Call For 2D and 3D Art For “Hook, Line And Sinker” Exhibit At Clay Glass Metal Stone Gallery

Clay Glass Metal Stone Gallery announces a Call for “Hook, Line and Sinker”. All media, including 2D and 3D artistic works are welcome! The Free, Public Opening Reception takes place on Friday, June 23rd and promises to be a fishy affair! The Rickie Report shares the details here.

 

 

CLAY GLASS METAL STONE Gallery

15 South J Street       Lake Worth, Florida 33460

CALL: 215-205-9441

Joyce@FlamingoClayStudio.org

 

 

CALL   FOR   UPCOMING   ART   EXHIBIT:

“HOOK, LINE AND SINKER”

ART PATRONS:

MARK YOUR CALENDARS NOW!

Opening Reception:

Friday, June 23rd

6- 10 PM

Exhibit runs June 23 through July 5th

 

 

 

Artist Application:

This year our application fee is $35. If you decide to participate in three or more shows, you application fee is $25 per show.

Art Teachers: If any of your students want to participate in any of our exhibits, they may do so without any fee. We welcome your participation, as an artist, as well.

Questions? Call or email Joyce
215-205-9441
Joyce@FlamingoClayStudio.org

Application Form for Multiple Exhibitions

CLAY GLASS METAL STONE Gallery
15 South J Street
Lake Worth, Florida 33460
APPLICATION for“Pick Your Event(s)”
(For Early Entries- Duplicate this Form for each entry)
Phone 561 588-8344

E-MAIL cgmsgallery@flamingoclaystudio.org
or mail: CGMS Gallery 15 South J Street Lake Worth 33460
We suggest 2 entries per artist- We may accept up to 4 if less than 40 artists participate in a show:

Please PRINT legibly!
Name__________________________________________________________________________
Address________________________________________________________________________
City________________________________State_____Zip_________ Phone___________________
E-mail address ________________________________

Web address__________________________

ARTISTS, PLEASE BE CERTAIN THAT YOUR SUBMITTED IMAGES CORRESPOND TO THE NUMBER BELOW

1. Title_______________________________________________________________________

Dimensions____________________________________________Price__________________

Description: _________________________________________________________________________

2. Title______________________________________________________________________

Dimensions____________________________________________Price_________________
Description__________________________________________________________________

WAIVER of LIABILITY: Submission of my application constitutes my agreement to comply with all of the conditions and terms set forth in the prospectus. I release and discharge Clay Glass Metal Stone Gallery and its owners and employee’s from all responsibility for damage or loss of any kind on all works submitted for the exhibition named above. Works must arrive at the gallery on the dates mentioned on each individual “call to artist” that will be sent out- Always the Tuesday and Wednesday prior to the show. Works MUST be picked up on the last day of the show- All works picked up late are subject to a $5 a day storage fee.

SIGNATURE________________________________________DATE__________________

 

 

For more information about this exhibit, becoming a member of the gallery or future exhibits and workshops:

Email Joyce@FlamingoClayStudio.org

Clay Glass Metal Stone Gallery

15 South J Street Lake Worth, FL

561.588.8344 or 215-205-9441

 

 

 

 

For coverage of your events, to place an advertisement, or speak to Rickie about appearing in The Rickie Report, contact:

Rickie Leiter, Publisher

Rickie@therickiereport.com   561-537-0291

17019 SW Sapri Way   Port St. Lucie, FL 34986

 

“Drawn To The Arts” Brings International And National Icons To Lighthouse ArtCenter This Summer

The Lighthouse ArtCenter has outdone themselves with their upcoming summer exhibit, “Drawn to the Arts”. Fifteen Children’s Picture Book Author/Illustrators (the list reads like Who’s Who in American Picture Book Award Winners!) will share 20 pieces of art each! The Exhibit runs June 8 – August 11, 2017.   The Opening Reception takes place on Thursday, June 15th.  In addition to the exhibit, small groups (including organizations) can sign up for docent-led tours. The Rickie Report shares the details and urges everyone to stop by!

 

 

 

 

 


Lighthouse ArtCenter Gallery

373 Tequesta Drive     Tequesta, FL 33469

www.LighthouseArts.org   561.746.3101

 

 

 

The Public is Invited To:

 

“DRAWN  TO  THE  ARTS”

 

Opening Reception:

Thursday, June 15th

5:30- 7:30 pm

No Charge for members, Non members $10

 

Exhibit runs June 8 – August 11, 2017

 
Docent-lead tours of this exhibition are available

Call (561) 746-3101 today to schedule your group!

Gallery hours:

Monday-Friday 10 am – 4 pm

Saturdays 10 am – 2 pm

 

 

This stunning exhibition will shine a light on some of the finest Children’s Book Authors and Illustrators, with our Summer ArtCampers enjoying the unique opportunity to interact with the magical process of children’s picture books.

 

 

Curator, Janeen Mason tells The Rickie Report, “Indians and robots, monsters and bunnies, heroes, history and humor.  The Lighthouse ArtCenter is brimming with illustrations by artists that we know and love.  Caldecott, Newbery, Coretta Scott King, Purla Belpre and Bank Street Book of the Year Award Winners – the original artwork from America’s bestselling author/illustrators are here in LAC’s world class exhibition right in the heart of Tequesta”!

 

“Funny Farm” by Mark Teague

 

Kevan Atteberry www.KevanAtteberry.com (Kevan draws monsters digitally. Delightful monsters. Google the picture book titled “Bunnies!” and “The Tickle Monster”. He is the artist who designed Clippy. Clippy. The helpful little paper clip character that pops up when you’re working in Microsoft Word? Yes. You either love him or hate him.)

 

“Christopher Is Not Afraid Anymore” Illustrated by Priscilla Burris Written by Craig Burris

Priscilla Burris www.PriscillaBurris.com (Priscilla does adorable young characters – digital illustrations.)

“Amanita Monsteria” by Kevan Atteberry

Henry Cole www.HenryCole.net (Henry does funny picture books with meaning – Bestsellers. Henry illustrated the #1 banned children’s picture book in the USA titled “Tango”. You might know it as the story of the two boy penguins who adopted an egg and raised the hatchling at the New York Aquarium.)

 

 

Raul Colon http://www.morgangaynin.com/artists/colon/ (OMG! Raul Colon! Look at his work! He’s illustrated who knows how many award winning picture books. He’s worked for the New Yorker, etc. etc. His work is magical realism, and it definitely has roots in Central/South America – you’re going to love it.)

 

“Buoy” by Raul Colon

Tomie dePaola www.tomie.com (Seriously. Caldecott Award, Newbery Award…!!!)

 

Patrick Girouard http://www.pgirouard.com/Patrick_Girouard_Illustration/welcome.html (Patrick does a lot of work for Highlights magazine. His robots are amazing. )

 

Layne Johnson www.LayneJohnson.com ,his fine art page, or Amazon at: https://www.amazon.com/s/ref=nb_sb_noss?url=search-alias%3Dstripbooks&field-keywords=layne+johnson&rh=n%3A283155%2Ck%3Alayne+johnson (Layne is known for his historical illustrations and sweeping vistas of big sky country. He sent originals from Farmer George Plants a Nation, Voices of Pearl Harbor, and The Poppy Lady, as well as others.)

