gmail.com

OR Visit:  www.jupiter.fl.us

 

 

 

For coverage of your events, to place an advertisement, or speak to Rickie about appearing in The Rickie Report, contact:

Rickie Leiter, Publisher

Rickie@therickiereport.com   561-537-0291

17019 SW Sapri Way   Port St. Lucie, FL 34986

Wellington Art Society Features Jack Rosen And Richard Mauseth of CJR Fine Arts & Frame At March Meeting

The Wellington Art Society will feature member Jack Rosen and Richard Mauseth, Master Framer of CJR Fine Arts & Frame. They will speak about and demonstrate the importance of framing to enhance a piece of art and elevate it to a cherished heirloom. The meeting will be held on March 8, 2017.   The Free meeting is open to all members and guests. A “Meet and Greet” is followed by a member spotlight and brief meeting. The evening will conclude with Jack and Richard’s demo and a wonderful raffle.  The Rickie Report shares the details and some sneak peeks. This is an opportunity for art lovers to meet and network with artists!

 

 

 

 

WELLINGTON ART SOCIETY

FEATURES:

 

Jack Rosen & Richard Mauseth

of 

CJR Fine Arts & Frame

 

 

March 8th

6:30 pm

Free and Open to The Public

 

Wellington Community Center    

12150 Forest Hill Boulevard     Wellington, FL

 

 

 

 

Jack was born in the Bronx and took a circuitous route to art beginning with music and rock bands, scuba diving, sales and aircraft mechanics. After meeting his wife, Claire, the two of them worked for a world wide marketing company where he learned how to approach sales.

 

 

 

Eventually he and Claire moved to Florida where he worked at a computer manufacturing parts business. His brother who owned a market research company and was an avid art patron persuaded him to buy signed and numbered prints by Moshe Givati from eBay at $1 apiece. He resold two of them immediately and made a profit! He did this at night, but finally sold his internet business and focused on buying and selling art work. He bought art at auctions and sold it on ebay for a year, always putting his profits back into the business. Over the years he studied and learned more about art and developed an educated eye. Through networking, Jack established relationships with art publishers and began distributing artworks to galleries and dealers. He became the main supplier for Princess Cruise Line art auctions.

 

 

A little over a year ago he and Claire opened CJR Fine Arts and Frame in Royal Palm Beach and began selling directly to the public. Everyone can buy art and have it framed professionally at one location. They frame two and three dimensional objects as well as mirrors and sell one of a kind art pieces of art glass, sculpture, animation art vintage posters, books and sports memorabilia.  Jack and Richard pride themselves on their personalized customer service as their reputation is on the line!

 

For more information about CJR Fine Arts & Frame:

www.cjrfinearts.com

514 North State Rd 7
 Royal Palm Beach FL 33411


561-333-9472

 

 

 

WELLINGTON ART SOCIETY

The Wellington Art Society is a non-profit charitable organization in its 36th year. It is open to artists of all mediums and patrons of the arts, allowing both local and regional artists to display their art work in local galleries, interact with other artists and serve the community through their art.

For further information please visit WellingtonArtSociety.org

 

 

 

For coverage of your events, to place an advertisement, or speak to Rickie about appearing in The Rickie Report, contact:

Rickie Leiter, Publisher

Rickie@therickiereport.com    561-537-0291

17019 SW Sapri Way   Port St. Lucie, FL 34986

 

CJR Fine Arts & Frame Celebrates With Ferjo Exhibit And Meet The Artist Reception

CJR Fine Arts & Frame celebrates its One Year Anniversary with a special art event!  Meet Ferjo, one of the most dynamic and exciting artists on the international stage. Whimsical, colorful and technically refined, Ferjo’s work is an exuberant mix of Cubism, Abstract Expressionism, Realism and Surrealism. His work is sought by collectors and galleries worldwide.  CJR Fine Arts & Frame presents an Exhibit of Ferjo’s work from November 12 -19th, with a special Meet the Artist Reception on Saturday, November 19th.  The Rickie Report shares the details and some sneak peeks.  Mark your calendars!  This is open to the public and free.