 

 

“Farmer George Plants A Nation” by Layne Johnson

Fred Koehler http://www.freddiek.com/ (A relative newcomer to the world of picture books, Fred just received the Bank Street Book of the Year Award!)

 

 

E.B. Lewis www.EBLewis.com (E.B. won the Caldecott, Coretta Scott King Award,etc…He’s an amazing watercolorist and terrific speaker. He undeniably uses his art as an agent of change internationally. We will have E.B. Lewis here at Lighthouse ArtCenter teaching workshops in watercolor to young adults.)

 

Assorted Undersea Paintings by Janeen Mason

 

Janeen Mason www.JaneenMason.com or  http://www.therickiereport.com/2016/12/11/a-conversation-with-janeen-mason-curator-of-the-lighthouse-artcenter/

 

 

Frank Remkiewicz www.FrankRemkiewicz.com (Frank has created iconic art forever! His Froggy series sold millions…)

 

Carol Schwartz http://www.csillustration.com (Astonishing scientific, botanical illustrations that focus on everything from the Fibonacci Sequence to My Busy Green Garden.)

 

“A Hunter’s Promise” by Bill Farnsworth

Linda Shute www.LindaShute.com (Linda is the Illustrator Coordinator for the Society of Children’s Book Writers and Illustrators in the Florida region)

 

Mark Teague https://www.amazon.com/s/ref=nb_sb_ss_c_1_11?url=search-alias%3Daps&field-keywords=mark+teague+books&sprefix=Mark+Teague%2Caps%2C182&crid=1SB0PV1JY0HSX&rh=i%3Aaps%2Ck%3Amark+teague+books (You have to look at Amazon.com to see all of Mark’s amazing books. I don’t know how many bestsellers he has… Many….Mark illustrates for Jane Yolen’s How do Dinosaurs…. Series as well as a number of other books he has written AND illustrated.)

 

 

For more information about this exhibit, classes, summer camp and lectures:

www.LighthouseArts.org

 

 

 

 

For coverage of your events, to place an advertisement, or speak to Rickie about appearing in The Rickie Report, contact:

Rickie Leiter, Publisher

Rickie@therickiereport.com   561-537-0291

17019 SW Sapri Way   Port St. Lucie, FL 34986

New Classes At Armory Art Center Make Summer Learning Fun!

The Armory Art Center announces summer classes for youth and adults beginning June 19th. Choose from Live Model Studios, Open studio Time, Pop-Up Workshops, Ceramics, Jewelry, Glass, Art History, Drawing, Painting, Photography & Digital Media, Printmaking & Fiber, Sculpture, plus a Summer Art Experience! The Rickie Report shares the details and some highlights of what you can create!

 

 

 

811 Park Place W. Palm Beach, FL 33401

(561) 832-1776 | armoryart.org | registrar@armoryart.org

 

 

Artwork by Anthony Burks

Session 6: June 19 – August 12, 2017

 

REGISTRATION:

Monday – Thursday: 8:30 am – 9:00 pm
Friday: 8:30 am – 5:00 pm
Saturday: 9:00 am – 4:00 pm

To See The Full Catalogue:

Online registration: 24/7 http://www.armoryart.org/registration

Classes are subject to change.

Please check out online registration for the most up-to-date offerings

 

HIGHLIGHTS:

 

PAINT YOUR OWN CERAMICS

Three hours—evenings or Saturdays

Have a private ceramics painting party for any occasion with friends or colleagues. Paint ceramic tabletop accessories like pitchers, bowls, and plates. These items make perfect, functional gifts!  Work in our state-of-the-art ceramic studios with instruction from our experienced faculty. Book a three-hour party for an evening or Saturday. Our happy hour package is available upon request. Minimum of six students.  Please reserve your group at the registrar or call (561) 832-1776.

 

CUFF BRACELETS

ADRIANA FICARELLI

 

In this one-day workshop students will have fun creating copper cuff bracelets by using beautiful textures and folding techniques. Demonstrations will include folding metal, the application of various textures using the rolling mill, surface finishes, and use of the torch. No experience is necessary

 

COUPLES RING MAKING PARTY!

ALICIA JANE BOSWELL

Enjoy your evening learning how to size, solder, texturize, and nish silver rings for each other! Everyone will learn the basics of how to use the torch to heat things up. No experience is necessary and all materials are included. Please wear closed toe shoes.

 

PHOTO IMAGE TRANSFER ON GLASS

MARK WALNOCK

 

Turn your own 2D art or personal photographs into permanent displays. Using a laser printer, students will copy and crop an image to the desired piece of glass during the first session of the class. The following week the paper backing will be removed and color additives will be discussed. A final kiln firing will complete the process. Come to class with a collection of photos or drawings (12”x 8” max. size) to discuss which would work best for the process. Completed pieces can be picked up three days after the final class.

 

DRAWING FOR BEGINNING STUDENTS

ANTHONY BURKS

 

This class focuses on the basics of drawing lines, shapes, shades, perspectives and proportions.  students will use materials such as charcoal, pen, and pencils while learning each medium’s unique qualities to make 2D shapes appear 3D. This class is the foundation for all other visual art media because, as Michael Las Casas says, “Your paintings are only as good as your drawings.”

 

WORKSHOP:

PHOTOGRAPHING YOUR ART!

BARRY SCHEIN

 

 

 

Students will learn the basic techniques for creating high quality photographs of artwork for exhibitions, personal portfolios, school, and much more. Students will learn camera settings, controlling lighting, and creating a set-up to photograph 2D, 3D, and small objects.

 

 

For more information about classes, workshops, studio  time, or planning other events:

811 Park Place W. Palm Beach, FL 33401

(561) 832-1776 | armoryart.org | registrar@armoryart.org

 

 

 

 

For coverage of your events, to place an advertisement, or speak to Rickie about appearing in The Rickie Report, contact:

Rickie Leiter, Publisher

Rickie@therickiereport.com   561-537-0291

17019 SW Sapri Way   Port St. Lucie, FL 34986

 

Eduardo Gomez’ New Public Sculpture Commission For Distinguished Service Memorial Park In Stuart Florida To Be Unveiled

Eduardo Gomez’s new sculpture to recognize a local hero for the Distinguished Services Memorial Park in Stuart, Florida will be unveiled on Memorial Day, May 29th. The sculpture, located in front of the Park’s flag pole, was made possible by a donation by the Stuart Rotary Club Charitable Foundation. Eduardo is a working figurative sculptor with a studio located in Jensen Beach. His passion is the human figure. He prefers to work from life because he believes the relationship between the artist and the model adds unexpected emotional and psychological elements to his work. The model he used for this sculpture is a veteran and a graduate from West Point Military Academy.  The Rickie Report shares information about Eduardo’s artistry, though some of the final details of the unveiling are still “under wraps”.

 

 

 

What is Under the Wraps ???

Leaders of Stuart Rotary Club and the City of Stuart inspect the clay for bronze of the new public sculpture which will be unveiled on Memorial Day at the Distinguished Service Memorial Park in Stuart.

 


A new sculpture by Sculptor Eduardo Gomez for the Distinguished Service Memorial Park in Stuart will be unveiled on Memorial Day. In this picture, Andrew Sesta (Director of the Stuart Rotary Club), Tim Campenni (Mayor of Stuart), Eduardo Gomez, Jim Chrulski (Stuart Community Services Director), Paula P. Nicoletti (Director Stuart Rotary Club) on the day they inspected the clay at Eduardo’s studio. Funds for this project will be contributed by the Stuart Rotary Club Charitable Foundation.

 

 

Distinguished Services Memorial Park

300 SE Ocean Blvd     Stuart, FL  34994

Monday, May 29th

Memorial Day Parade and Ceremonies Begin 9 am

 

 

 

 

 

 

Eduardo Gomez’ Exhibit at the Lighthouse ArtCenter 

Eduardo Gomez is a working figurative sculptor with a studio located in Jensen Beach, Florida. Eleven years ago, Eduardo moved with his family from Arkansas. Eduardo completed his BFA degree in sculpture at the University of Arkansas in Little Rock and attended the graduate school. Eduardo also was a cofounder of the Arkansas Sculptors Guild and its first president.

 

Eduardo Gomez’ Class at the Elliott Museum

 

 

For the last 6 years Eduardo has been a sculpture instructor at the Elliot Museum and at the Lighthouse Art Center in Tequesta, Florida. In 2008 the book Eduardo Gomez : Silent Messages was published. This book with an introduction by art historian Laura M. Amrhein, PHD delves into Eduardo’s art philosophy as well as his development as an artist. Currently out of print, it is available as an E-book from Amazon.

 

 

 

“Eduardo Gomez : Silent Messages”  This book is available as an E-Book from Amazon

 

 

Eduardo’s work can also be seen online at www.eduardogomez.com Eduardo accepts private and public commissions. Eduardo’s work is collected internationally and he has exhibited in National juried sculpture shows and local museums.

 

“El Moro” by Eduardo Gomez 

 

 

For more information about this sculpture, classes, workshops and other works of art contact:
Eduardo Gomez
Website: www.eduardogomez.com
Email: eduardogomezsculpture@gmail.com
501-765-2609
Facebook: https://www.facebook.com/eduardogomezsculpture
Instagram: @eduardogomezsculpture
Twitter: @eduardosculptor

 

 

 

 

For coverage of your events, to place an advertisement, or speak to Rickie about appearing in The Rickie Report, contact:

Rickie Leiter, Publisher

Rickie@therickiereport.com   561-537-0291

17019 SW Sapri Way   Port St. Lucie, FL 34986

Public Invited To Norman Berman”s “My Art/ My Faith – Revisited” At Art On Park Gallery

Norman Berman, award winning and nationally known artist and photographer, considers himself a young 81! He turned 81 last October, but he doesn’t seem to be slowing down. An Exhibit of his works from the 1980’s to the present will be at the Artists of Palm Beach County’s Art On Park Gallery from May 22 until June 10.  The Public is Invited to the Free, Opening Reception on May 25th.  The Rickie Report shares the details and an interview with Norman, as well as some sneak peeks.

 

 

 

800 Park Avenue   Lake Park, FL 33403

561.345.2842   www.artistsofpalmbeachcounty.com

 

Artists of Palm Beach County

Art on Park Gallery

Presents:

 

 

Norman Berman

“My Art/My Faith – Revisited”

Opening Reception:

Thursday, May 25th

5 – 8 pm

Exhibit Runs May 22 – June 10, 2017

 

Artist, Norman Berman

 

 

Berman’s subject matter ranges from Abstractions to Heritage themes.. He’s been creating artwork professionally for over 55 years.  He tells The Rickie Report, “For me, creating art is a challenge.  As I look at a work surface, I begin my conversation with it.  The surface says to me, ’Create something, I dare you!’  Therefore, my adventure begins!”  As one listens to Norman Berman share his life-stories, you must pay attention to details.  Looking at his artwork, that should be no surprise… It is these tidbits that make the whole.

 

 

“Silent Sound” by Norman Berman

 

 

TRR:  What were your early artistic influences?
NB:

My introduction to art was at age four, when I accompanied my father, a shipping clerk in a mens’ wear company, to work. The women in the office gave me a piece of paper, a red pencil, a black pencil and plopped me in a chair with the instructions to ‘draw something’.  I drew the American flag to keep myself occupied.  Over the years, I started to copy and draw comic book characters (Disney, Superman, and Batman, etc.). My father would take these drawings and hang them in his workplace and change them around – it was my first public gallery!

 

As the United States entered WWII, I was fascinated by US military aircraft, so I wrote to all of the aircraft companies for pictures.  They would send me these gorgeous lithographic prints!  My favorite was the P38, a double fuselage plane and very impressive to look at.  Around the same time, there was a kid in our neighborhood who was already in high school and must have been an art major. I would show him my airplane drawings and he showed me how to create perspective images: not linear perspective images going to a vanishing point, but looking down at buildings as if you were in an airplane.

When I was 10 years old, I broke my elbow.  It was probably the beginning of my escapades with brittle bone disease, but we didn’t know about that until much, much later. While at Israel Zion Hospital (now Maimonides), I used to draw the nurses in profile, with their little caps.  In elementary school, my art was always hanging in the classroom and the halls.

 

 

As a Junior High School student, one of my teachers recommended that I attend the High School of Music & Art. Living in Brooklyn, it was an hour and a half subway ride in the morning and evening rush hours which my parents weren’t happy about. We happened to live close to the neighborhood high school, Abraham Lincoln High School.  As a result, I ended up going to Lincoln which had a fabulous art department! That’s where I got my real training, in my approach to art.  In 10th grade, Herbert W. Yates got me interested in the importance of art history.

I started saving articles from “Life Magazine” that related to art and artists.  My father would pick up a copy at the newsstand every Saturday. I finally convinced him that it would be more convenient and less expensive to get a subscription!  After reading the entire magazine, I categorized the pictures with my own filing system into red envelopes.  My mother, a voracious reader, would buy other magazines like ‘McCall’s’ and ‘Ladies Home Journal’.  Those magazines happen to have some of the top-notched illustrators of the time.

 

“Heaven’s Gate2” by Norman Berman

 

TRR:  Norman shares his “beshert” (Yiddish for “meant to be”) moment as he takes us back to 1950.

NB:
Leon Friend Chaired the Art Department and I was sitting in his Graphic Arts class – last row, second seat.   Leon says,’ DO YOU KNOW WHO SAT IN YOUR SEAT? ‘  I said, ‘No.’  Friend said, ‘Alex Steinweiss’.  This was like mentioning God!   Alex Steinweiss was an early graduate from Lincoln, who after graduating from Parsons School of Design, worked for Columbia Records. Steinweiss convinced his employers to change their marketing strategy to sell their long playing records.  Instead of wrapping the records in brown paper, they should create a book with the record inside.  Each book would have artwork on its cover.  Alex Steinweiss was responsible for the entire industry of record albums cover designs!

During my senior year, I sent my portfolio to the School Art League.  Mr. Friend comes into class and asks ‘who we think should be the happiest person in the room today’.  And then he says, ‘Norman, it’s you!  You just won the scholarship to Parsons School of Design! ‘I’m thinking…I’m following in the steps of Alex Steinweiss! I literally “fell out of my chair”! (With no cell phones), I got home and shared my good news, which my mother thought was very nice.  Then we waited until my father came home to tell him.  I’d already been accepted to tuition-free Brooklyn College.  What to do…  His father, a product of the Great Depression, didn’t want Norman to accept the scholarship.  (What if it wasn’t renewed after a year? They couldn’t afford tuition…What about the cost of supplies? They also wanted to send his brother to college in just more three years).