 

 

 

 

CJR-1k-cropped

 

 

CJR Fine Arts & Frame

514B North State Road 7
Royal Palm Beach, FL 33411
561-333-9472

cjrfinearts.com

 

 

Celebrate Our Anniversary!

Meet World Renown Artist:

 

F E R J O

 

 

Special Reception:

Saturday, November 19

6 – 9 pm  

Exhibition Available Nov.  12 -19th

 

 

 

 

cjr5x7postcard-front1

jackrosenferjo-5x7postcard-back1

 

About Ferjo

 

Fernando de Jesus Oliveira (known as Ferjo) was born in Bahia, Brazil in 1946.  He studied at the prestigious Pennsylvania Academy of Fine Arts from 1974-1979, where he concentrated on landscape and portraiture. It was during this time that Ferjo began painting Cubist style landscapes and eventually moving to realist portraiture. This latter style is best evidenced by a mock group portrait (1978-1979) of the faculty of the Pennsylvania Academy, in which Ferjo posed his subjects in positions reminiscent of those of Leonardo Da Vinci’s “Last Supper”. Since receiving special accolades from the Pennsylvania Academy, first in 1978 and then again in 1979, Ferjo’s command of realist painting became widely recognized in galleries. After leaving The Academy, Ferjo’s natural artistry led him to explore a myriad of themes and styles, ranging from Realism to Surrealism.

 

 

Ferjo’s compositions combine the old masters and the new, in a magical bounty of color, surrealism, fantasy and beauty. His affinity for tokens adds a personal dimension to each work. Images of pencils, bubbles, fish, strawberries, and broken eggshells float throughout his work. The surrealist worlds he creates pay homage to Bosch, Vermeer, Van Gogh, Renoir, Picasso, Dali, Monet, Manet, Matisse, Miro, Modigliani, Da Vinci, Michelangelo, Mucha and Chagall. In Ferjo’s world, the laws of perspective and scale are given new meaning; space and time are manipulated in fantastical arrangements, giving the viewer a sense of falling into another dimension.

 

Whimsical, colorful and technically refined, Ferjo’s work is an exuberant mix of Cubism, Abstract Expressionism, Realism and Surrealism. Ferjo is a master painter with a style he can truly call his own. Ferjo’s work is sought by collectors and galleries worldwide.

 

 

 

 

 

For more information:

CJR Fine Arts & Frame

514B North State Road 7 Royal Palm Beach, FL 33411
561-333-9472
Email: mail@cjrfinearts.com

 

 

 

For coverage of your events, to place an advertisement, or speak to Rickie about appearing in The Rickie Report, contact:

Rickie Leiter, Publisher

The Rickie Report

17019 SW Sapri Way

Port St. Lucie, FL 34986

Rickie@therickiereport.com

561-537-0291

TRR Talks About “How To Get Framed And Not Lose Your Shirt”!

CJR Fine Arts & Frame’s retail gallery and framing facility is offering wholesale framing prices to the public.  Finding the piece of artwork you love is only part of the hunt.  And, while many people think of framing as a necessary afterthought, this article looks at how framing can enhance a piece of artwork or take ordinary objects and elevate them to cherished heirlooms.  The Rickie Report speaks with master framer, Richard Mauseth and owner, Jack Rosen about taking the fear factor out of custom framing.  Now is the time – Graduations, Father’s Day, Proms, Senior portraits, Diplomas, Wedding invitations, Sports items, War memorabilia…and of course, artwork! This article is for art lovers AND artists!

 

 

CJR-1k-cropped

 

 

CJR Fine Arts & Frame
514B North State Road 7    Royal Palm Beach, FL 33411
Tel 561-333-9472
Email mail@cjrfinearts.com

 

 

 

WHOLESALE FRAMING TO THE PUBLIC!

WE BEAT ALL COMPETITOR’S COUPON PRICING!