 

“Caves Of Qumran” by Norman Berman

 

TRR: Norman returned to tell Mr. Friend the news. This dedicated teacher stayed until 7 pm the next evening to meet with Norman’s father in an attempt to convince him, even offering an extra $100. from the “Art Squad” to help defray costs. The answer was the same.  Norman’s father understood the need to be pragmatic. Norman would go to college, become a teacher and get a job.

NB:
That summer I didn’t have a job. I walked the streets telling myself that I was going to Brooklyn College.  I psyched myself up about meeting new people and having new experiences. I had four good years at BC.

 

TRR:  Norman went back to his alma mater, Abraham Lincoln High School to student teach and his teaching career started in 1956. In September, 1960, Norman was set up by his brother’s fiancée on a blind date with a girl named Ethel.  The rest is history!  They have 2 children and 4 grandchildren. Ethel and Norman were married for almost 52 years. As Norman points out, if he had gone to Parsons, he would not have ended up being introduced to his “beshert”, Ethel.  His first date was on Ethel’s birthday. They were married for 52 years… She passed away in July of 2013.

NB:
After graduating with my BA and MA from Brooklyn College, I taught Junior High and then High School.  I taught painting as part of the curriculum, along with art history and color theory. From my own experiences, I encouraged my students to learn and research their subjects.  Research is an essential part of any good piece of artwork!  My favorite part of the curriculum was teaching painting.  I was privileged to have a number of students from the “Art Talent Classes”.  I eventually became a supervisor (Assistant Principal).  I taught in a few different schools and in 1983 was awarded the ‘Art Educator Award’ from the New York City Art Teacher’s Association/UFT and the Art Chairman’s Association in recognition of my outstanding service and commitment to art education.  I also held the rank of Adjunct Assistant Professor of Art at Queensborough College where I taught painting, drawing, two-dimensional design, and art history.  I retired in January, 1991.

 

“Neshama” by Norman Berman

 

 

TRR:  Tell us more about your own artwork.  On your website, you differentiate between two different types of art.
NB:
There is an interrelationship.  Some of my larger paintings incorporate Hebrew words from Jewish prayers.  The ‘Lecha Dodi’  piece that is part of my current show, welcomes the Sabbath, as a bride.  Another powerful piece of bright yellow hues titled ‘Aveenu Malkeinu’ (Our Father, Our King), comes from the High Holy Day liturgy.

During my studies at Brooklyn College, three or four faculty members really influenced me: Jimmy Ernst (son of Max), Carl Robert Holty (a disciple of Mondrian), and Harry Holtzman and Mark Rothko.  Stylistically, Jimmy showed me how calligraphy and linear work can influence a piece of artwork; how to allow just enough, without overpowering the piece.  Holty was a great “colorist”.  He taught me to take Mondrian’s rectangles and squares and change their edges from white to various tints and shades of color, allowing work to “float” in one plane over the other.  He helped me capture my creative imagination through color relationships.  Holty subscribed to Hans Hoffman’s theory of “Push and Pull”.  Holtzman, who never taught studio, explained the theory of modern art, abstract theory and how to analyze what the creative process was all about.  He was one of the people who managed to help Mondrian get into the U.S.  The faculty of Brooklyn College in the 50′s and 60′s were influential artists, bringing new ideas and changes to the art world. They were the top names in the Abstract Expressionist Movement.  Having Mark Rothko as a teacher certainly influenced me. I subscribe to the Abstract Art Movement’s credo “The act of painting is more important than the product.  As Mark Rothko says, “My paintings are made to engulf you.” There is a definitive biography of Rothko and I like one of his quotes which is “ART IS AN ADVENTURE INTO AN UNKNOWN WORLD, WHICH CAN BE EXPLORED ONLY BY THOSE WILLING TO TAKE RISKS.” Each time I start a new work, I am moving into an unknown world and taking new risks. That is what keeps me going!

At the same time as I was teaching, I was also creating and showing my own work.  I believe strongly that to be able to teach art, you must be involved in the creative process yourself!  You have to live through the agony of that blank canvas and the ecstasy of a finished piece of art.

 

 

“By The Rivers of Babylon” by Norman Berman

 

TRR:  Does your art tell a story?

NB:
Good question!  Usually, my art does not tell a story because I normally don’t create narrative pieces of work. My piece, ‘Lake of Snow Moon’ is unusual in that aspect, for me. The initial little study for it (which I rarely do) was based on the weeds and reeds that I see every day from my kitchen window. When I decided to enlarge it to a full size watercolor the weeds and reeds became snow-covered pine trees. The title “The Lake of the Snow Moon” comes from the fact that the nickname for the full moon in February/March is called the “Snow Moon”. This painting took an award at the 2014 Art of Association Show at the Lighthouse ArtCenter.  The toughest part of being an abstract painter is when people ask me , ‘well, what is that supposed to be?’  If my response is that I can’t tell them and they have to determine that for themselves, it sounds dismissive.  I don’t want to be that way.  The spectator has to be willing to engage and think and wonder ‘what does that look like?’ ‘what does it tell me’? I can’t do that for them.  I like the subtlety of color relationships and that shows in a majority of my work.  Even after graduation from Brooklyn College, I would go to Carl Holty’s studio and show him my work and talk about these theories.  Then I started to show my work in galleries in Greenwich Village.

 

“Gateway to the Golden Medina” by Norman Berman

 

 

TRR:  What is your favorite part of being an artist?

NB:

When the piece is ready to sign!  Once I do that, I never go back to rework the painting.  I also like to see my work in a venue other than the walls in my house. The works look totally different in a gallery. I’ve exhibited widely in the New York Metropolitan area and my work appears in numerous private collections across the country.  The Queensborough Community College Gallery has my work in its permanent collection.  My work has been displayed in libraries, synagogues and churches in Nassau and Suffolk Counties in New York as well as the Polish Consulate in Manhattan, the GE Gallery in Schenectady, NY and the SONY Gallery in New York City.

 

TRR:  What tips would you give beginning artists?

NB:
Don’t be afraid to do what you want to do!  Your images will grow and your style will develop. That is OK.  For me, selling my work is a secondary thought.  I love what I do.  But, at the same time, don’t be afraid to market yourself.  I know this is difficult because one is fearful thinking about it.  Most artists aren’t trained to sell their work.

 

“Heavens Gate1” by Norman Berman

 

TRR:  Can you take us through the process of a painting?

NB:

Now I use watercolor, starting with a blank sheet of paper and add floating colors next.  Then I bring in wide calligraphic lines, getting thinner and thinner to create an intricate ‘lace-like’ network. The final effort is to come up with a title.  I rarely work from sketches or small studies. I don’t buy this notion that art is for self-enjoyment. (That is for the hobbyist who is “making pictures”). Art is a challenge and hard work. I have to let my mind and brain create images through my hand that I find pleasing, interesting and challenging.  The one thing in the 1950′s and 1960′s about theories expounding at Brooklyn College was that the act of painting was more important than the product.  If you finish the product and you like it, sign and you’re done.  Fine.  If you finish a product that you don’t like, it is also fine to rip it up and throw it away.   In fact, in Mark Rothko’s class, he would have you create a piece of art, then tear it up and reconstruct it!

 

When I am finished with a painting, I sign it and that’s it!  That’s not a “beshert” moment.  It is an “Aha !” moment.   When you look at your piece and know that it is enough, you are done.  If you’re not sure, stop painting and turn the piece facing the wall.  Turn it around and look at it in another 6 weeks.  Look at it with fresh eyes.  My best and most instant critic was Ethel…

 

“To Everything There Is A Season” by Norman Berman

 

TRR:  How do you recharge your creativity?

NB:
I like read about “art” whether in fiction or non-fiction.  When I reread two of my favorite books, “My Name is Asher Lev” and “The Gift of Asher Lev” by Chaim Potok, the words deeply move me. While I was not as prolific as the fictional Asher Lev, I had many of the same experiences as he did, growing up in Brooklyn and although locales were “fictionalized” I knew exactly where they were.  I also enjoy Daniel Silva whose protagonist is Gabriel Alon, an Israeli Mossad agent as well as a world famous art restorer.  I read books about artists. Their concepts and approaches to creativity help me to recharge my own creativity. As an adjunct to my paintings I am a serious amateur photographer. My approach to photography is similar to my approach to my paintings. I look for the abstract elements in the subjects that I photograph. That is a way that I am constantly aware of the visual world around which eventually can be incorporated into my works.

TRR:  Is there anything else you’d like to share with our readers?

NB:
I do have a physical limitation, which prevents me from working on large canvases, which I used to do in oils and in acrylics. I was diagnosed with ‘brittle bone disease’ (osteogenesisimperfecta). Because of my disability, I limit myself to working on full sheet or a double elephant size Arches’ Bright White 300 lb. Cold Press paper or 140 lb. Arches Bright White paper. In reading a research paper about OI, it stated that those with the disease tend to be very optimistic people, with strong motivations.  We get up.  We do.  We are positive.  I hope more people find out about the OI Foundation.www.OIF.org

 

 

For more information, please contact Norman Berman  561.434.0605
www.normanberman.com    or  normberman12@gmail.com

About Artists of Palm Beach County:

 

For more information about Joining APBC, Calls for Art, Exhibitions, Artists Space, Classes:

APBC Art on Park Gallery
800 Park Avenue, Lake Park FL 33403
561-345-2842
http://www.artistsofpalmbeachcounty.com/

 

 

 

 

For coverage of your events, to place an advertisement, or speak to Rickie about appearing in The Rickie Report, contact:

Rickie Leiter, Publisher

Rickie@therickiereport.com   561-537-0291

17019 SW Sapri Way   Port St. Lucie, FL 34986

Get Ready For World Wide Knit In Public Day On June 10th! Fantastic Fibers Miami Invites All Fiber Artists To Participate!

Pamela Palma of Fantastic Fibers Miami has a goal of making the world a better place, one thread at a time!  She invites all fiber artists (knitting, weaving, stitching, crochet,fabric painting, dyeing, felting, mixed media, etc) to join in World Wide Knit In Public Day (WWKIP DAY) at a Free gathering in Miami on June 10th. WWKIP DAY is unique, in that it’s the largest knitter run event in the world. Each local event is put together by a volunteer or a group of volunteers.  The Rickie Report shares a short history of WWKIP DAY and how to RSVP for the Miami meet-up at the Perez Museum.  We hope you will share this with fiber friends world wide so they can make their own connections! This event is Free and Open to all ages!  

 

 

 

 

 

 

 

 

Saturday,  June 10th

Noon – 5pm

Perez Art Museum Miami (PAMM)

 

1103 Biscayne Blvd.      Miami, FL 33132

 

FREE, BUT PLEASE 

RSVP: Pamela Palma   786.897.8856

Open to the public: Hang out, knit, see some art, make new friends, bond over yarn.

 

 

World Wide Knit in Public Day was started in 2005 by Danielle Landes. It began as a way for knitters to come together and enjoy each other’s company. Knitting is such a solitary act that it’s easy to knit alone somewhere and sink into your work without thinking about all the other knitters out there. Neighbors could spend all their lives never knowing that the other knits. This a specific day to get out of your house and go to a local event (with your knitting in tow) just for you and people like you. Who knows you might even bump into your neighbor! Consider this a spark, to ignite a fire; getting all of the closeted knitters out into fresh air.

 

WHAT IS A “KIP”?

A KIP is a Knitter In Public!

Astrid Salling from Copenhagen, Denmark – organizer of WWKIPDAY since 2011.

 

THE NUMBER OF KIPS AND COUNTRIES INVOLVED IN 2016:

Total KIPs around the world was 1015 !!

…And 57 Countries were involved !!

 

In Miami, at the Perez Museum, people were knitting, crocheting, felting, making lace and weaving (2016).

 

In January, 2016 Pamela Palma, a Miami-based fiber artist, launched Fantastic Fibers Miami for the purpose of creating community. She tells The Rickie Report, “We are a diverse group of serious textile artists making the world a better place, one thread at a time. We work in harmony to bring awareness of the myriad forms of fiber art as well as the historical and contemporary importance of textiles, to South Florida audiences. Through our programs, projects, and events, guild members are building bodies of work for future exhibitions. We welcome opportunities to show our work”.

 

Then they yarn bombed one of the chairs. Fun!

 

Learn to knit ~ create decorative fabric for our two upcoming Yarn Bombing events:

Saturday October 28 from 12 – 5 we will Yarn Bomb Omni Park, in downtown Miami in collaboration with PAMM’s education team. Free! Food trucks will be on site.

Friday January 26, 2018 at the Museum of Contemporary Art in North Miami, in conjunction with Jazz at MoCA and their education programs, we will yarn bomb the building columns on 123rd Street.

 

 

In Wausau, Wisconsin, Beth Paustian of The Black Purl, LLC created this piece of Public Art!(@BlackPurl,llc)

 

In Ontario, at the Highland Grounds Coffee Shop, world renown yarn purveyor, Richard Devrieze stopped by to knit! (@YarnsByRichardDevrieze)

 

Fantastic Fibers Miami meets on the 4th Saturday of each month at Studio 41 at the Bakehouse Art Complex, Wynwood/Miami. Guests are welcome. Membership applications and information about the guild are available online. 

 

About the Founding Director: Pamela Palma is a creative force in the world of fiber art who has been advancing the field for with 30 years. She teaches weaving at her studio and has taught design at numerous organizations in South Florida. She exhibits her work in museums, galleries and private collections locally, nationally and internationally. Active in arts communities, she has fundraised for museums, colleges, and arts organizations. She is currently a member of the Board of Directors for the American Tapestry Alliance. 

 

 

Fantastic Fibers Miami is a member supported fiber art guild for weavers, knitters, crocheters, stitchers, surface designers, mixed media fiber artists, dyers, printers, felters, and more. We meet on the 4th Saturday of every month at 2:00. Please RSVP!