 

 

CJRZWARENSTEIN-WHITE-LINEN

“Vista Italiano”  by Alex Zwarenstein

 

 

 

TRR:  Tell us more about matting and its importance when having artwork or memorabilia framed.

CJR:

CJR Fine Arts & Frame offers artists and art lovers economical and professional framing services.  Using only acid neutralized matting (Conservation matting) turns out to be a better value when framing.  

 

CJRBENFIELD SPIRIT IIIfullview

Gary Benfield, “Spirit III”

Instead of using the regular liner, a small frame was placed next to the piece, and then the liner was added. It makes the piece stand out even more. 

TRR: We hear from many artists that they want to save money when framing pieces for exhibition. While understanding their fiscal issue, there are many exhibits we attend and believe that art pieces could be more sale-able with better matting and framing choices.  What do you recommend?

 

CJR:

We understand the predicament of artists trying to frame many pieces and still staying within their budget. We offer professional and economical framing at wholesale prices and are eager to help artists not only frame their work appropriately but within their budget. One suggestion is for artists to use the same size canvas or paper and offer framed and unframed prices, using a universal type of frame. That said, first impressions ( of the framed piece) can make or break a sale.  If the client does not like that particular frame, they can take the artwork unframed and choose framing more to their liking.  Now, the artist can use that frame for another creation of the same size.

 

 

 

We offer “family style” framing.  Our customers are like friends, with whom we share good advice.  It is a huge asset just being in our space as we offer over 700 art pieces on the walls as real life examples of possibilities.  Richard Mauseth, our in-house master framer, is our “frame psychologist”. Framing objects can be a very emotional experience, depending on the item.  He grew up in the art world, with a grandmother who was a successful artist and art professor. Her work is in museum collections throughout the Mid-West. Richard’s mother is a graphic artist and his father a dark room printing technician.

 

 

Richard has a vivid imagination!  He’s worked on cruise ships’ art auction programs and in galleries around the world.  Jack Rosen and Richard met while Richard was the gallery manager of Art Marketplace in Delray Beach.  As Jack says, “the rest is history…”

 

CJRFRAME AND MAT EXAMPLE I

Silver frame, black mat, silver filet

CJRFRAME-AND-MAT-EXAMPLE-II

Gold frame, black mat and gold filet 

TRR:  Take us through the process of choosing a frame.

CJR:

 

We pride ourselves on our personalized customer service, so spending an average of 45 minutes to work out the logistics is not unusual.  Finding a piece of artwork you love is the hardest part – framing is the easiest!  You can make a $5. poster look like a $5,000. piece of art and visa versa.  Our part of the equation is to get to know our customer, find out more about the space where the art will hang, and do whatever we can to enhance the art itself.  A good framer acts as a guide.  Richard says, ” My name and reputation is on the line.  No place in our building is off limits. We want you to feel comfortable exploring the art we are displaying because it may spark an idea about your own framing project”.

 

CJRMACKEY-FRAME-I

Silver Frame with black filet and red liner. Artwork by Shawn Mackey

 

 

CJRMACKEY-FRAME-II

Black Frame with silver frame. Artwork by Shawn Mackey

Notice that the inner silver frame’s hatch marks echo the feeling of the artwork itself.

 

 

 

 

 

CJRRAFAEL-FRAME-CORNERS

 

Silver frame corner on left, with narrow silver frame.

Gold frame corner on right, with black linen liner.

Artwork by Yana Rafael

 

 

 

 

There are a number of option in varying price ranges for frames.  We have to see what works and we like to offer the customer different options.  We keep your artwork and budget a priority.  For example, the difference of a 1/4″ in a mat size can take you up to the next pricing level.  Is it worth it, if the artwork looks good without that extra mat?  It is something we’ll discuss with you.

 

20160606_175327_resized

This piece has 6 openings plus the words cut out using the computerized Wizard Mat Cutter. The drama of the matting catches the excitement of the game!

 

TRR:  Can you explain different mat and glass options?