Contact: Pamela Palma   786.897.8856

email pamela@pamelapalmadesigns.com

Pamela Palma Designs pamelapalmadesigns.com

Fantastic Fibers Miami fantasticfibersmiami.com

 

For more information about WWKIP:

World Wide Knit In Public Day:  www.wwkipday.com

 

 

 

 

For coverage of your events, to place an advertisement, or speak to Rickie about appearing in The Rickie Report, contact:

Rickie Leiter, Publisher

Rickie@therickiereport.com   561-537-0291

17019 SW Sapri Way   Port St. Lucie, FL 34986

 

Armory Art Center Offers Summer Camp For Grades 1 Through 12 And Summer Art Academy For Career-Minded High School Students

The “Summer Art Experience” at the Armory Art Center is filled with fun and creativity for grades 1 through 12. Innovative weekly themes include drawing, painting, sculpture, jewelry, fashion, ceramics, and printmaking. Teens can discover the latest developments in 3-D printing technology with the Armory’s new 3D jewelry and ceramics printers. Activities take place June 5 through August 4th. The Armory Summer Art Experience includes public receptions showing artwork created during each session and field trips. For high schoolers wanting to make their careers in art, check out the “Summer Art Academy”. The Rickie Report shares the details and urges you to sign up before spaces are filled!

 

 

 

 

811 Park Place    West Palm Beach, FL 33401
561-832-1776     armoryart.org

 

 

 

 

 

 

Activities include:
• A week filled with high-quality art education
• Immersion in various creative techniques for diverse interests and skill building
• Excursions to local venues
• Public art show receptions in June and August

 

 

Registering online, by phone, or walk-in is quick and easy.

• Payment in full is required at the time of registration. Some weeks fill quickly—don’t delay!
• Register for as many weeks as you like.
• A $20 discount per week is provided for multiple enrollments within the immediate family or for one camper over multiple weeks.
• Membership is not required to attend Summer Art Experience.
• By purchasing a Youth or Family Membership, Summer Art Experience students will receive a 10% discount on all 8-week studio art classes during the year of their membership.
• Extended childcare in the morning and afternoon is available for an additional fee.

– Tuition assistance may be available upon approval of the financial assistance application found on our website at http://www.armoryart.org/scholarship.

– Tuition includes all art materials and one camp T-shirt.

– Students bring a lunch, two snacks, and beverages.

REFUND POLICY: Tuition is refundable up to five business days prior to the start of your camp week minus 10% of tuition for cancellation. Please note that there is no refund for a student dismissed from camp due to behavior which endangers or disrupts camp activities.  

 

Most instructors have a master’s degree in art and/or education and all have had a background check. Our camp leaders are skilled in working with youth in the arts. We look forward to providing a safe and enriching environment for your child.

 

 

JUMPSTART Grades 1 – 2
& ADVENTURES IN ART Grades 3 – 5

$235 per week*
*Weeks 2 and 6 will have field trips and have an additional fee of $23 per camper.

WEEK 1 June 5th-9th Hola Summer – Art of Latin America

WEEK 2 June 12th-16th Da Vinci to Degas* – The Human Figure & Portraits

WEEK 3 June 19th-23rd Abstract Expressionism – Celebrating Our Independence

WEEK 4 June 26th-30th Nature as Art – Bugs, Birds, & Botanicals All Around

Friday, June 30 4:30-6:30 pm Mid-Summer Exhibition & Reception
WEEK 5 July 10th-14th Pop Art with a POW! – Superhero Stories

WEEK 6 July 17th-21st Stargazers* – Van Gogh & Beyond

WEEK 7 July 24th-28th Medieval Myths & Art -Tales of Knights & Dragons

WEEK 8 July 31st- Aug 4th Exploring African Art – A Safari of Culture & Wildlife

Friday, Aug. 4th   4:30-6:30 pm Good Bye to Summer Exhibition

 

 

DAILY SCHEDULE FOR GRADES 1-5

9:00 – 10:30 am Early morning workshops
10:30 – 10:45 am Snack
10:45 am – 12:15 pm Mid-morning workshops
12:15 – 1:15 pm Lunch and recess
1:15 – 2:45 pm Mid-afternoon workshops
2:45 – 3:00 pm Snack
3:00 – 4:30 pm Late afternoon workshops

 

ROCKIN’ ART WORKSHOPS Grades 6 – 12

$285 per week
Age groups are divided according to weekly enrollment.

WEEK 1 June 5th–9th

Graffiti
OR
Cartooning
OR
Sculpture: Book Art

 

WEEK 2 June 12th-16th

Painting
OR
Digital and Video
OR
Fashion Accessories: Bead and Seed Weaving OR
Ceramics: Wheel Throwing and 3D Printing

 

WEEK 3 June 19th-23rd

Digital Photography
OR
Fashion: Upcycle
OR
Jewelry and 3D Printing
OR
Sculpture: Turn a Room Into Art

 

WEEK 4 June 26th-30th

Photoshop Fun With Your Photos
OR
Printmaking and Journaling
OR
Ceramics: Hand building and Raku

Friday, June 30th  4:30-6:30 pm Mid-Summer Exhibition & Reception

 

WEEK 5 July 10th-14th

Painting
OR
Photo Transfer Techniques: Cyanotype
OR
Soft Sculpture

 

WEEK 6 July 17th-21st

Digital Anime and Your Art
OR
Ceramics: Handbuilding and 3D Printing
OR
Jewelry and 3D Printing

 

WEEK 7 July 24th-28th

Digital Photography
OR
Printmaking: Block Prints and Pattern
OR
Ceramics: Glazing and Color

 

WEEK 8 July 31 – Aug 4th

Street Art
OR
Sculpture: Objects Big and Small
OR
Ceramics: Wheel Throwing and 3D Printing

Friday, Aug 4th  4:30-6:30 pm Good Bye to Summer Exhibition

 

When registering for Summer Art Academy, receive a 10% discount toward any of the Summer Art Experience classes.

(Summer Art Academy is designed for rising juniors and rising seniors who are career-minded students of the visual arts)

 

Preparing for College Scholarships?

Summer Art Academy was developed to help advanced students prepare for college scholarship opportunities and propel career-minded students of the visual arts. Two classes were developed with the guidance of visual art teachers from Bak Middle School of the Arts and Dreyfoos School of the Arts.

Looking for a scholarship to art school?
PRE-COLLEGE PORTFOLIO
REVIEW WORKSHOP
for Incoming Juniors

A student portfolio is a vital part of admission and scholarship decisions. This week-long workshop will assist students in the thoughtful selection and arrangement of pre-existing artwork. The instructor will make recommendations for work that needs to be added for the best outcome.
Emphasis will be placed on:
• Work process
• Technical and analytical skills
• Aesthetics
• Time management

Be prepared for the portfolio review
and admission process:
DAY 1: Introduce Yourself – As an artist, student, and visionary
Day 2: Critical Thinking – Is your portfolio complete?
Day 3: Digital Portfolio – How to clean up and post your work
Day 4: The Magical Order – What goes first, last, and in between
Day 5: Mock portfolio review session

Instructor: Amber Tutwiler

Amber is an instructor of sculpture at FAU. She attended Dreyfoos School of the Arts for Visual Art, Massachusetts College of Art and Design, and received her MFA from Florida Atlantic University
for Mixed Media.

Workshops are offered two times:
Monday through Friday | 10:30 am – 3:30 pm
Register for June 5-9, 2017
OR
Register for July 17-21, 2017
Tuition per workshop: $200

Be one step ahead…
INTENSIVE DRAWING & SCULPTURE WORKSHOP
for Incoming Freshmen

Rising freshmen in art school need to strengthen their two-dimensional and three-dimensional
skill sets. In this workshop young students will:
• Navigate drawing (2D) and sculpture (3D) as a powerful way to express how the artist sees
the world.
Explore drawing and sculpture materials and tools.
• Create using both imagined situations and observable nuances of the human figure and the
environment.
Sculpture……..10:30 am – 12:30 pm
Learn about volume, mass, and structure while building with clay.
Lunch and break 12:30 – 1:30 pm
Drawing……..1:30 – 3:30 pm

A focus will be on observational drawing such as perspective in interiors, the structure of the human body, and scale in a still life.

Sculpture Instructor: Joshua Davis

Joshua studied illustration at the Savannah College of Art and Design where he earned his BFA. At Florida University he earned his MFA with an emphasis in painting and industrial and mechanical design.

Drawing Instructor: Vishan Seenath

Vishan is a graduate of Dreyfoos School of the Arts and earned a BA in studio art at FSU. He attended West Dean College in the UK, where he earned an MFA in painting and drawing from the University of Sussex.

Workshops are offered two times:
Monday through Friday | 10:30 am – 3:30 pm
Register June 5-9, 2017
OR
Register July 17-21, 2017
Tuition per workshop: $200

When registering for these workshops, receive a 10% discount toward any of the Summer Art Experience studio classes, including 3D printing, digital design, ceramics, glass, fashion, and jewelry. armoryart.org/youthartcamps

For more information about these activities, classes, workshops or events for children or adults at the Armory Art Center:

armoryart.org

561.832.1776

 

 

 

 

For coverage of your events, to place an advertisement, or speak to Rickie about appearing in The Rickie Report, contact:

Rickie Leiter, Publisher

Rickie@therickiereport.com   561-537-0291

17019 SW Sapri Way   Port St. Lucie, FL 34986

“National Bike To Work Week” Is Interpreted Artistically At Artisans On The Ave

Artisans on the Ave is encouraging our community to “Bike on In”, on May 19th for the Free, Opening Event to help celebrate National Bike to Work Day! Get some exercise and save some gas! They will be featuring the work of three new artists: Ceramics by Ana Valeria Haddad, Wood Works by Leonard Gabaldon and Jewelry by Susan Estrella.  The Rickie Report shares the details and some sneak peeks.

 

630 Lake Ave.   Lake Worth Florida 33460
561-762-8162      561-582-3300
www.ArtisansOnTheAve.com

 

 

 

 

 

Bike on In!
Celebrating National Bike to Work Day

Opening Reception:

Friday, May 19, 2017

6:00 – 9:00 PM

Special Surprise if your arrive on a bike!

Free Event, Public Welcome, Refreshments Served

 

 

Gallery Hours:

Open 7 days a week
Monday thru Saturday 11am – 9pm
Sunday 9am – 7pm

 

 

 

 

Artisans on the Ave boasts 3 showrooms within the gallery with an amazing selection of exquisite art created by more than 40 featured artists, who work in a variety of mediums.

 

“Woman and Wheel” Clay Sculpture by Robert Ben Kline

Artisans on the Ave is encouraging our community to Bike on In, on May 19th for our Opening Event to help us celebrate National Bike to Work Day, get some exercise and save some gas! We are featuring the work of Three of our New Artists: Ceramics by Ana Valeria Haddad, Wood works by Leonard Gabaldon and Jewelry by Susan Estrella.

 

 

“Green Square Plate” Ceramics by Ana Valeria Haddad

 

Here is what National Bike to Work Day is all about. This information is straight from the League of American Bicyclists…”National Bike Month was started by the League in 1956. The event was timed to coincide with the arrival of warmer weather. It has inspired countless bike rides, safety inspections, commuter challenges, ribbon-cuttings, “share the road” promotions, and other varied celebrations of bicycling in communities across the nation”.

 

Hand carved Wood box by Leonard Gabaldon

 

When you give a handmade piece of art to friends and loved ones created by local artists, you are also giving a gift to the artist. Infuse your community by supporting local artists!

 

Jewelry by Susan Estrella

 

Visit this opening night for an evening of fun. Meet the artists!!! Celebrate our wonderful art and enjoy yourself!

 

 

For more information about this exhibit, classes or how to become part of this gallery please call: 561762-8162

 

Artisans on the Ave
A cooperative gallery of Palm Beach County Artists
630 Lake Ave.    Lake Worth, Florida 33460
561-762-8162     561-582-3300
www.ArtisansOnTheAve.com

 

 

For coverage of your events, to place an advertisement, or speak to Rickie about appearing in The Rickie Report, contact:

Rickie Leiter, Publisher

Rickie@therickiereport.com   561-537-0291

17019 SW Sapri Way   Port St. Lucie, FL 34986

Photography Exhibition, “Divergent Visions” Features Area Artists With International And National Acclaim

“Divergent Visions”, a photographic exhibition will run May 20, 2017 – June 14, 2017 at Ludwig Framemakers in Wilton Manors, FL. The public is invited to the free Artists’ Reception on Saturday, May 20th. The exhibit features four area artists from the Boca Raton Museum of Art – The Art School: Kent Burkhardsmeier; Karen Hanley Colbert; Dale Kirk as well as curator and instructor, Allan Pierce. These fine art photographers are internationally and nationally acclaimed award winners, some of whom have had their work published.  Their photography can be found in public and private collections world wide. The Rickie Report shares the details and some sneak peeks.

 

 

(954) 306-3138

2420 Wilton Drive    Wilton Manors, FL 33305

 

 

P R E S E N T S:

 

“DIVERGENT    VISIONS”

PHOTOGRAPHIC  EXHIBITION

 

Curated by Allan Pierce

Featuring:

Kent Burkhardsmeier

Karen Hanley Colbert

Dale Kirk

Allan Pierce

 

PUBLIC ARTISTS’ RECEPTION:

 

Saturday, May 20th

 

6 – 8:30 pm

Catered by Palate Party and Rumors

Exhibition Is Available May 20 – June 14, 2017

Gallery Hours are Tuesday – Saturday 11am-7pm or by appointment.

For more information contact Marquie Kloppenburg (954-306-3138)

 

 

 

 

ABOUT   THE   ARTISTS:

 

 

Kent Burkhardsmeier

www.KJBImages.com      kent@kjbimages.com
954 614 9720

 

 

Kent Burkhardsmeier “Intriguing Beginnings”

 

 

 

Kent Burkhardsmeier’s work explores the transition between fog and nature – offering a tempting glimpse beyond. Kent pursues familiar places with a curious fascination to uncover hidden gems in his photographs – like seeing into the veil of fog. A resident of Deerfield Beach, his photography has been shown throughout South Florida (Palm Beach Photographic Centre, Crest Galleries, Boca Raton Museum School, and Broward Art Guild Galleries) and internationally (UNEAC Santiago de Cuba). Kent’s project, “Cinco Hojas: The Experience of a Cuban Cigar, in Cuba” was published by LensWork Publishing as the lead series in the book “Seeing in SIXES.” His work has been recognized internationally (International Photography Awards – Family of Man, Black & White Spider Awards, International Color Awards,) and locally.