CJR:

 

There are acid neutralized and archival mats, which are the only type we use, as we provide framing for galleries around the world as well as local clients. Our Wizard mat cutter offers multiple openings and designs within the mats themselves.  There are glass options, plexiglass, UV Plexiglass, and Museum Plexiglass.  Again, it depends on where you are hanging your art and what the art is.

 

 

 

CJRPETER-MAX LOVE

“Love” by Peter Max

This Peter Max piece has been floated on a colored mat, then bordered by a filet, matted and framed.

 

 

We frame everything and anything, including 2 dimensional art and 3 dimensional objects.  There are other components to enhance your works of art beyond mats.  Filets and liners can add depth to a piece of artwork.  We also custom frame beveled and non-beveled mirrors. We don’t want you to become overwhelmed, so once we see what you are framing, we can guide you to the best option.

 

 

fazzino-alongthesunshinestatec

Close-up of Charles Fazzino “Along The Sunshine State”

 

 

fazzino-alongthesunshinestate

Charles Fazinno  “Along The Sunshine State”  This  internationally renown 3D artist’s images call for matting and framing that do not distract from the intricate design.

 

 

Framing takes time and we want to make sure it is right for the art and for you. We will come to your home or office to consult about location, space and dimensions to take the worry out of the process.  We’ll also come and hang the art for you!

 

 

CJRMATS

Mat colors offer the opportunity to pick up a color or tone in the artwork, to highlight it.  Choosing a neutral toned mat can bring the viewer right into the artwork without distractions.  CJR literally has hundreds of mat choices including fabric and suede. However the 80/20 rule applies here. In 80% of our framing we use only from 20% of the selection we have. This is because they are more economical and are quite beautiful. Also too may choices sometimes clouds things and makes a decision very difficult. 

 

TRR:  Tell us about some of the more unusual items you have framed

CJR:

 

One of the most outstanding experiences was framing wedding invitation, reception menu and bridal veil!  Taking part in the process of creating a future family heirloom was so meaningful for all of us.  Creating a unique montage of baby shoes and a christening outfit was another special moment.  Creating a collage of photos and special memorabilia is truly gratifying.  Recently, we framed a full size American flag that an artist hand crocheted in wire, with 3D stars. Her artwork is a masterpiece! We love challenges like golf clubs, golf balls, baseballs and bats or tennis rackets.  We get as much pleasure from our customers’ happiness with a finished framed photo or original piece of art.

 

CJRPresident of Rotary with Sneakers Shadow Boxed

President of Rotary with Sneakers Shadow Boxed

 

CJRfancy frame

This frame with special mat makes a statement about professional pride in displaying a diploma.

 

TRR:  Any words of advice for professionals about framing diplomas or special awards?

CJR:

 

What is the first thing clients look at when they are in a professional’s office?  The diplomas! We want to be part of your professional success, meaning the care you take in framing the documents showing your professional expertise says a lot about you.  Half of a first impression is perception…do your professional documents look impressive?

 

CJRPINOfullview

“Remember When” by Pino.  Framed with an off white linen liner and ornate gold frame.

 

 

For more information please visit:

www.cjrfinearts.com

561.333.9472

or email: mail@cjrfinearts.com

 

 

 

For coverage of your events, to place an advertisement, or speak to Rickie about appearing in The Rickie Report, contact:

Rickie Leiter, Publisher

The Rickie Report

P.O.Box 33423

Palm Beach Gardens, FL 33420

Rickie@therickiereport.com

561-537-0291

Deborah LaFogg Docherty, Wildlife/Landscape Artist Featured At ArtServe Exhibition

Deborah LaFogg Docherty, an internationally and nationally renown, award winning wildlife and landscape artist, will be featured at “CATALYST dba…” , an all media exhibition at Art Serve in Ft. Lauderdale. The public is invited to the Exhibit June 4 – 24th and a Meet the Artist Reception on June 9th. For eight years the celebrated DBA…Doing Business as Artist Entrepreneurs exhibitions have showcased a dynamic group of South Florida’s rising artists. The Rickie Report celebrates Deborah’s artwork and shares the details here.