 

 

 

Karen Hanley Colbert

www.karenhcolbert.com     khcolbertm@comcast.net

561 927 7433

 

“Seagulls At Dawn” by Karen Hanley Colbert

Karen Hanley Colbert’s work depicts how she blends her work with the many activities that can be found at the beach. The beach entices her into the escapism of sheer play or sometimes early in the mornings, the stillness of elusive dreams. She lets her camera catch the freedom that is the beach. A resident of Delray Beach Karen is an internationally published and award-winning photographer. Her work has gained broad recognition in magazines and competitions including Black & White Magazine, Artblend Magazine and the Fine Art Photography Awards (FAPA-London, UK); PX3 Prix De La Photographie Paris (PX3); International Color Awards and the Black & White Spider Awards. In South Florida, her images have been exhibited at Palm Beach International Airport; Palm Beach Photographic Museum; Cultural Council of Palm Beach County; Cornell Museum; Old School Square Gallery; Boca Raton Museum of Art; Artblend, ArtServe and Broward Art Guild Galleries and in Art Basel. Her pieces can be found in both commercial and private collections. 

 

 

 

Dale Kirk

dalekirkphotography.com        dalekirk@mac.com
 561-358-2450

“Grand To Be Central” by Dale Kirk

Dale Kirk’s work comes from her walks on the streets of New York. She is not alone… every step of the way is a memory of her father whispering stories reminiscent of his life there. To achieve that feeling of timelessness and energy, she captures movements, which emphasize the passage of time. This temporality satisfies her longing for him, and somehow, she can keep him alive, if only in spirit.  A resident of Boynton Beach, Dale’s work has been shown throughout South Florida (Palm Beach Photographic Centre, Boca Raton Museum School, Broward Art Guild Galleries, Palm Beach Art). In addition, her work has been auctioned several times for Bethesda Hospital. Her love for photography developed from her father’s attraction for the art. “I remember watching him tinkering with cameras and compositions and felt like my Dad was most at peace when he was looking through the lens”. Dale’s career began 30 years ago with a family portrait studio in her home and has now evolved to capturing landscapes and still life. 

 

 

Allan Pierce

AllanPierce.com     allanpierce@me.com

954.253.9185

 

“Looking Out” by Allan Pierce

Curator, Allan Pierce’s work approaches portraiture, by capturing the inner life of a person in unguarded moments and not the “flattering, air-brushed” conformity that’s so prevalent in studio photography. He is especially excited by the limitless range of natural lighting situations rather than the forced predictability and blandness that result from getting mired in technique. The work in this exhibit reflects his ongoing theme of dealing with barriers and looking out of windows.  Allan lives in Fort Lauderdale and from his earliest childhood as an avid theater-goer, he has been consumed with the interactions of people, their emotional masks and subtexts and the environments and situations that define their lives. He studied theater, taught English and drama and directed plays (both traditional and experimental).  Observing humanity continues to be a consuming passion and a similar perspective pervades his photography. He has exhibited his work at the Soho Photo Gallery in New York City, Georgia State University in Atlanta and University of Miami, Florida International University, the Boca Museum of Art, the Chris Lopez Gallery, World and Eye Arts Center, and the Artists’ Guild Gallery in Delray Beach. He currently teaches photography at the Boca Raton Museum of Art – The Art School and conducts workshops throughout Florida. 

 

 

 

 

 
About Boca Raton Museum of Art:

Dedicated to excellence in all its endeavors, through its collections, exhibitions, and educational opportunities. The Museum values cultural, artistic, and intellectual diversity and accommodates a wide range of experiences and learning styles. It welcomes new and broader constituencies, encouraging a heightened public understanding and appreciation of the visual world.

For more information about exhibits, classes, workshops:

 www.bocamuseum.org

www.bocamuseum.org/theartschool

 

 

About Ludwig Framemakers:

Established in 1975, Ludwig Framemakers has been a cornerstone of the wholesale picture framing industry throughout South Florida, providing art and framing services to interior designers, galleries, artists, corporate, hospitality and residential clients.

 

Ludwig Framemakers    Superior Custom Framing for Art, Mirrors, and More

(954) 306-3138   2420 Wilton Drive    Wilton Manors, FL 33305

Hours: Monday – Thursday 8:30 PM – 5:00 PM Friday 8:30 AM – 3:00 PM  Saturday by Appointment Only

www.ludwigframemakers.com

 

 

 

For coverage of your events, to place an advertisement, or speak to Rickie about appearing in The Rickie Report, contact:

Rickie Leiter, Publisher

Rickie@therickiereport.com   561-537-0291

17019 SW Sapri Way   Port St. Lucie, FL 34986

Wellington Art Society Invites Public To Reception And Exhibit Featuring Joanne Baker MacLeod At Wellington Whole Foods Market

The Wellington Art Society in conjunction with Whole Foods Market Wellington features Artist, Joanne Baker MacLeod. The public is invited to attend a Meet The Artist Reception on Friday, May 26. Whole Foods Market Wellington will provide delicious appetizers, wine and live music. In addition, there will be special door prizes. The Wellington Art Society requests a $5 per person donation to go toward their Scholarship Fund. Her paintings are on exhibition now through June. Combining art food, wine and music is a wonderful way to begin your weekend! The Rickie Report shares the details and some sneak peeks.

 

 

 

 

 

 

 

WELLINGTON ART SOCIETY

Presents

A SOLO EXHIBITION

 

by

JOANNE  BAKER  MACLEOD

 

PUBLIC RECEPTION:

Friday, May 26th

6:30 – 8:00 pm

 

 

$5. Covers Music, Wine, Food and Donation to WAS Scholarship Fund

Exhibit Is Available At This Time

 

Whole Foods Market Cafe

2635 SR7     Wellington, FL

561.904.4000

 

“Mounts Botanical Gardens” by Joanne Baker MacLeod

 

 

The current Wellington Art Society Whole Foods exhibitor is well known and highly accomplished local artist Joanne Baker MacLeod. She will be showing many of her beautiful nature paintings at the Wellington Whole Foods Market Gallery through June.  

 

“Riverbend” by Joanne Baker MacLeod

 

 

Joanne graduated from Carnegie Mellon in Pittsburgh PA with a Fine Art Degree in Commercial Art. Following graduation she worked for American Greetings Card Company until she married. She continued painting while raising three children, moving around the country finally to Wellington in 1997.

 

 

 

“Two Raccoons In Okeeheelee Park” by Joanne Baker MacLeod

 

 

Joanne continues to be a working artist and is well known for her beautiful oil paintings of animals, landscapes, flowers and people. Her paintings have a softness to them and lovely muted colors of nature. She has won many awards wherever she has lived including several Best in Show and First Place. Locally she shows her paintings at the Wellington City Hall Gallery, Community Center Gallery, the Lake Worth Art League and Art in Public Places. She is a long time member of the Wellington Art Society and Lake Worth Art League. Her paintings are found in private collections throughout the United States.

 

 

 

“Everglades” by Joanne Baker MacLeod

 

A reception for Joanne will be held at and hosted by Wellington Whole Foods Market on Friday, May 26, 2017 from 6:30-8 PM. Delicious appetizers and wine will be served and there will be live music and door prizes. The Art Society asks a $5 donation which will go to their Scholarship Fund. This year the Art Society awarded seven $1,500 scholarships to graduating local seniors who will be majoring in art in college. This will be a lovely reception for the artist and is open to the public. It is a great way to start the weekend!

 

About Wellington Art Society:

The Wellington Art Society is a non-profit charitable organization in its 36th year. It is open to artists of all mediums and patrons of the arts, allowing both local and regional artists to display their art work in local galleries, interact with other artists and serve the community through their art.

For more information visit WellingtonArtSociety.org

 

 

 

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