 

 

ArtServe Inc.

 

Deborah LaFogg Docherty

 

 

“Catalyst dab: doing business as…”

 

 

 

Meet the Artist Reception

June 9th     6 – 8 pm

 

 

 

 

Exhibit dates: June 4 – 24, 2016

 

1350 E. Sunrise Boulevard    Fort Lauderdale, FL 33304

For general inquiries: (954) 462-8190

information@artserve.org

Hours: Monday – Friday 9a-8p | Saturday 10a-6p

 

 

DebLafogg_and_the_Fox

 

Deborah LaFogg Docherty, AFC, IAPS/MC, PSA
Wildlife/Landscape Artist

 

 

Deborah loves working in pastels, oils and acrylics. Her paintings have been in various shows, galleries and several museums around the country and have won numerous national and international awards. She has been published in many national and International magazines and newspapers.

 

 

DebLaFogg_Bathed In Morning Light

Deborah LaFogg Docherty, “Bathed In Morning Light”

 

 

LaFogg’s 2015 solo shows included the J. N. Ding Darling National Wildlife Refuge January through February 2015 and the Everglades National Park’s Ernest F. Coe Gallery in the Visitors Center for the month of November 2015.  Her membership affiliations include: Signature member of the Artists for Conservation, the Pastel Society of America, The Salmagundi Art Club in NYC, an elected member of the Audubon Artists, an associate member of the Society of Animal Artists, the Oil Painters of America, member of the International Guild of Realism and the Women Artists of the West.

 

 

521

Deborah LaFogg Docherty, “Pink Waters”

 

 

 

About this Exhibit:

For eight years the celebrated DBA…Doing Business as Artist Entrepreneurs exhibitions have showcased a dynamic group of South Florida’s rising artists. All graduates of the Artist as Entrepreneur Institute, DBA artists have put principles learned in the workshop into practice to create their own vehicle for artistic success. This year they present CATALYST, an all-media exhibition highlighting select works from this accomplished group.  Curators of the Exhibit are Michael Harris and Timothy Leistner.

 

528

Deborah LaFogg Docherty, “Follow The Leader”

 

 

 

Deborah’s Recent awards:

  • 2016 2nd Place at the Delray Affair Art and Craft Festival, Delray Beach FL
  • 2016 Award of Merit National Oil and Acrylic Painter’s Society On-Line International Exhibit
  • Second place in the Delray Art Societies Autumn show, November 2015.
  • Merit Award in the St. Augustine Nature and Wildlife Art Show July 2015
  • Second place in the Beaux-Arts Réaliste Pastel International Online Pastel Competition 2015
  • First Place, Artfest on the Green, Wellington, FL January 2015
  • 2015 Finalist in the Art Renewal Salon Center for the Arts in Wildlife/Animal Category
  • Two Honorable Mentions in the Animal & Wildlife category of the 16th Annual Pastel 100 Competition held by the Pastel Journal, printed in the April 2015 issue.

 

Recent shows:

  • 2016 100 Years of the National Park Service exhibition at The Brush Art Gallery and Studios in Lowell Mass.
  • 2016 Twenty-Sixth International Exhibition on Animals in Art, LSU School of Veterinary Medicine, LA
  • 2016 ‘Wild’ Show at the Cornel Art Museum by the Palm Beach Plein Air Artist.

 

 

Please view Deborah’s website upcoming events/Shows/demos/workshops and pastel classes.

 

 

Deborah LaFogg Docherty, AFC, IAPS/MC, PSA
Wildlife/Landscape Artist
www.lafogg.com

 

 

 

For coverage of your events, to place an advertisement, or speak to Rickie about appearing in The Rickie Report, contact:

Rickie Leiter, Publisher

The Rickie Report

P.O.Box 33423

Palm Beach Gardens, FL 33420

Rickie@therickiereport.com

561-537-0291